Spain Box Office for Donde estas, Bernadette (2019)

← Go to main Where’d You Go Bernadette page

Where’d You Go Bernadette
Theatrical Performance (US$)
Spain Box Office $188,013Details
Worldwide Box Office $10,844,598Details
Further financial details...

Synopsis

Bernadette Fox is a Seattle woman who had it all — a loving husband and a brilliant daughter. When she unexpectedly disappears, her family sets off on an exciting adventure to solve the mystery of where she might have gone.

Metrics

Movie Details

Production Budget:$20,000,000
Spain Releases: July 10th, 2020 (Wide), released as Donde estas, Bernadette
Video Release: November 19th, 2019 by Fox Home Entertainment
MPAA Rating: PG-13 for some strong language and drug material.
(Rating bulletin 2523 (Cert #51563), 4/18/2018)
Running Time: 104 minutes
Keywords: Missing Person, Set in Seattle, WA, Road Trip, Dysfunctional Family, Infidelity, Surprise Twist, Architecture, Comedy Drama
Source:Based on Fiction Book/Short Story
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Annapurna Pictures, Color Force, Detour Filmproduction
Production Countries: United States
Languages: English

2020 Awards Season: Golden Globes Nominations

December 11th, 2019

Marriage Story

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. (This is especially true on the TV end, as there’s talk about how strange the nominations are this year.) Marriage Story led the way with six nominations, just ahead of The Irishman and Once Upon a Time... in Hollywood, both of which picked up five nods. More...

Home Market Releases for November 26th, 2019

November 27th, 2019

MST3K

It is an even worse week on the home market than it was last week. There are two Pick of the Week contenders, MST3K: The Gauntlet and RoboCop: Limited Edition Collector’s Set. The latter has far more extras, but it has also been released on the home market far too many times. It’s not even the first time it has come out on Blu-ray. It was still a very close competitoion, but in the end, MST3K won the title of Pick of the Week. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Thursday Night Previews: Good Doing Better

August 16th, 2019

Good Boys

We have preview numbers for a couple of new releases. Good Boys managed an impressive $2.1 million on Thursday, putting it in a great position to top our prediction by a substantial margin. I would love to get a pleasant surprise at the box office right now. More...

Weekend Predictions: Will the Box Office get Angry?

August 15th, 2019

The Angry Birds Movie 2

Like last weekend, there are five wide releases coming out this weekend, and again, this is just too many. I can’t imagine all of them will find an audience. In fact, I would be less surprised if none of them really found an audience and Fast and Furious Presents: Hobbs and Shaw remained in first place, than if all of them found an audience. The Angry Birds Movie 2 is the biggest of the new releases, but it debuted on Tuesday, so its demand will be deflated by the weekend. Good Boys has deceptively good reviews, but the buzz isn’t where it should be. 47 Meters Down: Uncaged is a horror film entering a too-crowded market. Meanwhile, both Blinded By the Light and Where’d You Go, Bernadette? will be lucky to avoid the Mendoza Line. This weekend last year, Crazy Rich Asians opened. It wasn’t a monster hit out of the gate, but it was a bigger hit than anything opening this weekend. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Where’d You Go Bernadette Trailer

December 19th, 2018

Drama starring Cate Blanchett opens March 22 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/07/10 3 $55,106   166 $332   $55,106 1
2020/07/17 7 $24,131 -56% 154 $157   $118,209 2
2020/07/24 11 $12,350 -49% 93 $133   $150,892 3
2020/07/31 13 $8,983 -27% 40 $225   $169,814 4
2020/08/07 16 $4,142 -54% 19 $218   $179,226 5
2020/08/14 - $2,430 -41% 15 $162   $188,013 6

