Box Office History for Avatar Movies
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Release Date | Title | Production Budget | Opening Weekend | Domestic Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Dec 19, 2031 | Avatar 5 | ||||
Dec 21, 2029 | Avatar 4 | ||||
Dec 19, 2025 | Avatar 3 | ||||
Dec 16, 2022 | Avatar: The Way of Water | $460,000,000 | $134,100,226 | $684,075,767 | $2,317,514,386 |
Dec 18, 2009 | Avatar | $237,000,000 | $77,025,481 | $785,221,649 | $2,923,706,026 |
Averages | $348,500,000 | $105,562,854 | $734,648,708 | $2,620,610,206 | |
Totals | 5 | $697,000,000 | $1,469,297,416 | $5,241,220,412 |
Video Release Breakdown
Release Date | Title | Domestic Video Sales to Date | Watch Now |
---|---|---|---|
Apr 22, 2010 | Avatar | $432,490,647 | iTunes Google Vudu |
Mar 28, 2023 | Avatar: The Way of Water | $16,353,608 | Disney+ Amazon iTunes Vudu |
Dec 31, 2025 | Avatar 3 | ||
Totals | $448,844,255 |
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
DEG Watched At Home Top 20 Charts
Date | Rank |
---|---|
Dec 17, 2022 | 12 |
Dec 31, 2022 | 5 |
Jan 14, 2023 | 17 |
Jun 24, 2023 | 11 |
Theater counts: Quantumania opens in an ultra-wide 4,345 theaters
February 16th, 2023
The wait is over for fans of Ant-Man as the follow-up has finally made its way into theaters—4,345 of them to be exact. That makes it the 40th-widest release of all time, placing itself firmly in between two other franchise sequels, Guardians of the Galaxy Vol 2 and Spider-Man: No Way Home. Its forerunners, Ant-Man, and Ant-Man and the Wasp started out in 3,856 and 4,206 theaters respectively. The third and latest installment of the franchise brings back Paul Rudd as the titular character, while containing a bevy of big name talent including Evangeline Lilly, Jonathan Majors, and Bill Murray, among others.
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Theater counts: 80 for Brady once again on top heading into Super Bowl weekend
February 9th, 2023
Although debuting in second place at the weekend box office, 80 for Brady again secures its place as the widest release of the week as it adds 27 locations from last week, becoming available 3,939 theaters. The comedy starring Jane Fonda, Lily Tomlin, Sally Field and Rita Moreno debuted to $12.7 million in its opening weekend and currently enjoys a six day haul of $17.9 million. This week the film will not only have to contend with last weekend’s champ in Knock at the Cabin, but will see two newcomers arrive, along with the re-release of an epic feature from the 90s.
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Theater counts: 80 for Brady and Knock at the Cabin debut as this week’s widest releases
February 2nd, 2023
The first weekend in February brings three new wide releases to movie theaters across North America. Starting its theatrical run in 3,912 cinemas, the sports comedy 80 for Brady stars Lily Tomlin, Jane Fonda, Sally Field, and Rita Moreno as three lifelong friends who travel to Houston to watch their idol Tom Brady play in Super Bowl LI. The second-widest release this week is newcomer, Knock at the Cabin. Playing in 3,643 locations, the M. Night Shyamalan psychological horror film follows a family who, when taken hostage, are forced to make a choice to avoid the apocalypse.
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Theater counts: A Man Called Otto holds on as widest release as two new films debut
January 26th, 2023
Our widest releases list this week is close to being a replay of last week with A Man Called Otto still occupying the top spot by playing in 3,957 cinemas. The Tom Hanks comedy-drama has scored just short of $60 million worldwide to date during its four-week run.
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Theater counts: Otto overtakes Way of Water to become this week’s widest release
January 19th, 2023
After spending five weeks as the widest release, Avatar: The Way of Water finally drops into the second spot, going from 4,045 locations last week, to 3,790 this week. In its place, the widest release this week will be A Man Called Otto. After expanding into 3,802 theaters last week, the film retains that count this week. The Tom Hanks comedy-drama has earned just over $25 million since debuting in just four cinemas on December 30.
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Theater counts: Way of Water cruises into 2023
January 5th, 2023
After making its North American debut on December 16th, Avatar: The Way of Water has amassed a staggering $465 million from a steady 4,202 locations. Internationally, the James Cameron juggernaut has performed even better, scoring $1.05 billion since its release, already eclipsing the $769 million that Top Gun: Maverick earned during its seven-month run. Way of Water actually adds 138 viewing locations this week, making it once again this week’s widest release, playing in 4,340 venues. We will at least have one brand new wide release this week to give it some competition.
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Theater counts: Way of Water is once again widest release as we enter the new year
December 29th, 2022
After 13-days at the domestic box office, Avatar: The Way of Water stands alone with $337.8 million, while taking in a whopping $762.8 million overseas since its release. With $1.1 billion already surpassed globally — and before the end of its second play week — it ranks as the #2 release of 2022 and #3 release of the pandemic era. The sequel will retain its debut count of 4,202 theaters this week, once again making it the widest release of the week.
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Holiday theater counts: Avatar Way of Water holds off three new contenders to remain widest release
December 22nd, 2022
As the Christmas holiday approaches, there are plenty of options for movie-goers as three new high-profile films arrive to the big screen this week. After accruing over $134 million in its opening weekend in North America, Avatar: the Way of Water currently enjoys a six-day domestic total of $183 million, with $426 million from overseas markets, for global earnings so far of $609 million. The film retains its opening-weekend count of 4,202 theaters, once again making it the widest release. While Way of Water should have no problem winning the weekend box office, a bevy of new releases look to provide an assortment of viewing opportunities for nearly every movie taste.
