Brad Turner
| Best known as an Editor based on credits in that role in 5 films, with $11,424,651 worldwide aggregate box office (rank #1,327) |
| Best-known technical roles: Lisa Frankenstein (Editor), Patti Cake$ (Editor), Ted K (Editor), Trigger Point (Director), Trigger Point (Executive Producer) |
| Best-known acting roles: Beat Cop (Alone in the Dark), Turkish Band-Gallipoli (The Water Diviner), Hockey Player (Mystery, Alaska), Aitch (Unwelcome) |
| Most productive collaborators: Kathryn Newton, Zelda Williams, Diablo Cody, Cole Sprouse, Mason Novick |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| As an Actor | Supporting | 4 | $18,291,593 | $32,570,917 | $50,862,510 |
| In Technical Roles | Editor | 5 | $10,614,109 | $810,542 | $11,424,651 |
| Director | 2 | $29,262 | $0 | $29,262 | |
| Executive Producer | 1 | $29,262 | $0 | $29,262 | |
| Screenwriter | 1 | $4,212 | $0 | $4,212 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Mar 10, 2023 | Unwelcome | Aitch | $21,284 | $306,797 | $328,081 |
| Apr 24, 2015 | The Water Diviner | Turkish Band-Gall… | $4,200,117 | $26,854,610 | $31,054,727 |
| Jan 28, 2005 | Alone in the Dark | Beat Cop | $5,178,569 | $5,409,510 | $10,588,079 |
| Oct 1, 1999 | Mystery, Alaska | Hockey Player | $8,891,623 | $8,891,623 | |
| Averages | $4,572,898 | $10,856,972 | $12,715,628 | ||
| Totals | 4 | $18,291,593 | $32,570,917 | $50,862,510 | |
Supporting Roles
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Mar 10, 2023 | Unwelcome | $10,813 | 75 | $21,284 | $328,081 | 6.5% |
| Apr 24, 2015 | The Water Diviner | $1,220,335 | 385 | $4,200,117 | $31,054,727 | 13.5% |
| Jan 28, 2005 | Alone in the Dark | $2,834,421 | 2,124 | $5,178,569 | $10,588,079 | 48.9% |
| Oct 1, 1999 | Mystery, Alaska | $3,102,191 | 1,704 | $8,891,623 | $8,891,623 | 100.0% |
| Averages | $1,791,940 | 1,072 | $4,572,898 | $12,715,628 | 42.2% | |
| Totals | 4 | $18,291,593 | $50,862,510 | |||
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Feb 9, 2024 | Lisa Frankenstein | Editor | $9,774,285 | $122,399 | $9,896,684 |
| Feb 18, 2022 | Ted K | Editor | $35,464 | $17,201 | $52,665 |
| Apr 16, 2021 | Trigger Point | Director Executive Producer |
$29,262 | $29,262 | |
| Aug 18, 2017 | Patti Cake$ | Editor | $800,148 | $670,942 | $1,471,090 |
| Jun 24, 2016 | Breaking a Monster | Editor Screenwriter |
$4,212 | $4,212 | |
| Nov 30, 2012 | King Kelly | Editor | |||
| Nov 27, 2004 | Species III | Director | |||
| Averages | $2,128,674 | $270,181 | $2,290,783 | ||
| Totals | 7 | $10,643,371 | $810,542 | $11,453,913 | |
Director Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Apr 16, 2021 | Trigger Point | $29,262 | 77 | $29,262 | $29,262 | 100.0% |
| Nov 27, 2004 | Species III | |||||
| Averages | $29,262 | 77 | $29,262 | $29,262 | 100.0% | |
| Totals | 2 | $29,262 | $29,262 | |||
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Jun 24, 2016 | Breaking a Monster | $1,302 | 1 | $4,212 | $4,212 | 100.0% |
| Averages | $1,302 | 1 | $4,212 | $4,212 | 100.0% | |
| Totals | 1 | $4,212 | $4,212 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Director at the Domestic Box Office (Rank 6,001-6,100) | 6,084 | $29,262 |
| Top Grossing Editor at the Domestic Box Office (Rank 1,001-1,100) | 1,054 | $10,614,109 |
| Top Grossing Executive Producer at the Domestic Box Office (Rank 9,301-9,400) | 9,306 | $29,262 |
| Top Grossing Screenwriter at the Domestic Box Office (Rank 9,601-9,700) | 9,635 | $4,212 |
| Top Grossing Editor at the International Box Office (Rank 1,701-1,800) | 1,716 | $810,542 |
| Top Grossing Director at the Worldwide Box Office (Rank 14,301-14,400) | 14,367 | $29,262 |
| Top Grossing Editor at the Worldwide Box Office (Rank 1,301-1,400) | 1,327 | $11,424,651 |
| Top Grossing Executive Producer at the Worldwide Box Office (Rank 11,401-11,500) | 11,452 | $29,262 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 11,901-12,000) | 11,981 | $4,212 |