Matthew Heineman
Best known as a Director based on credits in that role in 9 films, with $5,504,391 worldwide aggregate box office (rank #4,202) |
Best-known technical roles: A Private War (Director), A Private War (Producer), Cartel Land (Director), Cartel Land (Producer), Cartel Land (Cinematographer) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Director | 9 | $2,654,190 | $2,850,201 | $5,504,391 |
Producer | 4 | $2,465,576 | $2,837,176 | $5,302,752 | |
Editor | 3 | $832,367 | $526,220 | $1,358,587 | |
Cinematographer | 2 | $832,367 | $526,220 | $1,358,587 | |
Executive Producer | 1 | $9,337 | $859 | $10,196 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2018 Awards Season: DGA - Nominations
January 9th, 2019
Directors Guild of America announced their theatrical nominations this week and we are starting to see some real patterns emerge and I think the Oscar picture is getting clearer.
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2017 Awards Season: DGA Winners
February 4th, 2018
The Directors Guild of America Awards were handed out this weekend and two of the three categories could be good omens come Oscar night. To be more accurate, it sets up an interesting two-way race on Oscar night.
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2017 Awards Season: DGA Nominations
January 11th, 2018
Directors Guild of America is one of those awards groups that spread out their nominations, but the last of them were announced today. There are some pleasant surprises and what is possibly the biggest shock of Awards Season so far. The only film to earn two nominations was Get Out.
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2015 Awards Season: DGA Winners—The Revenant Bounces Back
February 7th, 2016
The Directors Guild of America awards were handed out and it was a big night for Alejandro Gonzalez Inarritu and The Revenant.
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2015 - Awards Season: DGA - Nominations
January 14th, 2016
The Directors Guild of America spread out the nominations, which I always felt hurt the buzz. There are ten categories of awards, but only three of which pertain to theatrical releases. There are very few surprises across these three categories, so the Oscar nominations today shouldn't be full of surprises either.
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Featured DVD Review: Escape Fire
February 25th, 2013
Escape Fire: The Fight to Rescue American Healthcare is one of many, many documentaries that tackle the subject of the American healthcare system. Does this one present the topic from a different enough angle that those interested in the topic want to check it out? Will it appeal to a wider demographic?
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Nov 24, 2023 | American Symphony | Director | |||
Nov 11, 2022 | Retrograde | Director | $8,561 | $8,561 | |
Nov 19, 2021 | The First Wave | Director | $62,376 | $4,464 | $66,840 |
May 7, 2021 | The Boy from Medellín | Director Producer Editor |
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Dec 13, 2020 | Tiger | Director | |||
Nov 22, 2019 | When Lambs Become Lions | Executive Producer | $9,337 | $859 | $10,196 |
Nov 2, 2018 | A Private War | Director Producer |
$1,633,209 | $2,310,956 | $3,944,165 |
Jul 7, 2017 | City of Ghosts | Director Producer Cinematographer Editor |
$128,015 | $82,832 | $210,847 |
Jul 3, 2015 | Cartel Land | Director Producer Cinematographer Editor |
$704,352 | $443,388 | $1,147,740 |
Oct 5, 2012 | Escape Fire: The Fight to R… | Director | $126,238 | $126,238 | |
Averages | $443,921 | $475,177 | $787,798 | ||
Totals | 10 | $2,663,527 | $2,851,060 | $5,514,587 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 24, 2023 | American Symphony | |||||
Nov 11, 2022 | Retrograde | $8,561 | ||||
Nov 19, 2021 | The First Wave | $60,511 | 11 | $62,376 | $66,840 | 93.3% |
May 7, 2021 | The Boy from Medellín | |||||
Dec 13, 2020 | Tiger | |||||
Nov 2, 2018 | A Private War | $60,491 | 865 | $1,633,209 | $3,944,165 | 41.4% |
Jul 7, 2017 | City of Ghosts | $13,601 | 18 | $128,015 | $210,847 | 60.7% |
Jul 3, 2015 | Cartel Land | $15,581 | 65 | $704,352 | $1,147,740 | 61.4% |
Oct 5, 2012 | Escape Fire: The Fight… | $30,953 | 12 | $126,238 | $126,238 | 100.0% |
Averages | $36,227 | 194 | $530,838 | $917,399 | 71.4% | |
Totals | 9 | $2,654,190 | $5,504,391 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
May 7, 2021 | The Boy from Medellín | |||||
Nov 2, 2018 | A Private War | $60,491 | 865 | $1,633,209 | $3,944,165 | 41.4% |
Jul 7, 2017 | City of Ghosts | $13,601 | 18 | $128,015 | $210,847 | 60.7% |
Jul 3, 2015 | Cartel Land | $15,581 | 65 | $704,352 | $1,147,740 | 61.4% |
Averages | $29,891 | 316 | $821,859 | $1,767,584 | 54.5% | |
Totals | 4 | $2,465,576 | $5,302,752 |