Netherlands Box Office for The Water Diviner (2014)
| Theatrical Performance (US$) | ||
| Netherlands Box Office | $124,420 | Details |
| Worldwide Box Office | $31,054,727 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,935,452 | Details |
| North America Blu-ray Sales | $648,022 | Details |
| Total North America Video Sales | $2,583,474 | |
| Further financial details... | ||
Synopsis
Joshua Connor is an Australian farmer, who in 1919, goes in search of his three missing sons, last known to have fought against the Turks in the bloody Battle of Gallipoli. Arriving in Istanbul, he is thrust into a vastly different world, where he encounters others who have suffered their own losses in the conflict: Ayshe, a strikingly beautiful but guarded hotelier raising a child alone; her young, spirited son, Orhan, who finds a friend in Connor; and Major Hasan, a Turkish officer who fought against Connor's boys and who may be this father's only hope. With seemingly insurmountable obstacles in his path, Connor must travel across the battle-scarred Turkish landscape to find the truth...and his own peach.
Metrics
Movie Details
| Production Budget: | $22,500,000 |
| Netherlands Releases: | April 17th, 2015 (Wide) |
| Video Release: | July 7th, 2015 by Warner Home Video |
| MPAA Rating: | R for war violence including some disturbing images. (Rating bulletin 2366, 3/25/2015) |
| Running Time: | 112 minutes |
| Keywords: | Actors Making Their Directorial Debut, 1920s, War, Set in Turkey, Death of a Son or Daughter, Missing Person, Directing Yourself, IMAX: DMR, Historical Drama, Missing in Action |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Hopscotch Features, Fear of God Films |
| Production Countries: | Australia, Turkey, United States |
| Languages: | English |
Home Market Numbers: Home Finds a Home on the Home Market
August 28th, 2015
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The new releases for July 28th were led by Home, which dominated the combined DVD and Blu-ray chart for August 2nd. The film sold 1.18 million units and generated $22.60 million in revenue. That was enough to put it in 16th place on the yearly chart after just one week of release. Its opening week Blu-ray share was 42%, which is good for a kids movie.
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Per Theater Chart: New Releases Didn't Get Results
June 3rd, 2015
There was only one film in the $10,000 club on the per theater chart and it was the overall box office leader, San Andreas. That film opened in first place with an average of $14,453. The best new limited release was Heaven Knows What, which earned an average of $8,431 from two theaters.
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Per Theater Chart: Ultron is Still Big
May 12th, 2015
The Avengers: Age of Ultron remained in first place on the per theater chart with an average of $18,182. It wasn't the only film in the $10,000 chart this week. Pather Panchali was close behind with $16,333 in its lone theater. I Am Big Bird: The Caroll Spinney Story earned $10,150 over the weekend for a total of $13,053 from Wednesday through Sunday.
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Per Theater Chart: Welcome to the Age of Ultron
May 7th, 2015
The Avengers: Age of Ultron not only earned first place on the overall box office chart, but it also topped the per theater chart with an average of $44,731. There were a couple of limited releases in the $10,000 club, Welcome to Me with an average of $19,084 in two theaters and Far from the Madding Crowd with an average of $16,499 in ten theaters. Iris came really close with an average of $9,542 in six theaters over the weekend and an average of $11,467 from Wednesday through Sunday.
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Per Theater Chart: Calm Before the Storm
April 28th, 2015
There were no films in the $10,000 club this week and no new releases really came close. The closest was Full Moon in Paris, which rose 58% from last weekend to $7,987, still in one theater. Felix et Meira was next with an average of $6,590 after expanding from one to four theaters. Don't Think I've Forgotten: Cambodia's Lost Rock and Roll was the biggest new release with an average of $6,402 in three theaters over the weekend for an average of $8,465 from Wednesday to Sunday.
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Weekend Estimates: One Last Furious Weekend
April 26th, 2015
Furious 7 will once more hold on to the title of top movie at the box office this weekend, becoming the first film since Guardians of the Galaxy to do so for four weekends, and the first since The Hunger Games to be number one for four straight weeks. Furious 7 will also become this weekend only the third title, after Avatar and Titanic, to hit $1 billion in international box office earnings. Universal is estimating an international total of $1.001 billion, including $323 million in China—an all-time record for that territory.
