Chris Charles
Best known as an Executive Producer based on credits in that role in 2 films, with $22,001 worldwide aggregate box office (rank #11,331) |
Best-known technical roles: The Marksman (Screenwriter), Animals (Executive Producer) |
Best-known acting roles: Lamborghini Driver (Step Up Revolution) |
Most productive collaborators: Liam Neeson, Robert Lorenz, Katheryn Winnick, Juan Pablo Raba, Danny Kravitz |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 1 | $35,074,677 | $130,477,613 | $165,552,290 |
In Technical Roles | Executive Producer | 2 | $22,001 | $0 | $22,001 |
Co-Executive Producer | 2 | $0 | $0 | $0 | |
Screenwriter | 1 | $15,566,093 | $8,289,754 | $23,855,847 | |
Producer | 1 | $0 | $0 | $0 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Stars at the Domestic Box Office (Rank 39,301-39,400) | 39,367 | $35,074,677 |
Top Stars at the International Box Office (Rank 17,101-17,200) | 17,151 | $130,477,613 |
Top Stars at the Worldwide Box Office (Rank 23,101-23,200) | 23,157 | $165,552,290 |
Top Grossing Executive Producer at the Domestic Box Office (Rank 9,201-9,300) | 9,227 | $22,001 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 3,201-3,300) | 3,290 | $15,566,093 |
Top Grossing Screenwriter at the International Box Office (Rank 3,201-3,300) | 3,284 | $8,289,754 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 11,301-11,400) | 11,331 | $22,001 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,501-3,600) | 3,524 | $23,855,847 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
January preview: 2021 starts with the quietest month since July
January 5th, 2021
There’s precious little good news in the theatrical market as we start 2021. Although Wonder Woman 1984 had a relatively good opening weekend after its launch on Christmas Day, it declined steeply at the box office last weekend, and the combined earnings for all films reporting is only a shade over $10 million right now. Unfortunately, there are only two films scheduled to open wide in the whole month of January, which means we won’t see much of an improvement in the market, and likely some back sliding, particularly given the growing COVID-19 case counts and the high likelihood of continued restrictions on public gatherings around North America.
The (slow) rollout of a vaccine is the one piece of good news, but it’s unlikely to have much of an effect on the things for several months. For now, here’s what’s in store for January…
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jul 27, 2012 | Step Up Revolution | Lamborghini Driver | $35,074,677 | $130,477,613 | $165,552,290 |
Averages | $35,074,677 | $130,477,613 | $165,552,290 | ||
Totals | 1 | $35,074,677 | $130,477,613 | $165,552,290 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jan 15, 2021 | The Marksman | Screenwriter | $15,566,093 | $8,289,754 | $23,855,847 |
Oct 6, 2020 | Hunter’s Creed | Executive Producer | |||
Aug 30, 2019 | Itsy Bitsy | Co-Executive Producer | |||
Apr 9, 2019 | We Are Columbine | Producer | |||
Jul 7, 2017 | Austin Found | Co-Executive Producer | |||
May 15, 2015 | Animals | Executive Producer | $22,001 | $22,001 | |
Averages | $7,794,047 | $8,289,754 | $11,938,924 | ||
Totals | 6 | $15,588,094 | $8,289,754 | $23,877,848 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 9, 2019 | We Are Columbine | |||||
Averages | n/a | n/a | n/a | n/a | 0.0% | |
Totals | 1 | n/a | n/a |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jan 15, 2021 | The Marksman | $3,104,204 | 2,018 | $15,566,093 | $23,855,847 | 65.3% |
Averages | $3,104,204 | 2,018 | $15,566,093 | $23,855,847 | 65.3% | |
Totals | 1 | $15,566,093 | $23,855,847 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Executive Producer at the Domestic Box Office (Rank 9,201-9,300) | 9,227 | $22,001 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 3,201-3,300) | 3,290 | $15,566,093 |
Top Grossing Screenwriter at the International Box Office (Rank 3,201-3,300) | 3,284 | $8,289,754 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 11,301-11,400) | 11,331 | $22,001 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,501-3,600) | 3,524 | $23,855,847 |