United Kingdom Box Office for Vita And Virginia (2019)
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| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $286,463 | Details |
| Worldwide Box Office | $840,149 | Details |
| Further financial details... | ||
Synopsis
Set amidst the bohemian high society of 1920s England, Vita & Virginia tells the scintillating true story of a literary love affair that fueled the imagination of one of the 20th century’s most celebrated writers. Vita Sackville-West is the brash, aristocratic wife of a diplomat who refuses to be constrained by her marriage, defiantly courting scandal through her affairs with women. When she meets the brilliant but troubled Virginia Woolf, she is immediately attracted to the famed novelist’s eccentric genius and enigmatic allure. So begins an intense, passionate relationship marked by all-consuming desire, intellectual gamesmanship, and destructive jealousy that will leave both women profoundly transformed and inspire the writing of one of Woolf’s greatest works.
Metrics
Movie Details
| United Kingdom Releases: | July 5th, 2019 (Limited), released as Vita And Virginia |
| Video Release: | August 23rd, 2019 by IFC Video |
| MPAA Rating: | Not Rated |
| Running Time: | 110 minutes |
| Keywords: | Set in Ireland |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Piccadilly Pictures, Sampsonic Media, Lipsync Productions, Irish Film Board, Protagonist Pictures, SQN Capital, Screen Ireland, Mirror Films , Blinder Films |
| Production Countries: | Ireland, United Kingdom |
| Languages: | English |
Limited and VOD Releases: Run to the Theaters
August 23rd, 2019
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There are several releases on this week’s list earning amazing reviews, including Brittany Runs a Marathon, which has the best shot at attracting a mainstream audience. On the other hand, Fiddler: A Miracle of Miracles and Miles Davis: Birth of the Cool could do well on the art house scene.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/07/05 | 15 | $61,560 | 63 | $977 | $61,560 | 1 | |
| 2019/07/12 | - | $14,119 | -77% | 43 | $328 | $122,531 | 2 |
| 2019/07/19 | - | $16,855 | +19% | 24 | $702 | $165,636 | 3 |
| 2019/07/26 | - | $5,694 | -66% | 7 | $813 | $193,698 | 4 |
| 2019/08/02 | - | $3,739 | -34% | 6 | $623 | $207,714 | 5 |
| 2019/08/09 | - | $5,306 | +42% | 7 | $758 | $224,174 | 6 |
| 2019/08/16 | - | $7,130 | +34% | 11 | $648 | $253,580 | 7 |
| 2019/08/23 | - | $295 | -96% | 1 | $295 | $262,437 | 8 |
| 2019/08/30 | - | $1,314 | +345% | 2 | $657 | $267,465 | 9 |
| 2019/09/06 | - | $1,252 | -5% | 4 | $313 | $276,854 | 10 |
| 2019/09/13 | - | $40 | -97% | 1 | $40 | $286,898 | 11 |
| 2019/09/20 | - | $649 | +1,523% | 2 | $325 | $289,363 | 12 |
| 2019/09/27 | - | $810 | +25% | 2 | $405 | $286,463 | 13 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/23/2019 | $329 | 1 | 1 | 4 | $7,229 | 6/2/2021 |
| Canada | 8/2/2019 | $0 | 0 | 0 | 0 | $0 | |
| France | 7/12/2019 | $148,954 | 109 | 130 | 359 | $411,532 | 8/11/2019 |
| New Zealand | 12/5/2019 | $2,094 | 9 | 12 | 56 | $22,819 | 10/19/2022 |
| North America | 8/23/2019 | $4,821 | 4 | 32 | 44 | $62,350 | |
| Portugal | 10/4/2019 | $4,068 | 9 | 11 | 20 | $11,726 | 10/16/2019 |
| Russia (CIS) | 6/6/2019 | $14,526 | 94 | 94 | 155 | $38,030 | 10/19/2022 |
| United Kingdom | 7/5/2019 | $61,560 | 63 | 63 | 173 | $286,463 | 10/2/2019 |
| Worldwide Total | $840,149 | 10/19/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Gemma Arterton | Vita Sackville-West |
| Eva Green | Virginia Woolf |
Supporting Cast
| Isabella Rossellini | Lady Sackville |
| Rupert Penry-Jones | Harold Nicolson |
| Peter Ferdinando | Leonard Woolf |
| Gethin Anthony | Clive Bell |
| Rory Fleck-Byrne | Geoffrey Scott |
| Karla Crome | Dorothy Wellesley |
| Adam Gillen | Duncan Grant |
| Emerald Fennell | Vanessa Bell |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Chanya Button | Director |
| Chanya Button | Screenwriter |
| Evangelo Kioussis | Producer |
| Katie Holly | Producer |
| Gemma Arterton | Executive Producer |
| Isobel Waller-Bridge | Composer |
| Carlos De Carvalho | Director of Photography |
| Noam Piper | Production Designer |
| Lorna Mugan | Costume Designer |
| Mark Trend | Editor |