Central America Box Office for The Vatican Tapes (2015)
Theatrical Performance (US$) | ||
Central America Box Office | $309,636 | Details |
Worldwide Box Office | $14,929,184 | Details |
Home Market Performance | ||
North America DVD Sales | $226,986 | Details |
North America Blu-ray Sales | $93,246 | Details |
Total North America Video Sales | $320,232 | |
Further financial details... |
Synopsis
Angela Holmes is an ordinary 27-year-old until she begins to have a devastating effect on anyone close, causing serious injury and death. Holmes is examined and possession is suspected, but when the Vatican is called upon to exorcise the demon, the possession proves to be an ancient satanic force more powerful than ever imagined. It’s all up to Father Lozano to wage war for more than just Angela’s soul, but for the world as we know it.
Metrics
Movie Details
Production Budget: | $13,000,000 |
Central America Releases: | September 10th, 2015 (Wide) |
Video Release: | October 20th, 2015 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for disturbing violent content, and some sexual references. (Rating bulletin 2326, 6/11/2014) |
Running Time: | 91 minutes |
Keywords: | Religious, Demons, Possessed, Exorcism, Non-Chronological, Found Footage, Filmed By a Character, Intertitle, Prologue |
Source: | Original Screenplay |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Lakeshore Entertainment, Lionsgate |
Production Countries: | United States |
Languages: | English |
Home Market Releases for October 20th, 2015
October 20th, 2015
It is a shallow week on the home market. The number one release is Jurassic World, which is one of the biggest hits of all time. The second biggest release according to Amazon.com is the Back to the Future Box Set. There's mostly filler by the time you get to the second page of new releases. As for the best release on this week's list, I'm going old school. ... Really, really old school. Diary of a Lost Girl is 86 years old, but the Blu-ray is Pick of the Week.
More...
Featured Blu-ray / DVD Review: The Vatican Tapes
October 18th, 2015
The Vatican Tapes is a horror film that includes elements of found footage. (It was actually originally written to be entirely found footage, but that was changed early in the production.) This genre is well off its peak in terms of popularity and even the fact that it had some connection to found footage was enough to kill its buzz. It also opened in "select cities", which is a terrible release strategy in general, and especially bad for horror films. It opened below the Mendoza Line (earning less that $2,000 per theater) before disappearing from theaters. Is it really that bad? Or did it struggle because of genre overload?
More...
Per Theater Chart: Strong Beginning for The End
August 4th, 2015
The End of the Tour is the latest success for A24, as it topped the per theater chart with an average of $30,810 in four theaters. Up next were a pair of documentaries, Best of Enemies and Listen to Me Marlon, with averages of $16,913 and $15,034 respectively. The overall number one film was next, as Mission: Impossible - Rogue Nation earned an average of $14,034. The final film in the $10,000 club was Phoenix. Its theater count doubled, but its per theater average dropped just 20% to $12,004. That's amazing and it could be an omen that it will expand wide enough to earn some measure of mainstream success.
More...
Per Theater Chart: Phoenix Reborn
July 28th, 2015
None of the wide releases earned a spot in the $10,000 club, but at least we had a couple of limited releases that found their way there. The number one film was Phoenix with an average of $15,148 in two theaters. Samba was next with an average of $12,294, also in two theaters.
More...
Weekend Estimates: Ant-Man Defeats Poor Pixels
July 26th, 2015
Three new wide releases and three returning movies that are still pulling in good crowds will produce a box office chart with no knock-out winner this weekend. That’s in large part thanks to a disappointing debut from Pixels. The Adam Sandler/Kevin James-comedy/adventure-Ghostbusters/wannabe will earn about $24 million this weekend, according to Sony’s Sunday estimate. That puts it in danger of not even earning back its marketing budget domestically, let alone starting to recover the $88 million production budget. It also means that Ant-Man will top the charts for a second weekend.
More...
