Austria Box Office for Women Talking (2022)
.jpg)
| Theatrical Performance (US$) | ||
| Austria Box Office | $71,550 | Details |
| Worldwide Box Office | $9,175,860 | Details |
| Home Market Performance | ||
| North America DVD Sales | $218,947 | Details |
| North America Blu-ray Sales | $49,134 | Details |
| Total North America Video Sales | $268,081 | |
| Further financial details... | ||
Synopsis
Do nothing. Stay and fight. Or leave. In 2010, the women of an isolated religious community grapple with reconciling a brutal reality with their faith.
Metrics
Movie Details
| Austria Releases: | February 9th, 2023 (Wide) |
| Video Release: | March 7th, 2023 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for mature thematic content including sexual assault, bloody images, and some strong language. (Rating bulletin 2731 (cert #53790), 5/11/2022) |
| Running Time: | 104 minutes |
| Keywords: | Crime Drama, Sex Crimes, Sexism, Inspired by a True Story, Mennonites, 2010s, Orthodox Religion, Religious, 2023 Oscars Best Picture Nominee |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Plan B Entertainment, Orion Pictures, Hear/Say Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend predictions: will Avatar get an Oscar boost? Can Infinity Pool or Left Behind break through?
January 27th, 2023
-1-News.jpg)
The box office performance of Avatar: The Way of Water certainly won’t be harmed this weekend by its 4 Oscar nominations (including Best Picture). How much it will help is the pertinent question for our weekend predictions. It’s the only film from last weekend’s top 10 that looks likely to get a bump from the nominations. One film that wasn’t in the top 10 last weekend could be revived by its Oscar noms: The Fabelmans will add a thousand theaters and try to ride its seven nominations to the best weekend of its run so far. Other Oscar hopefuls expanding this weekend include The Banshees of Inisherin (back in 1,205 theaters), Women Talking (adding 553 locations to play in 707 theaters), Elvis (rereleased in 841 theaters), and Tár, which expands from 106 to 537 movie theaters. Going up against all that are three new releases: Infinity Pool, Left Behind: Rise of the Antichrist, and Fear. That’s a lot of competition in the lower reaches of the top 10, but Avatar is in little danger of losing its top spot.
More...
Women Talking trailer
October 13th, 2022
Drama with an ensemble cast led by Rooney Mara, Claire Foy and Jessie Buckley, written and directed by Sarah Polley opens exclusively in theaters on December 2 ... Full Movie Details.
In 2010, the women of an isolated religious community grapple with reconciling their reality with their faith. Based on the novel by Miriam Toews.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2023/02/10 | - | $25,760 | 26 | $991 | $29,981 | 1 | |
| 2023/02/17 | - | $8,560 | -67% | 26 | $329 | $45,493 | 2 |
| 2023/02/24 | - | $4,891 | -43% | 26 | $188 | $55,195 | 3 |
| 2023/03/17 | - | $719 | 7 | $103 | $68,360 | 6 | |
| 2023/03/24 | - | $326 | -55% | 5 | $65 | $69,649 | 7 |
| 2023/03/31 | - | $255 | -22% | 2 | $128 | $70,212 | 8 |
| 2023/04/07 | - | $100 | -61% | 1 | $100 | $71,068 | 9 |
| 2023/04/14 | - | $119 | +19% | 1 | $119 | $71,378 | 10 |
| 2023/04/28 | - | $66 | 1 | $66 | $71,550 | 12 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 3/9/2023 | $0 | 0 | 10 | 17 | $35,286 | 4/5/2023 |
| Australia | 2/16/2023 | $108,719 | 128 | 128 | 521 | $364,984 | 5/24/2023 |
| Austria | 2/9/2023 | $25,760 | 26 | 26 | 95 | $71,550 | 5/3/2023 |
| Belgium | 2/15/2023 | $14,729 | 12 | 22 | 76 | $58,776 | 4/26/2023 |
| Bolivia | 3/2/2023 | $0 | 0 | 1 | 1 | $10,835 | 3/22/2023 |
| Brazil | 3/2/2023 | $0 | 0 | 40 | 128 | $143,773 | 5/3/2023 |
| Central America | 3/2/2023 | $0 | 0 | 2 | 4 | $21,726 | 4/26/2023 |
| Chile | 2/23/2023 | $10,234 | 15 | 15 | 18 | $21,922 | 3/22/2023 |
| Colombia | 3/2/2023 | $0 | 0 | 7 | 16 | $43,595 | 7/12/2023 |
