Tricia Cooke
Best known as an Editor based on credits in that role in 4 films, with $93,433,654 worldwide aggregate box office (rank #762) |
Best-known technical roles: O Brother, Where Art Thou? (Editor), Drive-Away Dolls (Screenwriter), Drive-Away Dolls (Producer), Drive-Away Dolls (Editor), New York, I Love You (Editor) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Editor | 4 | $52,122,921 | $41,310,733 | $93,433,654 |
Screenwriter | 2 | $5,028,215 | $2,916,565 | $7,944,780 | |
Producer | 2 | $5,028,215 | $2,916,565 | $7,944,780 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Editor at the Domestic Box Office (Rank 701-800) | 707 | $52,122,921 |
Top Grossing Producer at the Domestic Box Office (Rank 4,001-4,100) | 4,015 | $5,028,215 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,701-4,800) | 4,798 | $5,028,215 |
Top Grossing Editor at the International Box Office (Rank 701-800) | 795 | $41,310,733 |
Top Grossing Producer at the International Box Office (Rank 4,701-4,800) | 4,772 | $2,916,565 |
Top Grossing Screenwriter at the International Box Office (Rank 4,801-4,900) | 4,805 | $2,916,565 |
Top Grossing Editor at the Worldwide Box Office (Rank 701-800) | 762 | $93,433,654 |
Top Grossing Producer at the Worldwide Box Office (Rank 4,901-5,000) | 4,918 | $7,944,780 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 5,801-5,900) | 5,856 | $7,944,780 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Weekend projections: Bob Marley holds on at top of chart
February 25th, 2024
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A lack of new releases with mass-market appeal will allow Bob Marley: One Love to stay top of the chart at the box office this weekend. The biopic is projected to decline a respectable 53% from the Friday-to-Sunday portion of its opening weekend to earn another $13.5 million on this outing. That’ll take it to around $71 million in total after 12 days in release. Its closest challenger will be Demon Slayer: Kimetsu no Yaiba—To the Hashira Training, which will come in with an impressive $11.575 million debut. Ordinary Angels is doing good business in third place with a projected $6.5 million opening weekend.
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All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Aug 22, 2025 | Honey Don’t | Screenwriter Producer Editor |
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Feb 23, 2024 | Drive-Away Dolls | Screenwriter Producer Editor |
$5,028,215 | $2,916,565 | $7,944,780 |
Oct 16, 2009 | New York, I Love You | Editor | $1,588,087 | $8,136,973 | $9,725,060 |
Dec 22, 2000 | O Brother, Where Art Thou? | Editor | $45,506,619 | $30,257,195 | $75,763,814 |
Averages | $17,374,307 | $13,770,244 | $31,144,551 | ||
Totals | 4 | $52,122,921 | $41,310,733 | $93,433,654 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Aug 22, 2025 | Honey Don’t | |||||
Feb 23, 2024 | Drive-Away Dolls | $2,404,330 | 2,280 | $5,028,215 | $7,944,780 | 63.3% |
Averages | $2,404,330 | 2,280 | $5,028,215 | $7,944,780 | 63.3% | |
Totals | 2 | $5,028,215 | $7,944,780 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Aug 22, 2025 | Honey Don’t | |||||
Feb 23, 2024 | Drive-Away Dolls | $2,404,330 | 2,280 | $5,028,215 | $7,944,780 | 63.3% |
Averages | $2,404,330 | 2,280 | $5,028,215 | $7,944,780 | 63.3% | |
Totals | 2 | $5,028,215 | $7,944,780 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Editor at the Domestic Box Office (Rank 701-800) | 707 | $52,122,921 |
Top Grossing Producer at the Domestic Box Office (Rank 4,001-4,100) | 4,015 | $5,028,215 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,701-4,800) | 4,798 | $5,028,215 |
Top Grossing Editor at the International Box Office (Rank 701-800) | 795 | $41,310,733 |
Top Grossing Producer at the International Box Office (Rank 4,701-4,800) | 4,772 | $2,916,565 |
Top Grossing Screenwriter at the International Box Office (Rank 4,801-4,900) | 4,805 | $2,916,565 |
Top Grossing Editor at the Worldwide Box Office (Rank 701-800) | 762 | $93,433,654 |
Top Grossing Producer at the Worldwide Box Office (Rank 4,901-5,000) | 4,918 | $7,944,780 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 5,801-5,900) | 5,856 | $7,944,780 |