Spain Box Office for Waves (2019)

← Go to main Waves page

Waves
Theatrical Performance (US$)
Spain Box Office $25,729Details
Worldwide Box Office $2,668,154Details
Home Market Performance
North America Blu-ray Sales $18,411 Details
Total North America Video Sales $18,411
Further financial details...

Synopsis

Waves traces the epic emotional journey of a suburban African-American family—led by a well-intentioned but domineering father—as they navigate love, forgiveness and coming together in the aftermath of a loss.

Metrics

Movie Details

Spain Releases: January 31st, 2020 (Wide)
Video Release: February 4th, 2020 by Lionsgate Home Entertainment
MPAA Rating: R for language throughout, drug and alcohol use, some sexual content and brief violence-all involving teens.
(Rating bulletin 2596 (Cert #52379), 9/18/2019)
Running Time: 135 minutes
Source:Original Screenplay
Genre:Musical
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: A24
Production Countries: United States
Languages: English

Home Market Releases for February 4th, 2020

February 5th, 2020

That Time I Got Reincarnated as a Slime

It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well. More...

Theater Averages: Portrait has a Fiery Start

December 12th, 2019

Portrait of a Lady on Fire

Portrait of a Lady on Fire was the only new release to make an impart on the per theater chart earning an average of $33,672 in two theaters. If we combine this with its early Awards Season success, we can confidently predict a long run in theaters. The only other film in the $10,000 club was 63 Up with an average of $10,313 in two theaters. More...

Theater Averages: Making Waves

November 20th, 2019

Waves

Waves led the way on the theater average chart with an opening weekend average of $33,583 in four theaters. Jay and Silent Bob Reboot was in second place with an average of $16,899 in ten theaters. Its road show has been a success so far, but the film did cost $10 million to make, so it will need to continue to have strong weekend numbers for a long time to break even. Recorder: The Marion Stokes Project opened with $12,140 in its lone theater. Honey Boy fell from an average of $75,266 in four theaters to an average of just $11,957 in 17. That’s still a good average, but its odds of expanding even semi-wide have been lowered dramatically. More...

Weekend Estimates: Ford and Ferrari v Top Five

November 17th, 2019

Ford v Ferrari

If the weekend estimates hold, then Ford v Ferrari, with an estimated $31.04 million, will open with almost as much as the rest of the top five combined. A lot of time when something like this happens, it is because there’s a monster hit opening. In this case, Ford v Ferrari will need strong legs just to top its production budget and hit $100 million at the box office and it is dominating the box office due to really weak competition. Fortunately, the film should have strong legs thanks to its reviews and its A plus from CinemaScore. The film is not doing as well internationally with an opening of $21.4 million in 41 markets. This includes a $3.2 million debut in Russia and $2.3 million debuts in the U.K. and France. If the film can earn some Awards Season buzz, then it could have the legs to get to $250 million worldwide, which should be enough to break even sometime during its home market run. More...

Limited and VOD Releases: Getting Lost in the Crowd

November 15th, 2019

I Lost My Body

It is not a terribly busy week for limited releases, not unless you are talking about documentaries. There are a few that have a real shot at opening well, including The Report and Waves, but it’s I Lost My Body that I’m the most interested in. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/01/31 - $13,000   20 $650   $13,000 1
2020/02/14 - $35   1 $35   $25,050 3
2020/02/28 - $25   1 $25   $25,120 5
2020/07/10 - $255   2 $128   $25,729 24

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 7/9/2020 $12,824 16 16 71 $46,213 5/18/2021
Austria 7/17/2020 $8,895 10 11 53 $28,801 9/22/2021
France 1/31/2020 $15,000 15 15 34 $29,646 2/26/2020
Germany 3/19/2020 $0 0 133 373 $187,174 9/30/2020
Japan 7/10/2020 $153,536 0 0 0 $208,288 7/17/2020
Mexico 2/21/2020 $27,283 48 48 101 $57,188 3/18/2020
Netherlands 5/22/2020 $0 0 19 47 $49,752 8/18/2020
New Zealand 7/23/2020 $6,222 19 19 72 $22,932 10/19/2022
North America 11/15/2019 $134,333 4 570 1,034 $1,658,790 10/30/2024
Norway 2/7/2020 $13,000 20 20 44 $43,301 7/1/2020
Singapore 1/23/2020 $0 0 1 2 $6,846 7/29/2020
Spain 1/31/2020 $13,000 20 20 33 $25,729 7/15/2020
Sweden 2/7/2020 $14,000 25 25 45 $39,985 6/24/2020
United Kingdom 1/17/2020 $82,010 135 135 145 $171,119 2/26/2020
 
Rest of World $92,390
 
Worldwide Total$2,668,154 10/30/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Kelvin Harrison Jr Tyler Williams

Supporting Cast

Lucas Hedges Luke
Taylor Russell Emily Williams
Alexa Demie Alexis Lopez
Sterling K. Brown Ronald Williams
Renee Elise Goldsberry Catharine Williams
Clifton Collins, Jr. Bobby Lopez
Neal Huff Bill
Bill Wise Coach Wise
Harmony Korine Mr. Stanley

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Trey Edward Shults Director
Trey Edward Shults Screenwriter
Kevin Turen Producer
Jim Wilson Producer
Trey Edward Shults Producer
Trey Edward Shults Editor
Isaac Hagy Editor
Trent Reznor Composer
Atticus Ross Composer
Drew Daniels Director of Photography