Martin Brest
Best known as a Director based on credits in that role in 6 films, with $543,485,218 worldwide aggregate box office (rank #346) |
Best-known technical roles: Going in Style (Story Creator), Beverly Hills Cop (Director), Scent of a Woman (Director), Scent of a Woman (Producer), Meet Joe Black (Director) |
Best-known acting roles: Drive-In Security (Spies Like Us), Airline Ticket Clerk (Midnight Run), Dr. Miller (Fast Times at Ridgemont High) |
Born: August 8, 1951 (72 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Cameo | 2 | $98,497,073 | $43,200,000 | $141,697,073 |
Supporting | 1 | $27,092,880 | $236 | $27,093,116 | |
In Technical Roles | Director | 6 | $417,707,236 | $125,777,982 | $543,485,218 |
Producer | 2 | $108,545,610 | $0 | $108,545,610 | |
Story Creator | 1 | $45,018,541 | $35,793,883 | $80,812,424 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Stars at the Domestic Box Office (Rank 15,601-15,700) | 15,633 | $125,589,953 |
Top Stars at the International Box Office (Rank 32,401-32,500) | 32,429 | $43,200,236 |
Top Stars at the Worldwide Box Office (Rank 22,701-22,800) | 22,723 | $168,790,189 |
Top Grossing Director at the Domestic Box Office (Rank 201-300) | 225 | $417,707,236 |
Top Grossing Producer at the Domestic Box Office (Rank 1,001-1,100) | 1,092 | $108,545,610 |
Top Grossing Story Creator at the Domestic Box Office (Rank 1,201-1,300) | 1,284 | $45,018,541 |
Top Grossing Director at the International Box Office (Rank 601-700) | 697 | $125,777,982 |
Top Grossing Story Creator at the International Box Office (Rank 1,301-1,400) | 1,317 | $35,793,883 |
Top Grossing Director at the Worldwide Box Office (Rank 301-400) | 346 | $543,485,218 |
Top Grossing Producer at the Worldwide Box Office (Rank 1,701-1,800) | 1,726 | $108,545,610 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 1,301-1,400) | 1,303 | $80,812,424 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2017 Preview: April
April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jul 20, 1988 | Midnight Run | Airline Ticket Clerk | $38,413,606 | $43,200,000 | $81,613,606 |
Dec 6, 1985 | Spies Like Us | Drive-In Security | $60,083,467 | $60,083,467 | |
Aug 13, 1982 | Fast Times at Ridgemon… | Dr. Miller | $27,092,880 | $236 | $27,093,116 |
Averages | $41,863,318 | $21,600,118 | $56,263,396 | ||
Totals | 3 | $125,589,953 | $43,200,236 | $168,790,189 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Aug 13, 1982 | Fast Times at Ridgemon… | $2,545,674 | 713 | $27,092,880 | $27,093,116 | 100.0% |
Averages | $2,545,674 | 713 | $27,092,880 | $27,093,116 | 100.0% | |
Totals | 1 | $27,092,880 | $27,093,116 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Apr 7, 2017 | Going in Style | Based on “Going in Style” by | $45,018,541 | $35,793,883 | $80,812,424 |
Aug 1, 2003 | Gigli | Director | $6,087,542 | $1,038,460 | $7,126,002 |
Nov 13, 1998 | Meet Joe Black | Director Producer |
$44,650,003 | $44,650,003 | |
Dec 23, 1992 | Scent of a Woman | Director Producer |
$63,895,607 | $63,895,607 | |
Jul 20, 1988 | Midnight Run | Director | $38,413,606 | $43,200,000 | $81,613,606 |
Dec 5, 1984 | Beverly Hills Cop | Director | $234,760,478 | $81,539,522 | $316,300,000 |
1979 | Going in Style | Director | $29,900,000 | $29,900,000 | |
Averages | $66,103,682 | $40,392,966 | $89,185,377 | ||
Totals | 7 | $462,725,777 | $161,571,865 | $624,297,642 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Aug 1, 2003 | Gigli | $3,753,518 | 2,215 | $6,087,542 | $7,126,002 | 85.4% |
Nov 13, 1998 | Meet Joe Black | $15,017,995 | 2,527 | $44,650,003 | $44,650,003 | 100.0% |
Dec 23, 1992 | Scent of a Woman | 1,252 | $63,895,607 | $63,895,607 | 100.0% | |
Jul 20, 1988 | Midnight Run | $5,506,290 | 1,161 | $38,413,606 | $81,613,606 | 47.1% |
Dec 5, 1984 | Beverly Hills Cop | $15,214,805 | 2,006 | $234,760,478 | $316,300,000 | 74.2% |
1979 | Going in Style | $29,900,000 | $29,900,000 | 100.0% | ||
Averages | $9,873,152 | 1,832 | $69,617,873 | $90,580,870 | 84.5% | |
Totals | 6 | $417,707,236 | $543,485,218 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 13, 1998 | Meet Joe Black | $15,017,995 | 2,527 | $44,650,003 | $44,650,003 | 100.0% |
Dec 23, 1992 | Scent of a Woman | 1,252 | $63,895,607 | $63,895,607 | 100.0% | |
Averages | $15,017,995 | 1,890 | $54,272,805 | $54,272,805 | 100.0% | |
Totals | 2 | $108,545,610 | $108,545,610 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Apr 7, 2017 | Going in Style | $11,932,330 | 3,076 | $45,018,541 | $80,812,424 | 55.7% |
Averages | $11,932,330 | 3,076 | $45,018,541 | $80,812,424 | 55.7% | |
Totals | 1 | $45,018,541 | $80,812,424 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 201-300) | 225 | $417,707,236 |
Top Grossing Producer at the Domestic Box Office (Rank 1,001-1,100) | 1,092 | $108,545,610 |
Top Grossing Story Creator at the Domestic Box Office (Rank 1,201-1,300) | 1,284 | $45,018,541 |
Top Grossing Director at the International Box Office (Rank 601-700) | 697 | $125,777,982 |
Top Grossing Story Creator at the International Box Office (Rank 1,301-1,400) | 1,317 | $35,793,883 |
Top Grossing Director at the Worldwide Box Office (Rank 301-400) | 346 | $543,485,218 |
Top Grossing Producer at the Worldwide Box Office (Rank 1,701-1,800) | 1,726 | $108,545,610 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 1,301-1,400) | 1,303 | $80,812,424 |