| Ecuador | 3/2/2023 | $0 | 0 | 4 | 4 | $9,025 | 3/22/2023 |
| France | 3/8/2023 | $0 | 0 | 101 | 201 | $232,598 | 4/5/2023 |
| Germany | 2/9/2023 | $85,725 | 86 | 86 | 334 | $301,092 | 4/12/2023 |
| Greece | 2/23/2023 | $8,675 | 27 | 27 | 29 | $20,944 | 4/5/2023 |
| Iceland | 2/9/2023 | $793 | 1 | 1 | 4 | $5,441 | 7/5/2023 |
| Italy | 3/8/2023 | $70,626 | 0 | 0 | 0 | $133,178 | 3/20/2023 |
| Japan | 6/2/2023 | $66,146 | 50 | 51 | 195 | $298,235 | 8/30/2023 |
| Mexico | 3/2/2023 | $0 | 0 | 27 | 54 | $192,075 | 5/10/2023 |
| Netherlands | 2/16/2023 | $45,840 | 37 | 37 | 158 | $217,347 | 6/14/2023 |
| New Zealand | 2/16/2023 | $14,030 | 26 | 28 | 174 | $79,216 | 4/19/2023 |
| North America | 12/23/2022 | $40,530 | 8 | 707 | 3,599 | $5,456,531 | |
| Peru | 3/2/2023 | $0 | 0 | 1 | 1 | $8,958 | 3/22/2023 |
| Portugal | 3/9/2023 | $18,990 | 21 | 23 | 71 | $56,586 | 8/15/2023 |
| Singapore | 3/9/2023 | $0 | 0 | 2 | 12 | $8,794 | 5/17/2023 |
| Spain | 2/17/2023 | $54,233 | 105 | 105 | 193 | $169,870 | 5/3/2023 |
| Switzerland | 3/8/2023 | $0 | 0 | 3 | 7 | $10,554 | 4/19/2023 |
| United Kingdom | 2/10/2023 | $141,575 | 43 | 201 | 758 | $1,191,618 | 4/12/2023 |
| Uruguay | 3/2/2023 | $0 | 0 | 2 | 2 | $7,369 | 4/5/2023 |
| Venezuela | 3/2/2023 | $0 | 0 | 0 | 0 | $3,693 | 4/5/2023 |
| Worldwide Total | $9,175,860 | 8/30/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Rooney Mara | Ona |
| Claire Foy | Salome |
| Jessie Buckley | Mariche |
| Judith Ivey | Agata |
| Frances McDormand | Scarface Janz |
Supporting Cast
| Sheila McCarthy | Greta |
| Michelle McLeod | Mejal |
| Kate Hallett | Autie |
| Liv McNeil | Neitje |
| August Winter | Melvin |
| Ben Whishaw | August |
| Emily Mitchell | Miep |
| Kira Guloien | Anna |
| Shayla Brown | Helena |
| Vivien Endicott Douglas | Clara |
| Lochlan Miller | Julius |
| Nathaniel McParland | Aaron |
| Will Bowes | Census Driver |
| Eli Ham | Klaas |
| Emily Drake | Dark Haired Woman |
| Marcus Craig | Cornelius |
| Caroline Gillis | Woman on the Path |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Sarah Polley | Director |
| Sarah Polley | Screenwriter |
| Miriam Toews | Story based on the book by |
| Dede Gardner | Producer |
| Jeremy Kleiner | Producer |
| Frances McDormand | Producer |
| Brad Pitt | Executive Producer |
| Lyn Lucibello-Brancatella | Executive Producer |
| Emily Jade Foley* | Executive Producer |
| Luc Montpellier | Director of Photography |
| Peter Cosco* | Production Designer |
| Christopher Donaldson | Editor |
| Roslyn Kalloo | Editor |
| Quita Alfred | Costume Designer |
| Hildur Guðnadóttir | Composer |
| John Buchan | Casting Director |
| Jason Knight | Casting Director |
| Lyn Lucibello-Brancatella | Unit Production Manager |
| Jessica Cheung | Production Manager |
| Daniel J. Murphy | First Assistant Director |
| Emily Drake | Second Assistant Director |
| Andrea Kristof | Art Director |
| Friday Leigh Myers | Set Decorator |
| Carol Wong | Costume Supervisor |
| Kristie Paille | Costume Supervisor |
| Shauna Llewellyn | Make up |
| Larissa Palaszczuk | Make up |
| Patricia Cuthbert | Hairstylist |
| Susan Exton Stranks | Hairstylist |
| Antoinette Julien | Hairstylist |
| Kelly Whetter | Hairstylist |
| Conseulo Solar Gonzalez | Script Supervisor |
| Herwig Gayer | Sound Mixer |
| Lori Waters | Post-Production Supervisor |
| David McCallum | Supervising Sound Editor |
| Jane Tattersall | Supervising Sound Editor |
| Lou Solakofski | Re-recording Mixer |
| Joe Morrow | Re-recording Mixer |
| Krystin Hunter | Dialogue Editor |
| Christopher King | |
| Chelsea Body | Foley Mixer |
| Jack Heeren | Foley Mixer |
| Jenna Dalla Riva | Foley Editor |
| Davi Aquino | Foley Editor |
| Kevin Jung | Foley Editor |
| Cameron Goldie | Special Effects Coordinator |
| Anne Richardson | Location Manager |
| Layton Morrison | Stunt Coordinator |
| Patrick Mark | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.