Australia Box Office for Our Last Tango (2016)
Theatrical Performance (US$) | ||
Australia Box Office | $52,908 | Details |
Worldwide Box Office | $517,651 | Details |
Further financial details... |
Synopsis
A story of love between the two most famous dancers in tango’s history. And the story of their tremendous love of tango. María Nieves Rego and Juan Carlos Copes met when they were 14 and 17, and they danced together for nearly fifty years. In all those years they loved and hated each other and went through several painful separations but always got back together. No other man danced like Juan and no other woman danced like María! Eventually, he left her for good for a woman 20 years younger with whom he fathered two children. Now, at the end of their lives, Juan and María are willing to open up about their love, their hatred, and their passion.
Metrics
Movie Details
Australia Releases: | March 25th, 2016 (Limited), released as Our Last Tango |
MPAA Rating: | Not Rated |
Running Time: | 85 minutes |
Keywords: | Dancing, Romance |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Lailaps Pictures, German Kral Filmproduktion, Monogatari Films, Mateina Producciones, Schubert International, Westdeutscher Rundfunk, Filmfernsehfonds Bayern, Filmforderungsanstalt, Deutscher Filmfoerderfonds, INCAA |
Production Countries: | Argentina, Germany |
Languages: | Spanish |
Theater Averages: Green Room Pulls in the Green with an average of $29,328
April 20th, 2016
Green Room led the way with an average of $29,328 in three theaters. This is yet another success for A24 and whoever is in charge of acquisitions over there needs to get a raise. The overall number one film, The Jungle Book was next with an average of $25,636. Sing Street was well back with an average of $12,715 in five theaters. The only holdover in the $10,000 club was Vita Activa: The Spirit of Hannah Arendt, which was down a mere 18% to $10,814 in its lone theater.
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Limited and VOD Releases: Singing Praises
April 15th, 2016
There are not a lot of new releases on this week's list, but four of the seven of of them are earning overwhelmingly positive reviews. Additionally, one of the other three, Fan, doesn't have enough reviews for a Tomatometer Score, but the first two reviews are positive. Of the best films, Sing Street is the one I expect to do the best at the box office.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/03/25 | 28 | $16,513 | 6 | $2,752 | $16,513 | 1 | |
2016/04/01 | 36 | $7,562 | -54% | 6 | $1,260 | $31,027 | 2 |
2016/04/08 | 42 | $3,507 | -54% | 4 | $877 | $37,690 | 3 |
2016/04/15 | 47 | $2,920 | -17% | 4 | $730 | $43,837 | 4 |
2016/04/22 | 48 | $2,190 | -25% | 4 | $548 | $47,737 | 5 |
2016/04/29 | 63 | $472 | -78% | 3 | $157 | $49,064 | 6 |
2016/05/13 | 60 | $1,111 | 4 | $278 | $48,462 | 8 | |
2016/05/27 | 52 | $2,303 | 3 | $768 | $51,599 | 10 | |
2016/06/03 | 66 | $352 | -85% | 1 | $352 | $52,908 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 3/25/2016 | $16,513 | 6 | 6 | 35 | $52,908 | 6/9/2016 |
France | 6/3/2016 | $86,586 | 0 | 0 | 0 | $155,903 | 10/2/2018 |
Germany | 4/8/2016 | $0 | 0 | 0 | 0 | $161,651 | 8/18/2018 |
New Zealand | 9/9/2016 | $3,056 | 9 | 9 | 19 | $7,961 | 9/26/2016 |
North America | 4/15/2016 | $6,550 | 1 | 6 | 55 | $100,086 | |
Portugal | 2/23/2018 | $797 | 1 | 1 | 2 | $4,299 | 3/7/2018 |
South Korea | 1/1/2016 | $0 | 0 | 0 | 0 | $33,375 | 9/9/2018 |
United Kingdom | 9/22/2017 | $1,468 | 2 | 2 | 2 | $1,468 | 9/28/2017 |
Worldwide Total | $517,651 | 10/2/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
Maria Nieves Rego | Herself |
Juan Carlos Copes | Himself |
Interviewee(s)
Pablo Veron | Himself |
Alejandra Gutty | Herself |
Ayelen Alvarez Mino | Herself |
Juan Malizia | Himself |
Pancho Martinez Pey | Himself |
Johana Copes | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
German Kral | Director |
German Kral | Screenwriter |
Nils Dunker | Producer |
Dieter Horres | Producer |
German Kral | Producer |
Wim Wenders | Executive Producer |
Rodrigo Furth | Executive Producer |
Jakob Abrahamsson | Executive Producer |
Birgit Rothorl | Co-Producer |
Josef Brandmaier | Co-Producer |
Carolin Dassel | Associate Producer |
Nicole Ackermann | Associate Producer |
Anatole Taubman | Associate Producer |
Christoph Thoke | Associate Producer |
Jutta Krug | Editor-Commissioning Editor |
Lothar Mattner | Editor-Commissioning Editor |
Ulrike Tortora | Editor |
Jo Heim | Director of Photography |
Felix Monti | Director of Photography |
Luis Borda | Composer |
Sexteto Mayor | Composer |
Pablo Fidanza | Artistic Producer |
Carolina Fernandez | Line Producer |
Constanza Sanz Palacios | Line Producer |
Matias Martinez | Production Designer |
Celeste Palma | Sound Mixer |
Giselle Peisojovich | Costume Designer |
Cecilia Belsito | Costume Designer |
Osky Rodriguez | Make up |
Gabriela Tania Fantl | Casting Director |
Pablo Fidanza | Casting Director |
Melina Brufman | Choreography |
Leonardo Cuello | Choreography |
Sabrina Veliz | Choreography |
Ruben Veliz | Choreography |
Brenda Angiel | Choreography |