Limited and VOD Releases: Exorcising Your Options
July 24th, 2015
Every once and a while, I feel the need to apologize for the pun in the headline. This is one of those weeks. It is also one of those weeks where I can't find a limited release that has a good chance at earning some mainstream success. Unexpected is the biggest release, but its reviews suggest it will do better on Video on Demand than in theaters. There are a few documentaries that might do well on the art house circuit, but it is unlikely that any have what it takes to find mainstream success.
More...
2015 Preview: July
July 1st, 2015
June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/11 | - | $114,947 | 66 | $1,742 | $114,947 | 1 | |
2015/09/18 | 17 | $71,222 | -38% | 32 | $2,226 | $265,421 | 2 |
2015/10/16 | 15 | $517 | 1 | $517 | $309,636 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 8/6/2015 | $515,473 | 115 | 115 | 282 | $1,351,518 | 11/30/2018 |
Austria | 7/30/2015 | $54,823 | 39 | 39 | 155 | $171,478 | 8/25/2015 |
Bolivia | 10/1/2015 | $27,564 | 7 | 7 | 19 | $115,525 | 12/30/2018 |
Brazil | 8/20/2015 | $414,914 | 178 | 185 | 433 | $855,190 | 9/30/2015 |
Central America | 9/10/2015 | $114,947 | 66 | 66 | 99 | $309,636 | 10/20/2015 |
Chile | 7/23/2015 | $0 | 0 | 8 | 8 | $175,852 | 12/30/2018 |
Colombia | 8/6/2015 | $0 | 0 | 62 | 115 | $601,369 | 12/30/2018 |
Ecuador | 8/14/2015 | $0 | 0 | 2 | 2 | $223,556 | 12/30/2018 |
France | 7/29/2015 | $419,995 | 132 | 132 | 263 | $759,043 | 8/11/2015 |
Germany | 7/31/2015 | $124,186 | 0 | 0 | 0 | $127,788 | 8/22/2018 |
Greece | 9/17/2015 | $36,537 | 26 | 26 | 49 | $96,246 | 9/30/2015 |
India | 7/31/2015 | $34,087 | 44 | 44 | 47 | $56,542 | 8/11/2015 |
Italy | 1/7/2016 | $402,706 | 146 | 146 | 262 | $727,878 | 6/9/2016 |
Latvia | 7/31/2015 | $0 | 0 | 4 | 4 | $6,719 | 12/30/2018 |
Lebanon | 7/23/2015 | $0 | 0 | 6 | 6 | $49,860 | 12/30/2018 |
Lithuania | 7/24/2015 | $13,506 | 77 | 77 | 137 | $39,607 | 8/11/2015 |
Malaysia | 7/23/2015 | $153,230 | 84 | 84 | 114 | $278,918 | 8/27/2015 |
Mexico | 8/7/2015 | $820,274 | 0 | 410 | 770 | $2,806,037 | 9/28/2015 |
North America | 7/24/2015 | $832,271 | 427 | 427 | 972 | $1,784,763 | 7/10/2017 |
Peru | 7/23/2015 | $0 | 0 | 26 | 29 | $884,907 | 12/20/2018 |
Philippines | 8/26/2015 | $0 | 0 | 30 | 30 | $97,247 | 12/30/2018 |
Poland | 7/24/2015 | $134,425 | 0 | 0 | 0 | $508,558 | 12/30/2018 |
Russia (CIS) | 7/30/2015 | $571,749 | 820 | 820 | 1640 | $990,250 | 12/30/2018 |
Serbia and Montenegro | 7/30/2015 | $0 | 0 | 1 | 1 | $12,855 | 12/30/2018 |
Singapore | 7/23/2015 | $67,214 | 16 | 16 | 27 | $117,933 | 8/27/2015 |
Slovenia | 7/30/2015 | $0 | 0 | 3 | 3 | $3,190 | 8/11/2015 |
Spain | 1/8/2016 | $54,310 | 28 | 29 | 91 | $130,720 | 6/9/2016 |
Thailand | 11/5/2015 | $6,215 | 23 | 23 | 24 | $9,389 | 11/17/2015 |
Ukraine | 7/30/2015 | $17,832 | 49 | 52 | 101 | $35,088 | 12/30/2018 |
United Arab Emirates | 7/23/2015 | $188,556 | 31 | 31 | 31 | $188,556 | 12/30/2018 |