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Limited Releases: Are There any Divine Limited Releases?
April 24th, 2015
If there is a theme with this week's limited releases, it is actors making their directorial debuts. There are three such films, including The Water Diviner. None of these film are earning overwhelmingly positive reviews, but The Water Diviner comes the closest.
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Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 5/29/2015 | $106,180 | 54 | 54 | 87 | $223,288 | 11/24/2018 |
| Australia | 12/26/2014 | $519,858 | 232 | 300 | 2224 | $11,852,785 | 7/7/2015 |
| Brazil | 5/29/2015 | $98,317 | 86 | 86 | 86 | $98,317 | 11/6/2018 |
| France | 4/17/2015 | $307,534 | 0 | 0 | 0 | $307,534 | 8/21/2018 |
| Germany | 5/8/2015 | $121,646 | 0 | 0 | 0 | $123,795 | 8/22/2018 |
| Hong Kong | 4/17/2015 | $45,872 | 34 | 34 | 37 | $63,726 | 11/26/2018 |
| Italy | 1/9/2015 | $623,217 | 0 | 0 | 0 | $1,128,636 | 11/6/2018 |
| Mexico | 5/22/2015 | $356,099 | 0 | 0 | 0 | $706,524 | 8/30/2018 |
| Netherlands | 4/17/2015 | $60,128 | 42 | 42 | 84 | $124,420 | 11/21/2018 |
| North America | 4/24/2015 | $1,220,335 | 320 | 385 | 1,709 | $4,200,117 | 10/14/2015 |
| Peru | 6/25/2015 | $0 | 0 | 9 | 16 | $93,564 | 12/20/2018 |
| Poland | 3/13/2015 | $62,686 | 0 | 0 | 0 | $120,506 | 12/30/2018 |
| Russia (CIS) | 4/2/2015 | $438,672 | 562 | 800 | 1410 | $942,204 | 11/19/2018 |
| South Korea | 1/30/2015 | $435,289 | 0 | 0 | 0 | $689,370 | 8/27/2018 |
| Spain | 4/24/2015 | $812,258 | 354 | 354 | 1762 | $2,868,554 | 11/28/2018 |
| Taiwan | 5/1/2015 | $84,188 | 39 | 39 | 75 | $178,513 | 11/4/2018 |
| Turkey | 12/26/2014 | $0 | 0 | 366 | 1300 | $5,781,253 | 12/30/2018 |
| United Kingdom | 4/3/2015 | $773,401 | 420 | 420 | 729 | $1,521,881 | 6/26/2015 |
| Uruguay | 6/4/2015 | $0 | 0 | 3 | 6 | $29,740 | 12/30/2018 |
| Worldwide Total | $31,054,727 | 12/30/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Russell Crowe | Connor |
Supporting Cast
| Olga Kurylenko | Ayshe |
| Yilmaz Erdogan | Major Hasan |
| Cem Yilmaz | Sgt. Jemal |
| Jai Courtney | Lt. Colonel Hughes |
| Ryan Corr | Art |
| James Fraser | Edward |
| Ben O'Toole | Henry |
| Isabel Lucas | Natalia |
| Dylan Georgiades | Orhan |
| Steve Bastoni | Omer |
| Salih Kalyon | Dr. Ibrahim |
| Megan Gale | Fatma |
| Jacqueline McKenzie | Eliza |
| Jack Patterson | Young Art |
| Ben Norris | Young Henry |
| Aidan Smith | Young Edward |
| Damon Herriman | Father McIntrye |
| Sophia Forrest | Edith |
| Dan Wyllie | Captain Brindley |
| Christopher Sommers | Tucker |
| Benedict Hardie | Dawson |
| Michael Dorman | Greeves |
| Max Benitz | Lieutenant |
| Charles Allan | British Soldier (Arrival Hall) |
| Ali Akdeniz | Turkish Official (Arrival Hall) |
| Robert Mammone | Colonel Demergelis |
| Emrah Aksu | Boy Soldier |
| Deniz Akdeniz | Iman 1919 |
| Thomas Unger | Thomas |
| Bill Thompson | William |
| David Oliver | British Soldier (Topkapi) |
| Jack Randall | British Clerk |
| Asena Gunduz | Omer's Daughter #1 |
| Aleyna Gunduz | Omer's Daughter #2 |
| Abdullah Eraslan | Distinguished Turkish Man |
