Australia Box Office for Wrinkles The Clown (2019)
![Wrinkles the Clown](https://www.the-numbers.com/images/movies/opusdata/Wrinkles-the-Clown.jpg)
Theatrical Performance (US$) | ||
Australia Box Office | $2,575 | Details |
Worldwide Box Office | $17,513 | Details |
Further financial details... |
Synopsis
In late 2014, a low-res video of a person in a clown mask emerging from underneath a sleeping child’s bed appears on YouTube. The description below the video claims that the clown is named “Wrinkles,” that he lives in southwest Florida, and that he’s been hired by the child’s parents to frighten her for misbehaving. The video goes viral. Soon, more mysterious videos of Wrinkles scaring children appear online, along with a phone number to hire him for "behavioral services." Wrinkles becomes internet lore — a whole genre of YouTube videos of kids filming themselves calling him appears online, and over a million messages are left at the number. Voicemails range from disturbing to hilarious to terrifying: parents use the number to terrify their children, kids who are obsessive fans of creepy clowns reach out to make a new friend, children threaten to inflict wildly creative violence if he comes anywhere near them. But who is Wrinkles, and why is he doing this? With incredible access to the mastermind behind the mask, Wrinkles the Clown is a cryptic and playful exploration of these questions, as well as an inside look at myth-building and the unpredictable spread of imagination in the Internet age.
Metrics
Movie Details
Australia Releases: | December 13th, 2019 (Wide), released as Wrinkles The Clown |
Video Release: | October 4th, 2019 by Magnolia Home Entertainment |
MPAA Rating: | Not Rated |
Running Time: | 78 minutes |
Keywords: | Horror Comedy, Early / Simultaneous Video-on-Demand release |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Magnet Releasing, Topic , No Weather, Crush Films |
Production Countries: | United States |
Languages: | English |
Theater Averages: All Gain for Pain
October 10th, 2019
Pain and Glory dominated the theater average earning an average of $40,022 in four theaters. Joker was next with an average of $21,994 in over 4,000 theaters. The final film in the $10,000 Club this weekend was My Country, My People with an average of $13,069 in 67 theaters. That is very impressive and could be a portent of things to come as Chinese films gain a foothold in the domestic market.
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Limited and VOD Releases: Painful Week for Limited Releases
October 4th, 2019
There are not a lot of prime limited releases on this week’s list and a couple that had the loudest pre-release buzz ended up with weak reviews. Pain & Glory is the film with the best shot at box office success, while Rascal Does Not Dream of Bunny Girl is the film I want to see the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/12/13 | - | $2,575 | 23 | $112 | $2,575 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/13/2019 | $2,575 | 23 | 23 | 23 | $2,575 | 12/17/2019 |
North America | 10/4/2019 | $8,248 | 21 | 21 | 34 | $14,938 | |
Worldwide Total | $17,513 | 12/17/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
Michael Beach Nichols | Director |
Michael Beach Nichols | Screenwriter |
Christopher K. Walker | Screenwriter |
Jennie Bedusa | Producer |
Jon Lullo | Producer |
Brendan Walter | Producer |
Lowell Shapiro | Producer |
Mike Dill | Producer |
Michael Bloom | Executive Producer |
Ryan Heller | Executive Producer |
Jihan Robinson | Executive Producer |
Abby Davis | Executive Producer |
Kevin Iwashina | Executive Producer |
T. Griffin | Composer |
Christopher K. Walker | Editor |
Michael Beach Nichols | Cinematographer |