New Zealand Box Office for The Woman King (2022)
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| Theatrical Performance (US$) | ||
| New Zealand Box Office | $196,382 | Details |
| Worldwide Box Office | $94,374,749 | Details |
| Home Market Performance | ||
| North America DVD Sales | $2,832,379 | Details |
| North America Blu-ray Sales | $4,353,501 | Details |
| Total North America Video Sales | $7,185,880 | |
| Further financial details... | ||
Synopsis
The story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s with skills and a fierceness unlike anything the world has ever seen. General Nanisca trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life. Some things are worth fighting for…
Metrics
Movie Details
| Production Budget: | $50,000,000 |
| New Zealand Releases: | October 27th, 2022 (Wide) |
| Video Release: | November 22nd, 2022 by Sony Pictures Home Entertainment |
| MPAA Rating: | PG-13 for sequences of strong violence, some disturbing material, thematic content, brief language and partial nudity. (Rating bulletin 2747 (cert #53622), 8/31/2022) |
| Running Time: | 135 minutes |
| Keywords: | 1700s, 1800s, Set in Africa, F-Rated, F-Rated, Triple, Slavery, Sex Crimes, Unexpected Families, Rescue, Action Adventure |
| Source: | Based on Real Life Events |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Welle Entertainment, Jack Blue Productions, Juvee, Tri-Star Pictures, Entertainment One, TSG Entertainment |
| Production Countries: | Canada, United States |
| Languages: | English |
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/10/28 | 3 | $52,453 | 89 | $589 | $80,990 | 1 | |
| 2022/11/04 | 4 | $36,316 | -31% | 93 | $390 | $134,064 | 2 |
| 2022/11/11 | 7 | $14,297 | -61% | 84 | $170 | $161,714 | 3 |
| 2022/11/18 | 13 | $6,733 | -53% | 51 | $132 | $177,303 | 4 |
| 2022/11/25 | - | $852 | -87% | 16 | $53 | $186,210 | 5 |
| 2022/12/02 | - | $310 | -64% | 18 | $17 | $189,750 | 6 |
| 2022/12/09 | - | $648 | +109% | 6 | $108 | $196,382 | 7 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/27/2022 | $290,798 | 318 | 318 | 1156 | $1,046,341 | 1/30/2023 |
| Brazil | 9/22/2022 | $1,000,000 | 0 | 0 | 0 | $2,000,000 | 10/2/2022 |
| China | 4/14/2023 | $0 | 0 | 0 | 0 | $0 | |
| Croatia | 11/3/2022 | $14,462 | 58 | 58 | 73 | $18,585 | 11/18/2022 |
| Czech Republic | 10/13/2022 | $18,144 | 125 | 125 | 125 | $18,144 | 11/15/2022 |
| Denmark | 11/24/2022 | $0 | 0 | 0 | 0 | $0 | |
| Finland | 11/25/2022 | $19,515 | 66 | 66 | 66 | $34,310 | 12/2/2022 |
| France | 9/28/2022 | $570,000 | 0 | 0 | 0 | $570,000 | 10/2/2022 |
| Germany | 10/6/2022 | $0 | 0 | 0 | 0 | $0 | |
| Hungary | 11/24/2022 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 12/1/2022 | $60,207 | 0 | 0 | 0 | $60,207 | 12/5/2022 |
| Lithuania | 12/2/2022 | $0 | 0 | 0 | 0 | $0 | |
| Mexico | 10/13/2022 | $508,272 | 0 | 0 | 0 | $1,528,136 | 11/15/2022 |
| Middle East Region | 10/7/2022 | $800,000 | 0 | 0 | 0 | $800,000 | 10/9/2022 |
| Netherlands | 10/13/2022 | $263,670 | 120 | 120 | 436 | $1,062,177 | 2/17/2023 |
| New Zealand | 10/27/2022 | $52,453 | 89 | 93 | 357 | $196,382 | 12/12/2022 |
| Nigeria | 9/15/2022 | $170,000 | 0 | 0 | 0 | $170,000 | 9/26/2022 |
| North America | 9/16/2022 | $19,051,442 | 3,765 | 3,765 | 23,843 | $67,328,130 | |
| Norway | 11/25/2022 | $0 | 0 | 0 | 0 | $0 | |
| Portugal | 10/6/2022 | $137,419 | 81 | 81 | 292 | $502,773 | 12/13/2022 |
| Romania | 10/28/2022 | $60,635 | 79 | 79 | 214 | $171,052 | 12/7/2022 |
| Russia (CIS) | 11/24/2022 | $66,851 | 122 | 122 | 122 | $66,851 | 11/30/2022 |
| Slovakia | 10/13/2022 | $6,149 | 63 | 63 | 78 | $8,985 | 11/23/2022 |
| Spain | 11/25/2022 | $175,785 | 344 | 344 | 848 | $442,254 | 2/15/2023 |
| Sweden | 11/25/2022 | $0 | 0 | 0 | 0 | $0 | |
| Taiwan | 11/25/2022 | $0 | 0 | 0 | 0 | $0 | |
| Thailand | 11/25/2022 | $0 | 0 | 0 | 0 | $0 | |
| Turkey | 10/14/2022 | $39,488 | 174 | 174 | 235 | $67,442 | 8/18/2023 |
| United Arab Emirates | 10/7/2022 | $500,000 | 0 | 0 | 0 | $500,000 | 10/9/2022 |
| United Kingdom | 10/7/2022 | $1,454,741 | 574 | 574 | 1844 | $4,522,733 | 11/28/2022 |
| Rest of World | $13,260,247 | ||||||
| Worldwide Total | $94,374,749 | 8/18/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Viola Davis | Nanisca |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Gina Prince-Bythewood | Director |
| Dana Stevens | Screenwriter |
| Maria Bello | Story Creator |
| Dana Stevens | Story Creator |
| Cathy Schulman | Producer |
| Viola Davis | Producer |
| Julius Tennon | Producer |
| Maria Bello | Producer |
| Peter McAleese | Executive Producer |
| Lebo M. | Composer |
| Polly Morgan | Director of Photography |