Steve Bloom
| Best known as a Screenwriter based on credits in that role in 4 films, with $81,702,638 worldwide aggregate box office (rank #2,231) |
| Best-known technical roles: Coco (Editor), Jack Frost (Screenwriter), James and the Giant Peach (Screenwriter), The Sure Thing (Screenwriter), The Celluloid Closet (Associate Editor) |
| Most productive collaborators: Lee Unkrich, Anthony Gonzalez, Gael Garcia Bernal, Adrian Molina, Benjamin Bratt |
| Also credited as: Steven L. Bloom |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 4 | $81,702,638 | $0 | $81,702,638 |
| Editor | 1 | $210,460,015 | $585,941,706 | $796,401,721 | |
| Associate Editor | 1 | $1,310,167 | $0 | $1,310,167 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Editor at the Domestic Box Office (Rank 301-400) | 352 | $210,460,015 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,401-1,500) | 1,428 | $81,702,638 |
| Top Grossing Editor at the International Box Office (Rank 101-200) | 193 | $585,941,706 |
| Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 247 | $796,401,721 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,201-2,300) | 2,231 | $81,702,638 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Nov 22, 2017 | Coco | Editor | $210,460,015 | $585,941,706 | $796,401,721 |
| Jan 20, 2004 | Overnight Delivery | Screenwriter | |||
| Dec 11, 1998 | Jack Frost | Screenwriter | $34,645,374 | $34,645,374 | |
| Apr 12, 1996 | James and the Giant Peach | Screenwriter | $28,921,264 | $28,921,264 | |
| Mar 15, 1996 | The Celluloid Closet | Associate Editor | $1,310,167 | $1,310,167 | |
| Mar 1, 1985 | The Sure Thing | Screenwriter | $18,136,000 | $18,136,000 | |
| Averages | $58,694,564 | $585,941,706 | $175,882,905 | ||
| Totals | 6 | $293,472,820 | $585,941,706 | $879,414,526 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jan 20, 2004 | Overnight Delivery | |||||
| Dec 11, 1998 | Jack Frost | $7,104,125 | 2,152 | $34,645,374 | $34,645,374 | 100.0% |
| Apr 12, 1996 | James and the Giant Peach | $7,539,098 | 2,268 | $28,921,264 | $28,921,264 | 100.0% |
| Mar 1, 1985 | The Sure Thing | $3,124,782 | 1,115 | $18,136,000 | $18,136,000 | 100.0% |
| Averages | $5,922,668 | 1,845 | $27,234,213 | $27,234,213 | 100.0% | |
| Totals | 4 | $81,702,638 | $81,702,638 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Editor at the Domestic Box Office (Rank 301-400) | 352 | $210,460,015 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 1,401-1,500) | 1,428 | $81,702,638 |
| Top Grossing Editor at the International Box Office (Rank 101-200) | 193 | $585,941,706 |
| Top Grossing Editor at the Worldwide Box Office (Rank 201-300) | 247 | $796,401,721 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 2,201-2,300) | 2,231 | $81,702,638 |