Spain Box Office for Vampire Academy (2014)
Theatrical Performance (US$) | ||
Spain Box Office | $42,846 | Details |
Worldwide Box Office | $7,834,825 | Details |
Home Market Performance | ||
North America DVD Sales | $3,976,942 | Details |
North America Blu-ray Sales | $865,694 | Details |
Total North America Video Sales | $4,842,636 | |
Further financial details... |
Synopsis
Rose Hathaway and Lissa Dragomir are two 17-year-old girls who attend a hidden boarding school for Moroi and Dhampirs. Rose, a rebellious guardian-in-training and her best friend, Lissa—a royal vampire princess—have been on the run when they are captured and returned to St. Vladamir’s Academy, the very place where they believe their lives may be in most jeopardy. Thrust back into the perils of Moroi society and high school, Lissa struggles to reclaim her status while Rose trains with her mentor and love-interest, Dimitri, to guarantee her place as Lissa’s guardian. Rose will sacrifice everything to protect Lissa from those who intend to exploit her from within the Academy walls and the Strigoi who hunt her kind from outside its sanctuary.
Metrics
Movie Details
Spain Releases: | July 25th, 2014 (Wide) |
Video Release: | May 20th, 2014 by Anchor Bay Home Entertainment |
MPAA Rating: | PG-13 for violence, bloody images, sexual content and language. (Rating bulletin 2307, 1/29/2014) |
Running Time: | 104 minutes |
Keywords: | Vampire, Prince/Princess, Secret Magic, Romance, Love Triangle, Good vs. Evil, Boarding School, High School Hell, New Guy/Girl in School, Ensemble, Horror Comedy |
Source: | Based on Fiction Book/Short Story |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: | Deepak Nayar, Preger Entertainment, Montford Murphy, Waters Brothers |
Production Countries: | United States |
Languages: | English |
DVD and Blu-ray Releases for May 20th, 2014
May 19th, 2014
It's that time of year, the weakest time of year on the home market. This week there are four first-run releases, but only one of them earned overall positive reviews and only one of them did well at the box office. Fortunately, it was the same film, About Last Night. If you are a fan of romantic comedies, then the DVD or Blu-ray is worth picking up, but it is not Pick of the Week material. For Pick of the Week, I went with Nosferatu the Vampyre on Blu-ray.
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Weekend Wrap-Up: Lego Presides Over Presidents' Day
February 19th, 2014
The LEGO Movie again crushed expectations earning almost as much over three-days as most people were expecting it to earn over four. The new releases were not as lucky for the most part. About Last Night and RoboCop matched expectations, while Endless Love and Winter's Tale missed lowered expectations. Overall, the three-day box office pulled in $170 million, which was 12% more than last week and 20% more than last year. Over four days, the total box office was $199 million, or 12% more than the four-day period last year. Year-to-date, 2014 has extended its lead over 2013 to 8.5% at $1.36 billion to $1.25 billion.
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Weekend Wrap-Up: LEGO Earns Stacks Dollar Bills
February 11th, 2014
The LEGO Movie didn't break the record for Biggest February Weekend, but it came close. The Monuments Men performed better than expected, but was still a very distant second place. On the other hand, Vampire Academy bombed, fully and completely. Compared to last week, even without The LEGO Movie, this week is almost better. With The LEGO Movie, this week is 76% better at $151 million. Compared to last year, The LEGO Movie opened with more than the top five made in 2013. Overall, the year-over-year growth was 46%. This is just a fantastic result no matter how you look at it. Year-to-date, 2014 has pulled in $1.12 billion, putting it 12% ahead of 2013's pace. It is obviously still too early to declare 2014 the winner, but this is still a fantastic start.
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Weekend Estimates: LEGO Builds Instant Franchise
February 9th, 2014
2014 is shaping up to be a good year at the box office. After excellent openings for Ride Along and Lone Survivor in January, February is getting off to a spectacular start thanks to a huge opening weekend for The LEGO Movie. Warner Bros. is projecting an opening of $69.1 million for the toy spin-off -- far and away the biggest weekend of the year so far, and the second-best February weekend ever, behind only The Passion of the Christ. Numbers like that guarantee a sequel or three, and boost a franchise that has already built an impressive following in the video market.
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Weekend Predictions: Can LEGO Build an Audience
February 6th, 2014
The first weekend of February should be the biggest with The LEGO Movie looking to dominate the box office, while The Monuments Men is expected to do respectable business over the weekend. The other wide release is Vampire Academy, which wasn't screened for critics. It is not aimed at a target demographic that cares about what critics think, but they still didn't screen the film for critics. This weekend last year, there were two wide releases, Identity Thief and Side Effects. The two films earned a combined $44 million during their opening weekend. The LEGO Movie will make more than that on its own. 2014 should easily win in the year-over-year competition.
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2014 Preview: February
January 31st, 2014
After a weak start, January rebounded and a couple of films on last month's preview cracked $100 million at the box office. Granted, Lone Survivor is technically a December release, but Ride Along will become one of the rare January releases to reach the century mark. Unfortunately, there doesn't appear to be too many February releases that have a real shot at $100 million. It is very likely that The Lego Movie will reach that milestone, but most of the rest of the movies will be lucky if they reach $50 million. Last February was very similar. We had one surprise $100 million hit, Identity Thief, plus a couple of solid midlevel hits, Warm Bodies, for instance. However, for the most part, the month was one miss after another. This means 2014 could continue its winning ways, or at the very least, shouldn't fall behind 2013's pace.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/07/25 | 11 | $42,846 | 114 | $376 | $42,846 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 2/7/2014 | $3,921,742 | 2,676 | 2,676 | 6,102 | $7,791,979 | |
Spain | 7/25/2014 | $42,846 | 114 | 114 | 114 | $42,846 | 12/17/2015 |
Worldwide Total | $7,834,825 | 12/17/2015 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Zoey Deutch | Rose Hathaway |
Lucy Fry | Lissa Dragomir |
Supporting Cast
Danila Kozlovsky | Dimitri Belikov |
Dominic Sherwood | Christian Ozera |
Cameron Monaghan | Mason Ashford |
Sami Gayle | Mia Rinaldi |
Sarah Hyland | Natalie Dashkov |
Joely Richardson | Queen Tatiana |
Olga Kurylenko | Headmistress Ellen Kirova |
Gabriel Byrne | Victor Dashkov |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Mark Waters | Director |
Daniel Waters | Screenwriter |
Richelle Mead | Story Creator |
Don Murphy | Producer |
Susan Montford | Producer |
Michael Preger | Producer |
Stuart Ford | Executive Producer |
Bob Weinstein | Executive Producer |
Harvey Weinstein | Executive Producer |
Tony Pierce-Roberts | Director of Photography |
Chris Gill | Editor |
Rolfe Kent | Composer |
Ruth Myers | Costume Designer |
Frank Walsh | Production Designer |
Pamela Haddock | Make-up and Hair Designer |
Howard Paar | Music Supervisor |
Marci Liroff | Casting Director |
Reg Poerscout-Edgerton | Casting Director |
Tom Whitehead | Art Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.