Jon Hartmere
| Best known as a Screenwriter based on credits in that role in 3 films, with $181,340,014 worldwide aggregate box office (rank #1,474) |
| Best-known technical roles: The Upside (Screenwriter), The Boys in the Boat (Screenwriter) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Screenwriter | 3 | $160,876,803 | $20,463,211 | $181,340,014 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 801-900) | 865 | $160,876,803 |
| Top Grossing Screenwriter at the International Box Office (Rank 3,201-3,300) | 3,207 | $20,463,211 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,401-1,500) | 1,474 | $181,340,014 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Preview: January
January 1st, 2019
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December would have been an excellent month, except it had to be compared to Star Wars: The Last Jedi. The top four movies of this December might not finish with as much as that movie made. That said, the year ended on an overall positive note finishing with a lead of close to $800 million over 2017. Unfortunately, 2019 is going to get off to a slow start. Not only are there very few films opening wide this month, only one of them, Glass, is expected to be a midlevel hit or better. Granted, Glass is expected to earn more than $100 million domestically, which is something no film released last January could do. However, The Last Jedi and Jumanji: Welcome to the Jungle both had such incredible legs that 2019 will still get off to a slower start, even if it has stronger new releases.
More...
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Dec 25, 2023 | The Boys in the Boat | Screenwriter | $52,641,306 | $2,880,268 | $55,521,574 |
| Jan 11, 2019 | The Upside | Screenwriter | $108,235,497 | $17,582,943 | $125,818,440 |
| Averages | $80,438,402 | $10,231,606 | $90,670,007 | ||
| Totals | 2 | $160,876,803 | $20,463,211 | $181,340,014 | |
Writer Credits
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Dec 25, 2023 | The Boys in the Boat | $8,400,548 | 2,687 | $52,641,306 | $55,521,574 | 94.8% |
| Jan 11, 2019 | The Upside | $20,355,000 | 3,568 | $108,235,497 | $125,818,440 | 86.0% |
| Averages | $14,377,774 | 3,128 | $80,438,402 | $90,670,007 | 90.4% | |
| Totals | 2 | $160,876,803 | $181,340,014 | |||
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Screenwriter at the Domestic Box Office (Rank 801-900) | 865 | $160,876,803 |
| Top Grossing Screenwriter at the International Box Office (Rank 3,201-3,300) | 3,207 | $20,463,211 |
| Top Grossing Screenwriter at the Worldwide Box Office (Rank 1,401-1,500) | 1,474 | $181,340,014 |