Slovenia Box Office for A Walk in the Woods (2015)
Theatrical Performance (US$) | ||
Slovenia Box Office | $27,272 | Details |
Worldwide Box Office | $37,119,358 | Details |
Home Market Performance | ||
North America DVD Sales | $3,483,708 | Details |
North America Blu-ray Sales | $1,240,256 | Details |
Total North America Video Sales | $4,723,964 | |
Further financial details... |
Synopsis
Instead of retiring to enjoy his loving and beautiful wife, and large and happy family, Bill Bryson challenges himself to hike the Appalachian Trail - 2,200 miles of America's most unspoiled, spectacular and rugged countryside from Georgia to Maine. The peace and tranquility he hopes to find, though, is anything but, once he agrees to being accompanied by the only person he can find willing to join him on the trek - his long lost and former friend Katz, a down-on-his-luck serial philanderer who, after a lifetime of relying on his charm and wits to keep one step ahead of the law – sees the trip as a way to sneak out of paying some debts and sneak into one last adventure before its too late. The trouble is, the two have a completely different definition of the word, "adventure". Now they're about to find out that when you push yourself to the edge, the real fun begins.
Metrics
Movie Details
Production Budget: | $8,000,000 |
Slovenia Releases: | September 25th, 2015 (Wide) |
Video Release: | December 29th, 2015 by Broad Green |
MPAA Rating: | R for language and some sexual references. (Rating bulletin 2379, 6/24/2015) |
Running Time: | 104 minutes |
Keywords: | Writing and Writers, Autumn Years, Autobiographical, Set on the Appalachian Trail, Camping, Backpacking, Heroic Adventure |
Source: | Based on Factual Book/Article |
Genre: | Adventure |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Route One, Union Investment Partners, Wildwood Enterprises |
Production Countries: | United States |
Languages: | English |
Home Market Releases for December 29th, 2015
December 29th, 2015
Another slow week on the home market, but not one without some top-notch releases. Blood And Black Lace on Blu-ray, I Believe in Unicorns on DVD, Shameless: Season 5 are all excellent. However, Bone Tomahawk on Blu-ray is the clear choice for Pick of the Week.
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Weekend Wrap-Up: Perfect Opening for Visit and Guy
September 15th, 2015
Both of the two true wide releases had amazing openings this past week. Or to be more specific, amazing openings for a September release. The Perfect Guy did earn first place, but by less than half a million dollars over The Visit. Both films opened substantially above expectations. Thanks to this, the overall box office rose significantly, both compared to last week and compared to last year. The total box office was $102 million, which is 13% higher than last week. It is also 13% higher than the same weekend last year. September is already looking really good. Year-to-date, 2015 has pulled in $7.65 million putting it 5.3% ahead of last year's pace of $7.26 million. 2015 is nearly $400 million head of 2014's pace and there's not a lot of time for 2015 to blow that lead. It wouldn't be impossible, but it is getting more and more unlikely.
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Weekend Predictions: Will the New Releases have Perfect Openings?
September 10th, 2015
There are two and a half wide releases coming out this week, led by The Perfect Guy. I think it will earn first place at the box office, but it isn't a sure thing. Up next is The Visit, which is the latest from M. Night Shyamalan. It has been a while since he had real drawing power at the box office. Finally there's 90 Minutes in Heaven, which is not expected to open truly wide, but wide enough to get into the top ten. This weekend last year was led by No Good Deed, which opened with $24.25 million. I don't think any new release will match that this year. There's a chance none of them will match Dolphin Tale 2. I'm cautiously optimistic that 2015 won't lose by a substantial amount, but if either of the two truly wide releases bomb, then the box office will be in real trouble.
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Weekend Wrap-Up: New Releases were Simply Resistible
September 9th, 2015
While first trying to come up with picture / title ideas for the weekend columns, I saw the image above and was reminded of "Simply Irresistible" by Robert Palmer. Ever since then, the song has been stuck in my head. It's been there for more than 48 hours now and I'm starting to think I will need medical help getting rid of it. The overall box office was more or less in line with Friday's expectations. A Walk in the Woods matched predictions (nearly) perfectly, while The Transporter Refueled was on the low end of expectations. Fortunately, War Room showed off strong legs leaping into first place. It was able to help the overall box office grow 3.5% to $90 million over the three-day weekend. This was 38% higher than the same weekend last year; however, this is due to a misalignment of holidays. Compared to last labor day, the box office was 18% lower. With that, the summer of 2015 is officially over and while records were broken, the overall box office was actually the second best on record, falling just short of 2013 at $4.48 billion to $4.75 billion. Year-to-date, 2015 has a 5.3% lead over 2014 at $7.53 billion to $7.15 billion.
