Netherlands Box Office for Unsane (2018)
Theatrical Performance (US$) | ||
Netherlands Box Office | $334,565 | Details |
Worldwide Box Office | $14,296,709 | Details |
Home Market Performance | ||
North America DVD Sales | $25,352 | Details |
North America Blu-ray Sales | $185,980 | Details |
Total North America Video Sales | $211,332 | |
Further financial details... |
Synopsis
Scarred from the trauma of being stalked, quick-witted Sawyer Valentini has relocated from Boston to Pennsylvania for a new life. As her mother Angela misses her back home and her office job is hardly an ideal employment opportunity, Sawyer remains on edge following her two years of being terrorized. To consult with a therapist, she goes for follow-up treatment at the Highland Creek Behavioral Center. Sawyer’s initial therapy session at the suburban complex run by clinician Ashley Brighterhouse progresses well—until she unwittingly signs herself in for voluntary 24-hour commitment. Unable to leave the premises, Sawyer finds herself in close quarters with previously committed hellion Violet and savvy Nate, who is battling an opioid addiction. Sawyer expects to be out of Highland Creek within hours. But once she catches sight of facility staffer George Shaw, she is terrified and then enraged…because she is convinced that Shaw’s real name is David Strine and that he is her stalker. But is it real or is it a product of her delusion? As none of the doctors and nurses believe she is in danger, and all question her sanity, Sawyer’s stay at Highland Creek is extended indefinitely. Sawyer realizes that in order to survive she will have to battle her demons and fight her way out.
Metrics
Movie Details
Production Budget: | $1,500,000 |
Netherlands Releases: | May 4th, 2018 (Wide) |
Video Release: | May 29th, 2018 by Universal Home Entertainment |
MPAA Rating: | R for disturbing behavior, violence, language, and sex references. (Rating bulletin 2508 (Cert #51299), 1/3/2018) |
Running Time: | 98 minutes |
Keywords: | Psychological Horror, Mental Hospital, Stalker, Therapists / Therapy, Mental Illness, Medical Crimes, Kidnap, Young Child Dealing with the Death of a Parent |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Extension 765, New Regency, Regency Enterprises |
Production Countries: | United States |
Languages: | English |
Home Market Releases for June 19th, 2018
June 19th, 2018
Summer is the worst time of the year for the home market and this week is no exception. The “biggest” new release of the week is Pacific Rim: Uprising, but it is not worth picking up. There are a few contenders for Pick of the Week, including the final season of Dark Matter; a dark comedy, The Death of Stalin; and an Anime release, Re:Zero - Starting Life in Another World. In the end, I went with Dark Matter as the Pick of the Week.
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Home Market Releases for May 29th, 2018
May 29th, 2018
This is one of the shortest lists I can remember. Not only are there only 8 releases in the main section, many of them would be secondary releases, at best, during a normal week. That’s not to say there are no releases worth checking out. This list is led by Annihilation on Blu-ray Combo Pack, while the second best new release is ... probably a secondary VOD title?
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Weekend Wrap-Up: Spielberg’s Decade Best Can’t Save Overall Box Office
April 3rd, 2018
Ready Player One not only opened in first place over the weekend, but its three-day total of $41.77 million was Steven Spielberg’s best opening weekend as a director in almost exactly a decade. Acrimony was a solid second place finisher with $17.17 million. God’s Not Dead: A Light in Darkness missed the top ten. Overall, the box office rose 4.9% from last weekend hitting $136 million, but this was still 20% lower than the same weekend last year. 2018 is now 4.9% or $150 million behind 2017’s pace at $2.84 billion to $2.99 billion.
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Weekend Wrap-Up: Uprising Wins, but Falls Compared to Original
March 27th, 2018
Pacific Rim: Uprising opened in first place over the weekend. In fact, it opened better than expected with $28.12 million. Unfortunately, that’s nowhere near enough compared to its production budget, so it will need international numbers to thrive. Black Panther was finally removed from top spot, but it also held on better than expected with $17.10 million. As for the rest of the new releases, they ranged from serious disappointments like Sherlock Gnomes and Paul, Apostle of Christ, to complete bombs like Midnight Sun and Unsane. The overall box office slipped just 2.0% from last week earning $129 million. However, this is 36% lower than the same weekend last year. 2018’s lead has completely evaporated and it is now $60 million or $2.1% behind 2017’s pace at $2.64 billion to $2.69 billion. I don’t see that improving this coming weekend.
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Weekend Estimates: Pacific Rim Leads Weak Field of Openers
March 25th, 2018
Black Panther’s run at the top of the domestic chart will finally come to an end this weekend, with Pacific Rim: Uprising taking over as the most popular film in the US and Canada. The switch over is mostly due to Panther beginning to run out of steam, rather than Uprising showing any particular strength though. Universal’s sci-fi action movie will pick up $28.005 million over its opening weekend in North America, about in line with expectations, but disappointing for a film that cost $150 million to make. Overseas markets, particularly in Asia, are where the box office action is at for this one.
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Friday Estimates: Pacific Rim Rises to Meet Expectations
March 24th, 2018
As expected, Pacific Rim: Uprising earned first place on Friday. In fact, its opening day box office of $10.36 million is actually a little better than expected and it is on pace for a $26 million opening weekend. Granted, this is a terrible opening compared to the film’s production budget, which is reportedly in the $155 million to $175 million range. Neither its reviews, nor its B-rating from CinemaScore will help its legs, but this film was never made to win over domestic audiences. It was made to shine in Asia, specifically China. It is too soon to tell for sure if that’s a viable strategy, or if Universal is going to have to suck up massive losses. Based on Friday numbers, the studio is predicting a $65 million opening weekend China alone and a $120.5 million international debut. That’s obviously better than here, but the film will need at least $400 million internationally to break even any time soon.
