Portugal Box Office for West of Memphis (2012)
Theatrical Performance (US$) | ||
Portugal Box Office | $1,287 | Details |
Worldwide Box Office | $407,517 | Details |
Further financial details... |
Synopsis
The story behind an extraordinary and desperate fight to bring the truth to light: a fight to stop the State of Arkansas from killing an innocent man. Starting with a searing examination of the police investigation into the 1993 murders of three eight-year-old boys in the small town of West Memphis, Arkansas, the film goes on to uncover new evidence surrounding the arrest and conviction of the other three victims of this shocking crime.
Metrics
Movie Details
Portugal Releases: | November 22nd, 2012 (Wide) |
Video Release: | August 12th, 2013 by Sony Pictures Home Entertainment |
MPAA Rating: | R for disturbing violent content and some language. (Rating bulletin 2239, 9/5/2012) |
Running Time: | 150 minutes |
Keywords: | Corrupt Cops, Government Corruption, Wrongfully Convicted, Learning Disabilities, Set in Memphis |
Source: | Based on Real Life Events |
Genre: | Documentary |
Production Method: | Live Action |
Creative Type: | Factual |
Production/Financing Companies: | Wingnut Films |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for August 6th, 2013
August 7th, 2013
Like it usually is during the summer, this week is rather soft on home market. Granted, there is one wide release that did very well at the box office, Oblivion, plus a couple of limited releases that did well to earn a serious measure of mainstream success, The Place Beyond the Pines and Mud. However, there are also some releases in the top twenty that are definitely filler. Usually, once you reach exercise videos, there's nothing worth talking about. Of course, if I used that rule this week, there would be almost nothing on this week's list. Mud is likely the best release and the DVD or Blu-ray is worth picking up, but I'm still waiting for the screener to review and I hate awarding something Pick of the Week if the screener is late. Because of this, I'm going with another late release, Burn Notice: Season Six, as Pick of the Week. It arrived more than a month late, but it was worth the wait.
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2013 Awards Season: WGAs Leaves Analysts In the Dark
January 7th, 2013
Surprises seems to be the word of the day, as the WGA nominations included a number of them. Granted, Zero Dark Thirty and a lot of the other films that have earned Awards Season success thus far were here, but there were almost as many surprises as there were obvious choices.
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Per Theater Chart: Zero to $1 million in Nine Days
January 3rd, 2013
Zero Dark Thirty shot up to the top of the per theater chart with averages of $83,430 during its opening weekend and $63,283 during its sophomore stint. Expanding truly wide is virtually guaranteed. Amour was well back with an average of $20,005 over the past weekend and $22,755 during its opening weekend. The Impossible rose 27% to $12,172 in 15 theaters. This is a great sign and while its reviews are too low to be a major contender during Awards Season, it should still do well enough to expand significantly, but probably not truly wide. The final film in the $10,000 club was Django Unchained, which opened with an average of $10,008.
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Limited Releases: Keeping Their Promises
December 28th, 2012
The end of the year has a few limited releases trying to get a last chance for Oscar glory with Oscar qualifying runs. Promised Land is clearly the biggest film of the week, but its reviews suggest it won't even thrive in limited release.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2012/11/23 | 26 | $643 | 2 | $322 | $643 | 1 | |
2012/11/30 | 25 | $171 | -73% | 2 | $86 | $972 | 2 |
2012/12/07 | 22 | $162 | -5% | 1 | $162 | $1,231 | 3 |
2012/12/14 | 14 | $30 | -81% | 1 | $30 | $1,287 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 2/14/2013 | $23,898 | 3 | 5 | 22 | $84,714 | 12/14/2015 |
North America | 12/25/2012 | $13,856 | 5 | 40 | 242 | $309,864 | 12/10/2016 |
Portugal | 11/22/2012 | $643 | 2 | 2 | 6 | $1,287 | 12/12/2015 |
United Kingdom | 12/21/2012 | $1,775 | 1 | 1 | 3 | $6,876 | 12/13/2015 |
Rest of World | $4,776 | ||||||
Worldwide Total | $407,517 | 12/10/2016 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Interviewee(s)
Damien Echols | Himself |
Lorri Davis | Herself |
Jason Baldwin | Himself |
Jesse Misskelley, Jr. | Himself |
Pam Hicks | Herself |
Eddie Vedder | Himself |
David Burnett | Himself |
Blake Sisk | Himself |
Cody Gott | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Amy Berg | Director |
Amy Berg | Screenwriter |
Billy McMillin | Co-Screenwriter |
Billy McMillin | Editor |
Fran Walsh | Producer |
Peter Jackson | Producer |
Damien Echols | Producer |
Lorri Davis | Producer |
Ken Kamins | Executive Producer |
Maryse Alberti | Director of Photography |
Ronan Kileen | Director of Photography |
Nick Cave | Composer |
Warren Ellis | Composer |