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Weekend Estimates: War Room Stays Strong to Top Chart
September 6th, 2015
Summer, 2015 comes to a sedate finish this weekend, with The Transporter Refueled falling flat, and War Room moving to the top of the chart in its second weekend in release. The faith-based drama is expected to earn $9.3 million for the three-day portion of the weekend, comfortably clear of Straight Outta Compton’s $8.8 million in its fourth weekend. War Room will top the chart while playing in only 1,526 theaters, the fewest theaters for a number one film since the Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour topped the chart from 683 theaters back in 2008 (see fewest theaters for number one movie since 2000).
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Friday Estimates: Will Slow and Steady Win in the End?
September 5th, 2015
As expected, The Transporter Refueled earned first place on Friday with $2.4 million. However, bad reviews will lead to a front-loaded weekend, so it won’t last there long. I think the best comparison is The Transporter 2, which was also released on Labor Day long weekend. That film opened with $5.57 million on the Friday, and earned $16.54 million / $20.10 million after three and four days respectively. If The Transporter Refueled had the same internal multiplier, it would make $7.1 million / $8.7 million. However, The Transporter 2 also earned better reviews, so it would be best to shave a few points off, to give The Transporter Refueled just under $7 million over the three day weekend and just over $8 million including Monday. That’s a disappointing start, even for a film that wasn’t expected to do well at the box office.
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Weekend Predictions: Will the Box Office Run Out of Gas?
September 4th, 2015
It's Labor Day long weekend, the weakest long weekend of the year. There are two films looking to grab spots in the top five, The Transporter Refueled and A Walk in the Woods. They will have to contend with Straight Outta Compton, but more importantly, they will have to compete with last chance outdoor activities. This weekend last year, the best new release was The Identical, which is one of the biggest bombs of all time. We won't have a repeat of that this year, so hopefully fall can start on a winning note.
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2015 Preview: September
September 1st, 2015
As September begins, the box office is in a slump. August was terrible and only Straight Outta Compton escaped with its dignity intact. Fortunately, we expected August to be terrible, so the box office isn't any lower than anticipated. As for September, there are two wide releases expected to earn more than $100 million, which is better than most years. Those two films are Maze Runner: The Scorch Trials and Hotel Transylvania 2, both sequels. There are four other films that could become midlevel hits, so we have good depth as well. By comparison, last September there were also two $100 million hits, The Maze Runner and The Equalizer. However, there were only two midlevel hits, so it appears this year has better depth. Frankly, 2015 has such a large lead over 2014 that all it needs to do is maintain pace for the rest of the year to be considered a success. If September can help 2015 grow its lead, then the overall industry should be very happy.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/25 | 8 | $3,775 | 4 | $944 | $4,024 | 1 | |
2015/10/02 | 8 | $5,011 | +33% | 4 | $1,253 | $11,044 | 2 |
2015/10/09 | 10 | $3,366 | -33% | 4 | $842 | $16,291 | 3 |
2015/11/06 | 15 | $515 | 4 | $129 | $23,506 | 7 | |
2015/11/13 | 16 | $387 | -25% | 4 | $97 | $24,161 | 8 |
2015/11/20 | 13 | $779 | +101% | 4 | $195 | $25,234 | 9 |
2015/11/27 | 15 | $598 | -23% | 4 | $150 | $26,030 | 10 |
2015/12/04 | 16 | $299 | -50% | 4 | $75 | $26,546 | 11 |
