Bill Roe
Best known as a Cinematographer based on credits in that role in 2 films, with $124,995,425 worldwide aggregate box office (rank #440) |
Best-known technical roles: Seabiscuit (Second Unit Camera), The X-Files: I Want to Believe (Cinematographer), Elektra (Cinematographer) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Cinematographer | 2 | $45,392,200 | $79,603,225 | $124,995,425 |
Second Unit Camera | 1 | $120,277,854 | $28,437,488 | $148,715,342 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office (Rank 501-600) | 504 | $45,392,200 |
Top Grossing Cinematographer at the International Box Office (Rank 401-500) | 403 | $79,603,225 |
Top Grossing Cinematographer at the Worldwide Box Office (Rank 401-500) | 440 | $124,995,425 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jul 25, 2008 | The X-Files: I Want to Believe | Director of Photography | $20,982,478 | $47,188,314 | $68,170,792 |
Jan 14, 2005 | Elektra | Director of Photography | $24,409,722 | $32,414,911 | $56,824,633 |
Jul 25, 2003 | Seabiscuit | Second Unit Camera | $120,277,854 | $28,437,488 | $148,715,342 |
Averages | $55,223,351 | $36,013,571 | $91,236,922 | ||
Totals | 3 | $165,670,054 | $108,040,713 | $273,710,767 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office (Rank 501-600) | 504 | $45,392,200 |
Top Grossing Cinematographer at the International Box Office (Rank 401-500) | 403 | $79,603,225 |
Top Grossing Cinematographer at the Worldwide Box Office (Rank 401-500) | 440 | $124,995,425 |