United Kingdom | 10/30/2015 | $201 | 7 | 7 | 7 | $201 | 11/3/2015 |
Uruguay | 8/27/2015 | $9,338 | 5 | 6 | 23 | $36,357 | 12/30/2018 |
Rest of World | $1,376,408 | ||||||
Worldwide Total | $14,929,184 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Olivia Taylor Dudley | Angela |
Michael Peña | Father Lozano |
Supporting Cast
Dougray Scott | Roger |
Djimon Hounsou | Vicar Imani |
Peter Andersson | Cardinal Mattias Bruun |
Kathleen Robertson | Dr. Richards |
John Patrick Amedori | Pete |
Sam Upton | Orderly Mason |
Cas Anvar | Dr. Fahti |
Michael Halsey | Dr. Bramwell |
Alex Sparrow | Resident Kulik |
Jarvis George | Detective Simmons |
Michael Pare | Detective Harris |
Alex Corrado | Bishop Soldano |
Montanna Gillis | Jackie |
Chance Lang | Brad |
Noemi Gonzalez | Maria |
Allegra Lucchesi | Allegra |
Ashley Gibson | Ashley |
Scott Sheldon | ER Receptionist |
Max Adams | ICU Doctor |
Ann Reilly | ICU Nurse #1 |
Amie Dellavalle | ICU Nurse #2 |
Alison Lohman | Psych Patient |
Michael Gabriel | Psych Ward Guard |
Natasha Wright | Levitating Girl |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mark Neveldine | Director |
Christopher Borrelli | Screenwriter |
Michael C. Martin | Screenwriter |
Christopher Borrelli | Story Creator |
Chris Morgan | Story Creator |
Tom Rosenberg | Producer |
Gary Lucchesi | Producer |
Richard Wright | Producer |
Chris Morgan | Producer |
Chris Cowles | Producer |
Eric Reid | Executive Producer |
David Kern | Executive Producer |
James McQuaide | Executive Producer |
Christopher Borrelli | Executive Producer |
Chris Fenton | Executive Producer |
Gerardo Madrazo | Director of Photography |
Jerry Fleming | Production Designer |
Eric Potter | Editor |
Lindsay Ann McKay | Costume Designer |
Joseph Bishara | Costume Designer |
Tricia Wood | Casting Director |
Deborah Aquila | Casting Director |
Richard Wright | Unit Production Manager |
William Paul Clark | First Assistant Director |
Juana Franklin | Second Assistant Director |
Robb Earnest | Production Supervisor |
Kari Montgomery | Script Supervisor |
William V. Ryder | Art Director |
Betty Berberian | Set Decorator |
Steven A. Morrow | Sound Mixer |
Buck Robinson | Sound Mixer |
Deborah Rutherford | Make up |
Don Rutherford | Special Effects Make-up Supervisor |
Christien Tinsley | Special Make-up Designer and Creator |
Robin Hatcher | Special Effects Make-up Coordinator |
Laine Trzinski | Hairstylist |
Germicka Barclay | Hairstylist |
Larz Anderson | Special Effects Coordinator |
Steven Ticknor | Supervising Sound Editor |
Jon Lipman | Sound Effects Editor |
David Giammarco | Re-recording Mixer |
Steven Ticknor | Re-recording Mixer |
Joseph Bishara | Score Producer |
Julie Pearce | Music Editor |
Brian McNelis | Music Supervisor |
Eric Craig | Music Supervisor |
James McQuaide | Visual Effects Supervisor |
Steve Griffith | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.