China Box Office for Wo he wo de zu guo (2019)

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Wo he wo de zu guo
Theatrical Performance (US$)
China Box Office $470,530,000Details
Worldwide Box Office $474,488,019Details
Further financial details...

Metrics

Movie Details

China Releases: September 28th, 2019 (Wide)
MPAA Rating: Not Rated
Running Time: 158 minutes
Franchise: My People
Keywords: Historical Drama, Segments, Set in China, Ensemble, Agitprop, Communism
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production Countries: China
Languages: Mandarin

Theater Averages: Parasite Sinks Its Teeth into the Competition

October 18th, 2019

Parasite

Parasite was the only new release in the $10,000 club, but it not only led the way over the weekend, its average of $128,072 in three theaters is the best average this year. In fact, this is not only the best average of the year, its the best average since La La Land’s debut in 2016. While Parasite was the only new release in the $10,000 club, it wasn’t the only member. Joker was in a distant second place, a very, very distant second place with an average of $12,771. Meanwhile, Célébration was very close behind with $12,678 in its lone theater. Pain and Glory remained in the $10,0000 club with an average of $11,819 and it managed this feat despite expanding its theater count to 23 theaters. More...

International Box Office: Joker Takes on All of the Top Five and Wins

October 17th, 2019

Joker

Like last weekend, this weekend’s international box office was toped by Joker, while the nearest competition was a Chinese film. Unlike last weekend, Joker dominated the chart earning more than the rest of the top five combined. It managed a weekend haul of $125.3 million on 24,555 screens in 79 markets for totals of $354.7 million internationally and $548.3 million worldwide. The film hit half a billion dollars worldwide in just 12 days and given its legs so far, it is on pace to reach $1 billion. Joker had very similar openings in France and Germany with $10.6 million on 630 screens and $9.8 million on 1,003 screens respectively. It goes without saying that the film was the best Warner Bros. opening of 2019 in both markets. However, the film flopped in those markets when you compare how well it is doing in the U.K. In that market, Joker was down just 22% earning $12.0 million on 1,472 screens during its sophomore stint for a running tally of $36.9 million. It has earned more in the U.K. than it has domestically, relatively speaking, and I don’t think anyone was expecting that. On the downside, the film is done with openings and it will be coasting on holdovers from now on. That’s not much of a downside. More...

Theater Averages: All Gain for Pain

October 10th, 2019

Pain and Glory

Pain and Glory dominated the theater average earning an average of $40,022 in four theaters. Joker was next with an average of $21,994 in over 4,000 theaters. The final film in the $10,000 Club this weekend was My Country, My People with an average of $13,069 in 67 theaters. That is very impressive and could be a portent of things to come as Chinese films gain a foothold in the domestic market. More...

International Box Office: Joker Wins Weekend, But China Has the Last Laugh

October 10th, 2019

Joker

Joker earned top spot on the international chart, but China was the big story this weekend. The DC Comics film opened in first place with $152.2 million on 25,090 screens in 73 markets for a worldwide opening of $248.2 million. Both the film’s international debut and its worldwide debut are records for an October release. Likewise, it set the October opening weekend record in a number of major markets, including Australia, Brazil, Mexico, South Korea, and Spain. South Korea was also the film’s biggest total opening with $16.18 million on 1,418 screens, including $9.58 million over the weekend. The film’s U.K. debut was better, if you just look at the three-day weekend, as it earned $15.45 million on 666 screens. It managed $13.48 million in Mexico, $7.4 million in Brazil, $6.59 million in Australia, and $4.8 million in Spain. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/10/04 2 $105,450,000   135,158 $780   $305,520,000 2
2019/10/11 2 $25,010,000 -76% 99,842 $250   $373,810,000 3
2019/10/18 5 $8,200,000 -67% 25,276 $324   $400,040,000 4
2019/10/25 5 $4,470,000 -45% 11,246 $397   $411,480,000 5
2019/11/01 4 $2,670,000 -40% 4,024 $664   $419,000,000 6
2019/11/08 9 $960,000 -64% 1,930 $497   $424,140,000 7
2019/11/22 8 $1,860,000   997 $1,866   $430,730,000 9
2019/11/29 5 $1,730,000 -7% 693 $2,496   $434,220,000 10
2020/02/07 4 $7,143   3 $2,381   $453,024,870 20
2020/02/14 4 $4,294 -40% 2 $2,147   $453,967,277 21
2020/02/21 4 $5,694 +33% 2 $2,847   $451,419,828 22
2020/03/06 5 $2,886   2 $1,443   $457,671,217 24

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/27/2019 $0 0 35 94 $919,630 12/17/2019
China 9/28/2019 $1,768,697 0 135158 279309 $470,530,000 1/30/2023
Hong Kong 10/4/2019 $0 0 0 0 $369,973 11/10/2019
New Zealand 10/1/2019 $71,563 9 9 24 $178,403 10/19/2022
North America 10/1/2019 $875,600 67 83 153 $2,323,409
United Kingdom 10/4/2019 $166,604 18 18 18 $166,604 10/9/2019
 
Worldwide Total$474,488,019 1/30/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Production and Technical Credits

Kaige Chen Director
Hu Guan Director
Hao Ning Director
Muye Wen Director
Xu Zheng Director
Xue Xiaolu Director
Yibai Zhang Director