2015/12/11 | 16 | $336 | +12% | 4 | $84 | $27,272 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 8/13/2015 | $4,761 | 1 | 148 | 679 | $1,401,115 | 12/1/2015 |
Austria | 10/16/2015 | $41,841 | 35 | 37 | 148 | $163,782 | 6/9/2016 |
Belgium | 3/2/2016 | $11,004 | 12 | 12 | 25 | $33,769 | 6/9/2016 |
France | 1/13/2016 | $127,156 | 92 | 92 | 92 | $127,156 | 6/9/2016 |
Germany | 10/15/2015 | $257,168 | 111 | 131 | 842 | $1,187,721 | 12/16/2015 |
Greece | 9/10/2015 | $40,522 | 11 | 18 | 29 | $84,981 | 9/22/2015 |
Netherlands | 12/17/2015 | $16,020 | 27 | 27 | 27 | $16,020 | 12/21/2015 |
New Zealand | 9/3/2015 | $87,762 | 64 | 74 | 341 | $300,042 | 6/9/2016 |
North America | 9/2/2015 | $8,246,267 | 1,960 | 2,158 | 9,001 | $29,499,394 | 4/7/2019 |
Portugal | 10/8/2015 | $26,687 | 19 | 19 | 50 | $63,277 | 11/10/2015 |
Serbia and Montenegro | 10/22/2015 | $0 | 0 | 1 | 1 | $3,064 | 12/30/2018 |
Slovenia | 9/25/2015 | $3,775 | 4 | 4 | 36 | $27,272 | 12/16/2015 |
Spain | 12/11/2015 | $152,151 | 55 | 58 | 191 | $399,247 | 6/9/2016 |
Switzerland | 11/19/2015 | $108,612 | 42 | 42 | 102 | $279,876 | 12/8/2015 |
Turkey | 3/25/2016 | $8,726 | 14 | 14 | 20 | $18,310 | 12/31/2018 |
United Kingdom | 9/18/2015 | $392,735 | 194 | 238 | 667 | $1,624,098 | 6/9/2016 |
Rest of World | $1,890,234 | ||||||
Worldwide Total | $37,119,358 | 4/7/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Robert Redford | Bill Bryson |
Nick Nolte | Stephen Katz |
Supporting Cast
Kristen Schaal | Mary Ellen |
Nick Offerman | REI Dave |
Mary Steenburgen | Jeannie |
Emma Thompson | Catherine Bryson |
Chrystee Pharris | Ticket Agent |
Linds Edwards | Darren |
Randall Newsome | TV Host |
Hayley Lovitt | Donna |
Derek Krantz | Young Hiker #1 |
Sandra Ellis Lafferty | Widow Deborah |
Hayley Long | Hiker in Bunk House |
John Kap | Bealuh's Husband |
Fred Galle | News Anchor |
Gaia Wise | Becca |
Katie Groshong | Lesbian #1 |
Andrew Vogel | Young Hiker #2 |
Chandler Head | Granddaughter |
R. Keith Harris | Sam Bryson |
Susan McPhail | Beulah |
John Schmedes | Gene |
Valentin Almendarez | Funeral Guest |
Alex Van | Peter |
Danny Vinson | Georgia Cab Driver |
Erick Wofford | Day Hiker |
Valerie Payton | Waitress Rayette |
Marcy Conway | Hiker in the Bunkhouse |
Stephanie Astalos-Jones | Georgia Mountain Waitress |
Walter Hendrix, III | Laundry Patron |
Kevin Harrison | Southbound Hiker |
Joel Rogers | Funeral Director |
Bridget Gethins | Campground Jensine |
Mimi Gould | Jeannie's Mother |
Rowan Bousaid | Rental Agent |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ken Kwapis | Director |
Rick Kerb | Screenwriter |
Bill Holderman | Screenwriter |
Bill Bryson | Based on the Book by |
Robert Redford | Producer |
Bill Holderman | Producer |
Chip Diggins | Producer |
Jeremiah Samuels | Executive Producer |
Jake Eberts | Executive Producer |
Jay Stern | Executive Producer |
Russell Levine | Executive Producer |
Lee Jea-Woo | Executive Producer |
John Bailey | Director of Photography |
Gae Buckley | Production Designer |
Carol Littleton | Editor |
Julie Garces | Editor |
Leigh Leverett | Costume Designer |
Nathan Larson | Composer |
Sue Jacobs | Music Supervisor |
Lord Huron | Additional Music-Featuring Music by |
Mark Fincannon | Casting Director |
Jared D. Underwood | Executive Producer |
Andrew C. Robinson | Executive Producer |
Megan Hughes | Co-Producer |
Erin Simms | Associate Producer |
Min Young Hong | Associate Producer |
Jeremiah Samuels | Unit Production Manager |
Stephen P. Dunn | Assistant Director |
Kristina Peterson | Assistant Director |
Damiana kamishin | Production Supervisor |
Paul A. Levin | Post-Production Supervisor |
Ann Gray | Post-Production Supervisor |
Shirley Libby | Sound Mixer |
Ron Bochar | Supervising Sound Editor |
Ron Bochar | Re-recording Mixer |
Laine Trzinski | Make up |
Geoffrey G. Rubay | Sound Effects Editor |
David Fletcher | Special Effects Coordinator |
Lonnie Smith, Jr. | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.