| Reverend Diogenis Patsouris* | Orthodox Priest |
| Mustafa Ozluk | Turkish Band-Sunnet |
| Serdar Ali Sagin | Turkish Band-Sunnet |
| Ediz Nidai | Turkish Band-Sunnet |
| Zev Eleftheriou | Train Driver |
| Jason Honeychurch | Young Veteran |
| George Ogilvie | Blind Knife Sharpener |
| Stewart Kirwan | Turgut |
| Gazi Yalcin | Turkish Band-Gallipoli |
| Brad Turner | Turkish Band-Gallipoli |
| Fabian Hevia | Turkish Band-Gallipoli |
| Ethem Temizkanoglu | Villager |
| Varlam Nikoladze | Old Peasant |
| Nigar Alkan Sen | Woman in Village |
| Muammer Er | Villager |
| Ali Akkus | Barber |
| Agani Gecmez | Iman 1915 |
| Mustafa Konukcu | Whirling Dervish Leader |
| Mehmet Emin Kabakci | Whirling Dervish |
| Bugra Akdogan | Whirling Dervish |
| Sinan Altinbas | Whirling Dervish |
| Mustafa Senturk | Whirling Dervish |
| Fahrettin Kucukbaz | Whirling Dervish |
| Bedrettin Sina Kilinc | Whirling Dervish |
| Kerem Turham | Whirling Dervish |
| Omer Faruk Teluler | Whirling Dervish |
| Hasan Karaemmler | Whirling Dervish |
| Alper Akcay | Whirling Dervish |
| Adnan Sulukcu | Whirling Dervish |
| Ahmet Kursun | Whirling Dervish |
| Ihsan Korkal | Whirling Dervish |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Russell Crowe | Director |
| Andrew Knight | Screenwriter |
| Andrew Anastasios | Screenwriter |
| Andrew Mason | Producer |
| Keith Rodger | Producer |
| Troy Lum | Producer |
| James Packer | Executive Producer |
| Brett Ratner | Executive Producer |
| Kerry Stokes | Executive Producer |
| Tim Worner | Executive Producer |
| Angus Ross | Executive Producer |
| John Collee | Executive Producer |
| Andrew Knight | Executive Producer |
| Andrew Anastasios | Executive Producer |
| Barbara Gibbs | Line Producer |
| Nikki Barrett | Casting Director |
| Tess Schofield | Costume Designer |
| David Hirschfelder | Composer |
| Matt Villa | Editor |
| Christopher Kennedy | Production Designer |
| Andrew Lesnie | Director of Photography |
| Ludivico Einaudi | Additional Music |
| Richard Tognetti | Additional Music |
| Chris Webb | First Assistant Director |
| Lorelle Adamson | Production Manager |
| Ali Akdeniz | Production Supervisor-Turkey |
| Jo Weeks | Script Supervisor |
| Jennifer Lamphee | Make-up and Hair Designer |
| Peter Stubbs | Special Effects Supervisor |
| Prue Fletcher | Post-Production Supervisor |
| Wayne Pashley | Supervising Sound Editor |
| David Booth | Visual Effects Supervisor |
| Robyn Elliott | Costume Supervisor |
| Marita Mussett | Supervising Art Director |
| Rebecca Cohen | Set Decorator |
| Brian Nickless | Set Designer |
| Libby Villa | Supervising Sound Editor |
| Onal Joshi | Dialogue Editor |
| Emma Mitchell | Dialogue Editor |
| Fabian Sanjurjo | Sound Effects Editor |
| Rick Lisle | Sound Effects Editor |
| Andrew Miller | Sound Effects Editor |
| Mario Gabrielli | Sound Effects Editor |
| Greg Fitzgerald | Re-recording Mixer |
| Peter Purcell | Re-recording Mixer |
| Wayne Pashley | Re-recording Mixer |
| Marc Varisco | Visual Effects Supervisor |
| Richard Thwaites | Visual Effects Producer |
| Tony Wall | Music Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.