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Theater counts: Wakanda Forever is back as widest release, but Avatar: The Way of Water looms
December 8th, 2022
As expected, this week witnesses a lull in new releases arriving to theaters, as well as the top films dropping in viewing locations. In fact, we have to go back nearly three months, to September 16, 2022 to not see a film registering over 4,000 locations. This week Black Panther: Wakanda Forever is back on top with 3,725 cinemas, and more so as a result of last week’s widest release, Strange World, shedding 614 theaters this week, beginning its third week at the box office in 3,560 venues. As everyone is likely aware, this week is just the calm before the storm until Avatar: The Way of Water makes landfall on December 16.
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Theater counts: Don’t Worry Darling debuts in 4,113 theaters and Avatar returns to the big screen
September 22nd, 2022
As another weekend approaches, another new arrival takes over as the widest release of the week. Releasing in more theaters than originally projected, Don’t Worry Darling makes its theatrical entrance in a robust 4,113 locations this week, which is more than enough to overtake last week’s widest release and box office number one, The Woman King, as the latter keeps its opening count of 3,765 theaters from its inaugural week. Don’t Worry Darling technically isn’t the only new wide release of the week, as On the Come Up hits the scene by playing in 603 cinemas. Mega-hit Avatar is being re-released in 1,860 locations prior to its successor, Avatar: The Way of Water’s December 16th launch.
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Note: This list contains actors who appeared in at least two movies in the franchise.
Person | Nr. of Movies | Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
---|---|---|---|---|---|
Sam Worthington | 4 | Jake Sully | $5,241,220,412 | $7,089,137,706 | 73.9% |
Stephen Lang | 4 | Colonel Miles Quaritch | $5,241,220,412 | $6,286,412,778 | 83.4% |
CCH Pounder | 4 | Mo’at | $5,241,220,412 | $6,469,470,676 | 81.0% |
Zoe Saldana | 3 | Neytiri | $5,241,220,412 | $15,532,007,706 | 33.7% |
Sigourney Weaver | 3 | $5,241,220,412 | $10,250,596,075 | 51.1% | |
Cliff Curtis | 3 | Tonowari | $2,317,514,386 | $5,840,494,451 | 39.7% |
Giovanni Ribisi | 3 | Parker Selfridge | $5,241,220,412 | $7,987,680,545 | 65.6% |
Dileep Rao | 3 | Dr. Max Patel | $5,241,220,412 | $6,158,395,793 | 85.1% |
Matt Gerald | 3 | Corporal Lyle Wainfleet | $5,241,220,412 | $6,511,950,425 | 80.5% |
Joel David Moore | 2 | Dr. Norm Spellman | $2,317,514,386 | $2,655,816,938 | 87.3% |
Oona Chaplin | 2 | $0 | $74,244,104 | 0.0% | |
Edie Falco | 2 | General Ardmore | $2,317,514,386 | $2,498,227,873 | 92.8% |
Sean Anthony Moran | 2 | Private Fike | $5,241,220,412 | $5,241,220,412 | 100.0% |
Kevin Dorman | 2 | Tractor Operator | $5,241,220,412 | $5,505,100,753 | 95.2% |
Note: This list contains people who contributed to at least two movies in the franchise.
Person | Nr. of Movies | Technical Role | Franchise Worldwide Box Office | Career Worldwide Box Office | Franchise / Career |
---|---|---|---|---|---|
James Cameron | 5 |
Director (5) Screenwriter (4) Producer (3) Editor (3) Story by (1) Character Creator (1) |
$5,241,220,412 | $9,904,976,530 | 52.9% |
Jon Landau | 3 | Producer (3) | $5,241,220,412 | $8,047,459,683 | 65.1% |
Stephen Rivkin | 3 | Editor (3) | $5,241,220,412 | $9,059,811,671 | 57.9% |
John Refoua | 3 | Editor (3) | $5,241,220,412 | $6,154,974,215 | 85.2% |
Rick Jaffa | 2 |
Screenwriter (2) Story by (1) |
$2,317,514,386 | $5,852,324,517 | 39.6% |
Amanda Silver | 2 |
Screenwriter (2) Story by (1) |
$2,317,514,386 | $5,852,324,517 | 39.6% |
Shane Salerno | 2 |
Screenwriter (1) Story by (1) |
$2,317,514,386 | $2,507,801,617 | 92.4% |
Mauro Fiore | 2 | Cinematographer (2) | $2,923,706,026 | $7,285,128,736 | 40.1% |
Kim Sinclair | 2 | Lead Supervising Art Director (2) | $5,241,220,412 | $7,038,430,211 | 74.5% |
Deborah L. Scott | 2 | Costume Designer (2) | $5,241,220,412 | $11,980,617,507 | 43.7% |
Richard Baneham | 2 |
Animation Supervisor (1) Executive Producer (1) |
$5,241,220,412 | $5,241,220,412 | 100.0% |
Christopher Boyes | 2 |
Supervising Sound Editor (2) Sound Designer (2) Re-recording Mixer (2) |
$5,241,220,412 | $38,863,994,445 | 13.5% |
Gary Summers | 2 | Re-recording Mixer (2) | $5,241,220,412 | $13,877,099,702 | 37.8% |
Margery Simkin | 2 | Casting Director (2) | $5,241,220,412 | $7,730,138,143 | 67.8% |