France Box Office for L'avenir (2016)
Theatrical Performance (US$) | ||
France Box Office | $2,196,661 | Details |
Worldwide Box Office | $4,968,678 | Details |
Home Market Performance | ||
North America DVD Sales | $76,230 | Details |
North America Blu-ray Sales | $59,915 | Details |
Total North America Video Sales | $136,145 | |
Further financial details... |
Synopsis
What happens when the life you’ve worked so hard to build falls apart all at once? Nathalie is a philosophy teacher with a seemingly settled existence, juggling a rich life of the mind with the day-to-day demands of career and family. But beginning with the bombshell revelation that her husband of twenty-five years is leaving her, one by one the pillars of Nathalie’s life start to crumble. For the first time in ages, she finds herself adrift, but also with a newfound sense of liberation. With nothing to hold her back, Nathalie sets out to define this new phase of her life and to rediscover herself.
Metrics
Movie Details
France Releases: | April 8th, 2016 (Wide), released as L'avenir |
Video Release: | May 9th, 2017 by Mpi Home Video |
MPAA Rating: | PG-13 for brief language and drug use. (Rating bulletin 2449 (Cert #50763), 11/2/2016) |
Running Time: | 100 minutes |
Keywords: | Teachers, High School, Relationships Gone Wrong, Infidelity, Dysfunctional Family, Set in Paris |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | CG Cinema, Detailfilm, Arte France Cinema, Rhone-Alpes Cinema, Cinemage , Cofinova SRG SSR, Canal Plus, ARTE France, Procirep, CNC, Hessen Invest Film |
Production Countries: | France, Germany |
Languages: | French |
Home Market Releases for May 9th, 2017
May 10th, 2017
It’s not a good week for top-notch releases. Fifty Shades Darker is the biggest new DVD / Blu-ray release of the week, but it is far from the best. Get Out is clearly the best new release on this week’s list, but while it is the Pick of the Week, it is only coming out on Video on Demand and I would wait for the Blu-ray. Meanwhile we have another Puck of the Week, for best Canadian release. Those are usually rare, but we’ve have a streak of them recently. This week it’s The Void, which is great, but only coming out on DVD.
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Theater Averages: Jackie Tackles Lion Earning Average of $55,743
December 6th, 2016
Jackie led the way on the theater average chart with an average of $55,743 in five theaters. Given this start and add in its Oscar buzz and the film has a real shot at expanding wide. Last week’s winner, Lion, fell to second place with an average of $16,651 in seven theaters. Manchester by the Sea continues its impressive run with an average of $14,592 in 156 theaters. It still has room to grow. Miss Sloane earned an average of $11,213 in four theaters. It is reportedly expanding wide this weekend, but that can mean anything from a few hundred theaters to well over 2,000. Finally, Things to Come opened with an average of $11,030 in three theaters.
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Weekend Estimates: Moana Stands Tall as Awards Season Hots Up
December 4th, 2016
The top of the box office chart remains a tale of two movies this weekend, with Moana maintaining an impressive lead over Fantastic Beasts and Where to Find Them, but both movies doing very nicely heading into the Christmas season. Moana tops the chart again this weekend with $28.4 million, for a total of $119.9 million at the end of the weekend. By way of comparison, Frozen had earned $134.3 million at this point in its run, but fell a slightly larger 53% from Thanksgiving, compared to Moana’s 50% decline. The next few weeks should be very lucrative for the animated adventure, which is likely to sail past $300 million at the domestic box office.
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Limited and VOD Releases: Jackie Hopes O stands for Oscar
December 2nd, 2016
There are not a lot of limited releases on this week’s list. Things to Come is earning the best reviews, but it is a foreign-language film and that will limit its box office potential. Believe is the biggest in terms of theater count, but it’s a faith-based film and there’s a chance it will open well below the Mendoza Line. On the other hand, Jackie has the best box office potential and Natalie Portman could win an Oscar for her performance.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/14/2017 | $0 | 0 | 0 | 0 | $138,009 | 4/27/2019 |
Australia | 4/28/2017 | $82,941 | 15 | 21 | 141 | $417,779 | 8/14/2017 |
France | 4/8/2016 | $0 | 0 | 0 | 0 | $2,196,661 | 10/2/2018 |
Italy | 4/21/2017 | $104,975 | 0 | 0 | 0 | $416,038 | 5/18/2017 |
Lithuania | 3/10/2017 | $0 | 0 | 5 | 10 | $1,789 | 5/4/2017 |
Netherlands | 9/9/2016 | $56,592 | 32 | 36 | 300 | $532,552 | 11/9/2016 |
North America | 12/2/2016 | $31,936 | 3 | 22 | 168 | $388,265 | |
Portugal | 6/17/2016 | $9,379 | 8 | 8 | 29 | $41,808 | 8/18/2016 |
South Korea | 9/29/2016 | $26,150 | 27 | 28 | 134 | $234,453 | 6/27/2018 |
Spain | 9/23/2016 | $94,991 | 50 | 59 | 303 | $525,112 | 1/17/2017 |
Turkey | 4/28/2017 | $1,903 | 0 | 0 | 0 | $9,235 | 1/1/2019 |
United Kingdom | 9/2/2016 | $66,977 | 0 | 0 | 0 | $66,977 | 9/8/2018 |
Worldwide Total | $4,968,678 | 4/27/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Isabelle Huppert | Nathalie |
Supporting Cast
Andre Marcon | Heinz |
Roman Kolinka | Fabien |
Edith Scob | Yvette |
Sarah Le Picard | Chloe |
Solal Forte | Johann |
Elise Lhomeau | Esla |
Lionel Dray | Hugo |
Gregoire Montana-Haroche | Simon |
Lina Benzerti | Antonia |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mia Hansen-Love | Director |
Mia Hansen-Love | Screenwriter |
Charles Gillibert | Executive Producer |
Denis Lenoir | Director of Photography |
Vincent Vatoux | Sound Designer |
Olivier Goinard | Sound Mixer |
Marion Monnier | Editor |
Anna Falgueres | Set Designer |
Rachele Raoult | Costume Designer |
Thi Loan Nguyen | Make up |
Clara Vincienne | Special Effects |
Marie Doller | First Assistant Director |
Clementine Schaeffer | Script Supervisor |
Julien Flick | Unit Production Manager |
Sacha Guillaume-Bourbault | Production Manager |