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/11/2019 $33,341 48 48 68 $63,819 11/17/2019
Australia 7/17/2020 $43,645 40 83 440 $215,361 10/26/2020
Brazil 11/8/2019 $88,382 90 90 90 $88,382 11/17/2019
Italy 12/12/2019 $201,089 0 7 11 $298,164 1/20/2020
Japan 9/22/2023 00$0
Lithuania 9/6/2019 $11,831 19 19 34 $23,709 10/2/2019
Mexico 10/4/2019 $148,425 0 0 0 $148,425 10/8/2019
New Zealand 7/30/2020 $48,119 0 87 306 $155,448 10/19/2022
North America 8/16/2019 $3,462,308 2,404 2,404 6,218 $9,198,356
Poland 8/16/2019 $37,284 85 85 85 $44,976 10/19/2022
Portugal 11/29/2019 $10,177 16 16 31 $30,001 12/18/2019
Russia (CIS) 9/5/2019 $84,235 357 357 640 $162,014 10/19/2022
Slovenia 10/25/2019 $2,895 12 12 35 $20,930 12/9/2019
South Korea 10/8/2020 $95,198 243 243 416 $207,000 10/28/2020
Spain 7/10/2020 $55,106 166 166 487 $188,013 8/24/2020
 
Worldwide Total$10,844,598 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Cate Blanchett Bernadette Fox

Supporting Cast

Billy Crudup Elgie Branch
Kristen Wiig Audrey
Judy Greer Dr. Kurtz
Laurence Fishburne Paul Jellinek
Emma Nelson “Bee” Branch
James Urbaniak Marcus Strang
Troian Bellisario Becky
Steve Zahn David Walker
Megan Mullally Judy Toll
Richard Robichaux Floyd the Pharmacist
Kate Burton Ellen Idelson
David Paymer Jay Ross
Patrick Sebes Tom The Blackberry Guy
Zoe Chao Soo-Lin
Lee Harrington USC Student
Patrick Jordan Game Show Host
Shaun Cameron Hall Pablo
Kathryn Feeney Tamara the Pharmacy Employee
Amy Rayko Lisa Prospective Parent #3
Nancy McNulty Lori Prospective Parent
Daina Griffith Julie Prospective Parent
Kate Easton Tammy Prospective Parent
Stephen Donnelly Mr. Hayes
Thalia Torio Kennedy
Mark Stevenson Architectural Expert
Cherie McClain News Reporter
Maureen d Armand Crew Member Allegra
Jóhannes Haukur Jóhannesson Captain J. Rouverol
Claudia Doumit Iris
Katelyn Statton Vivian
Jennifer Tober Snappy Tourist Lady
Joe Coyle Mike the State Senator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Richard Linklater Director
Richard Linklater Screenwriter
Holly Gent Palmo Screenwriter
Vincent Palmo Jr. Screenwriter
Maria Semple Based on the novel by
Nina Jacobson Producer
Brad Simpson Producer
Ginger Sledge Producer
Jillian Longnecker Executive Producer
Megan Ellison Executive Producer
Maria Semple Executive Producer
Shane Kelly Director of Photography
Bruce Curtis Production Designer
Sandra Adair Editor
Graham Reynolds Composer
Kari Perkins Costume Designer
Vicky Boone Casting Director
Anthony Rossi III Production Supervisor
Nancy Kirhoffer Post-Production Supervisor
Gregory Weimerskirch Art Director
Beauchamp Fontaine Set Decorator
Luke Pebler Assistant Editor
Brooke Satrazemis Script Supervisor
Jim Emswiller Sound Mixer
Kate Dougherty Set Designer
Adele Plauche Set Designer
Everett Byrom III Special Effects Coordinator
Darylin Nagy Make up
Sharyn Cordice Make up
Karen Lovell Hairstylist
Rosalee Riggle Hairstylist
John Adkins Location Manager
Jennifer Schossow Costume Supervisor
Tom Hammond Supervising Sound Editor
Tom Hammond Re-recording Mixer
Miles Foster-Greenwood Dialogue Editor
Evan Dunivan Dialogue Editor
Korey Pereira Dialogue Editor
Justin Hennard Sound Designer
Justin Hennard Sound Effects Editor
Glenn Eanes Foley/ADR Mixer
Raoul Yorke Bolognini Visual Effects Producer
Robert Grasmere Visual Effects Supervisor
Graham Reynolds Score Producer
Buzz Moran Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.