Spain Box Office for Waves (2019)
Theatrical Performance (US$) | ||
Spain Box Office | $25,729 | Details |
Worldwide Box Office | $2,668,154 | Details |
Home Market Performance | ||
North America Blu-ray Sales | $18,411 | Details |
Total North America Video Sales | $18,411 | |
Further financial details... |
Synopsis
Waves traces the epic emotional journey of a suburban African-American family—led by a well-intentioned but domineering father—as they navigate love, forgiveness and coming together in the aftermath of a loss.
Metrics
Movie Details
Spain Releases: | January 31st, 2020 (Wide) |
Video Release: | February 4th, 2020 by Lionsgate Home Entertainment |
MPAA Rating: | R for language throughout, drug and alcohol use, some sexual content and brief violence-all involving teens. (Rating bulletin 2596 (Cert #52379), 9/18/2019) |
Running Time: | 135 minutes |
Source: | Original Screenplay |
Genre: | Musical |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | A24 |
Production Countries: | United States |
Languages: | English |
Home Market Releases for February 4th, 2020
February 5th, 2020
It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well.
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Theater Averages: Portrait has a Fiery Start
December 12th, 2019
Portrait of a Lady on Fire was the only new release to make an impart on the per theater chart earning an average of $33,672 in two theaters. If we combine this with its early Awards Season success, we can confidently predict a long run in theaters. The only other film in the $10,000 club was 63 Up with an average of $10,313 in two theaters.
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Theater Averages: Making Waves
November 20th, 2019
Waves led the way on the theater average chart with an opening weekend average of $33,583 in four theaters. Jay and Silent Bob Reboot was in second place with an average of $16,899 in ten theaters. Its road show has been a success so far, but the film did cost $10 million to make, so it will need to continue to have strong weekend numbers for a long time to break even. Recorder: The Marion Stokes Project opened with $12,140 in its lone theater. Honey Boy fell from an average of $75,266 in four theaters to an average of just $11,957 in 17. That’s still a good average, but its odds of expanding even semi-wide have been lowered dramatically.
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Weekend Estimates: Ford and Ferrari v Top Five
November 17th, 2019
If the weekend estimates hold, then Ford v Ferrari, with an estimated $31.04 million, will open with almost as much as the rest of the top five combined. A lot of time when something like this happens, it is because there’s a monster hit opening. In this case, Ford v Ferrari will need strong legs just to top its production budget and hit $100 million at the box office and it is dominating the box office due to really weak competition. Fortunately, the film should have strong legs thanks to its reviews and its A plus from CinemaScore. The film is not doing as well internationally with an opening of $21.4 million in 41 markets. This includes a $3.2 million debut in Russia and $2.3 million debuts in the U.K. and France. If the film can earn some Awards Season buzz, then it could have the legs to get to $250 million worldwide, which should be enough to break even sometime during its home market run.
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Limited and VOD Releases: Getting Lost in the Crowd
November 15th, 2019
It is not a terribly busy week for limited releases, not unless you are talking about documentaries. There are a few that have a real shot at opening well, including The Report and Waves, but it’s I Lost My Body that I’m the most interested in.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/01/31 | - | $13,000 | 20 | $650 | $13,000 | 1 | |
2020/02/14 | - | $35 | 1 | $35 | $25,050 | 3 | |
2020/02/28 | - | $25 | 1 | $25 | $25,120 | 5 | |
2020/07/10 | - | $255 | 2 | $128 | $25,729 | 24 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 7/9/2020 | $12,824 | 16 | 16 | 71 | $46,213 | 5/18/2021 |
Austria | 7/17/2020 | $8,895 | 10 | 11 | 53 | $28,801 | 9/22/2021 |
France | 1/31/2020 | $15,000 | 15 | 15 | 34 | $29,646 | 2/26/2020 |
Germany | 3/19/2020 | $0 | 0 | 133 | 373 | $187,174 | 9/30/2020 |
Japan | 7/10/2020 | $153,536 | 0 | 0 | 0 | $208,288 | 7/17/2020 |
Mexico | 2/21/2020 | $27,283 | 48 | 48 | 101 | $57,188 | 3/18/2020 |
Netherlands | 5/22/2020 | $0 | 0 | 19 | 47 | $49,752 | 8/18/2020 |
New Zealand | 7/23/2020 | $6,222 | 19 | 19 | 72 | $22,932 | 10/19/2022 |
North America | 11/15/2019 | $134,333 | 4 | 570 | 1,034 | $1,658,790 | 10/30/2024 |
Norway | 2/7/2020 | $13,000 | 20 | 20 | 44 | $43,301 | 7/1/2020 |
Singapore | 1/23/2020 | $0 | 0 | 1 | 2 | $6,846 | 7/29/2020 |
Spain | 1/31/2020 | $13,000 | 20 | 20 | 33 | $25,729 | 7/15/2020 |
Sweden | 2/7/2020 | $14,000 | 25 | 25 | 45 | $39,985 | 6/24/2020 |
United Kingdom | 1/17/2020 | $82,010 | 135 | 135 | 145 | $171,119 | 2/26/2020 |
Rest of World | $92,390 | ||||||
Worldwide Total | $2,668,154 | 10/30/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Kelvin Harrison Jr | Tyler Williams |
Supporting Cast
Lucas Hedges | Luke |
Taylor Russell | Emily Williams |
Alexa Demie | Alexis Lopez |
Sterling K. Brown | Ronald Williams |
Renee Elise Goldsberry | Catharine Williams |
Clifton Collins, Jr. | Bobby Lopez |
Neal Huff | Bill |
Bill Wise | Coach Wise |
Harmony Korine | Mr. Stanley |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Trey Edward Shults | Director |
Trey Edward Shults | Screenwriter |
Kevin Turen | Producer |
Jim Wilson | Producer |
Trey Edward Shults | Producer |
Trey Edward Shults | Editor |
Isaac Hagy | Editor |
Trent Reznor | Composer |
Atticus Ross | Composer |
Drew Daniels | Director of Photography |