John Michael Hayes
Best known as a Screenwriter based on credits in that role in 8 films, with $129,310,825 worldwide aggregate box office (rank #1,604) |
Best-known technical roles: Iron Will (Screenwriter), The Carpetbaggers (Screenwriter), Peyton Place (Screenwriter), Rear Window (Screenwriter), The Man Who Knew Too Much (Screenwriter) |
Most productive collaborators: Charles Haid, Djordje Milićević, Jeff Arch, Mark Robson, Grace Metalious |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 8 | $129,275,552 | $35,273 | $129,310,825 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 901-1,000) | 968 | $129,275,552 |
Top Grossing Screenwriter at the International Box Office (Rank 7,201-7,300) | 7,242 | $35,273 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,601-1,700) | 1,604 | $129,310,825 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jan 14, 1994 | Iron Will | Screenwriter | $20,623,071 | $20,623,071 | |
Apr 9, 1964 | The Carpetbaggers | Screenwriter | $28,409,547 | $28,409,547 | |
Dec 12, 1957 | Peyton Place | Screenwriter | $25,600,000 | $25,600,000 | |
Jun 1, 1956 | The Man Who Knew Too Much | Screenwriter | $11,333,333 | $11,333,333 | |
Oct 3, 1955 | The Trouble with Harry | Screenwriter | $7,000,000 | $7,000,000 | |
Jan 1, 1955 | To Catch a Thief | Screenwriter | $8,750,000 | $2,085 | $8,752,085 |
Sep 1, 1954 | Rear Window | Screenwriter | $27,559,601 | $33,188 | $27,592,789 |
May 24, 1952 | Red Ball Express | Screenwriter | |||
Averages | $18,467,936 | $17,637 | $18,472,975 | ||
Totals | 8 | $129,275,552 | $35,273 | $129,310,825 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jan 14, 1994 | Iron Will | $5,313,406 | 2,036 | $20,623,071 | $20,623,071 | 100.0% |
Apr 9, 1964 | The Carpetbaggers | $28,409,547 | $28,409,547 | 100.0% | ||
Dec 12, 1957 | Peyton Place | $25,600,000 | $25,600,000 | 100.0% | ||
Jun 1, 1956 | The Man Who Knew Too Much | $11,333,333 | $11,333,333 | 100.0% | ||
Oct 3, 1955 | The Trouble with Harry | $7,000,000 | $7,000,000 | 100.0% | ||
Jan 1, 1955 | To Catch a Thief | $8,750,000 | $8,752,085 | 100.0% | ||
Sep 1, 1954 | Rear Window | 108 | $27,559,601 | $27,592,789 | 99.9% | |
May 24, 1952 | Red Ball Express | |||||
Averages | $5,313,406 | 1,072 | $18,467,936 | $18,472,975 | 100.0% | |
Totals | 8 | $129,275,552 | $129,310,825 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Screenwriter at the Domestic Box Office (Rank 901-1,000) | 968 | $129,275,552 |
Top Grossing Screenwriter at the International Box Office (Rank 7,201-7,300) | 7,242 | $35,273 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,601-1,700) | 1,604 | $129,310,825 |