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Thursday Night Previews: Pacific Rim Rises with $2.35 million from Previews
March 23rd, 2018
Pacific Rim: Uprising got off to an okay start with $2.35 million from Thursday previews. Given its reviews and the recent results of films like Tomb Raider and last year’s Power Rangers that puts the film’s projected weekend haul at $26 million. That’s a little higher than we predicted, but close enough to call it a victory.
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Weekend Predictions: Kaiju vs. Panther
March 22nd, 2018
Black Panther will finally give up its hold on first place, that is unless something goes horribly wrong for Pacific Rim: Uprising. There are four other wide or semi-wide releases hitting theaters this weekend, which is at least two too many. Sherlock Gnomes and Paul, Apostle of Christ are the only two that have a legitimate shot at the top five. Meanwhile, Midnight Sun and Unsane are just hoping to not miss the top ten. This weekend last year, there were three wide releases that earned a combined $60 million. This is more than the five wide releases this year will earn. Also, Beauty and the Beast remained in second place with $90 million. 2018 has already lost its lead over 2017 and this weekend it is going to get crushed in the year-over-year comparison.
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2018 Preview: March
March 1st, 2018
February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month.
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Unsane Trailer
January 30th, 2018
Psychological horror movie starring Claire Foy, directed by Steven Soderbergh, opens March 23 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/05/04 | 10 | $89,796 | 58 | $1,548 | $123,409 | 1 | |
2018/05/11 | 16 | $76,202 | -15% | 58 | $1,314 | $235,686 | 2 |
2018/05/18 | 16 | $35,944 | -53% | 58 | $620 | $289,879 | 3 |
2018/05/25 | 24 | $11,107 | -69% | 45 | $247 | $310,454 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/20/2018 | $0 | 0 | 36 | 93 | $167,128 | 6/18/2018 |
France | 7/13/2018 | $471,867 | 0 | 0 | 0 | $1,337,297 | 8/2/2018 |
Germany | 3/30/2018 | $661,030 | 0 | 0 | 0 | $1,321,626 | 6/18/2018 |
Hong Kong | 3/22/2018 | $0 | 0 | 0 | 0 | $90,071 | 6/14/2018 |
Italy | 7/5/2018 | $13,637 | 0 | 0 | 0 | $13,637 | 7/10/2018 |
Netherlands | 5/4/2018 | $89,796 | 58 | 58 | 219 | $334,565 | 6/18/2018 |
New Zealand | 5/11/2018 | $5,489 | 10 | 10 | 23 | $9,450 | 5/30/2018 |
North America | 3/23/2018 | $3,762,145 | 2,023 | 2,023 | 4,115 | $7,690,044 | 11/1/2019 |
Russia (CIS) | 3/29/2018 | $393,027 | 500 | 500 | 1079 | $710,578 | 2/26/2019 |
Taiwan | 3/23/2018 | $49,391 | 0 | 0 | 0 | $105,240 | 9/13/2018 |
United Kingdom | 3/23/2018 | $677,021 | 346 | 346 | 565 | $1,501,094 | 6/18/2018 |
Rest of World | $1,015,979 | ||||||
Worldwide Total | $14,296,709 | 11/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Claire Foy | Sawyer Valentini |
Supporting Cast
Joshua Leonard | David Strine |
Jay Pharoah | Nate Hoffman |
Juno Temple | Violet |
Aimee Mullins | Ashley Brighterhouse |
Amy Irving | Angela Valentini |
Sarah Stiles | Jill |
Marc Kudisch | Bank Manager |
Colin Woodell | Mark |
Myra Lucretia Taylor | Counselor |
Lynda Mauze | Dolores |
Zach Cherry | Dennis |
Polly McKie | Nurse Boles |
Raul Castillo | Jacob |
Mike Mihm | Steve |
Robert Kelly | Steve’s Partner |
Natalie Gold | Female Patient |
Sol M. Crespo | Female Patient |
Will Brill | Male Patient |
Steven Maier | Male Patient |
Matthew R. Staley | Medical Technician |
Matt Mancini | Medican Technician |
Emily Happe | Friendly Nurse |
Gibson Frazier | Dr. Hawthorne |
Erin Wilhelmi | Hayley |
Joseph Reidy | Lawyer |
Erika Rolfsrud | Medical Examiner |
Elizabeth Goodman | TruthBite Editor |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Steven Soderbergh | Director |
Dan Fellman | Executive Producer |
Jonathan Bernstein | Screenwriter |
James Greer | Screenwriter |
Joseph Malloch | Producer |
Ken Meyer | Executive Producer |
Arnon Milchan | Executive Producer |
Joseph Reidy | Co-Executive Producer |
Corey Bayes | Co-Producer |
Robert Striem | Associate Producer |
Peter Andrews | Director of Photography |
Mary Ann Bernard | Editor |
April Lasky | Production Designer |
Susan Lyall | Costume Designer |
Carmen Cuba | Casting Director |
Joseph Malloch | Unit Production Manager |
Joseph Reidy | First Assistant Director |
Rachel Jaros | Second Assistant Director |
Manny Siverio | Stunt Coordinator |
Corey Bayes | Associate Editor |
Gus Gustafson | Production Supervisor |
Thomas Varga | Sound Mixer |
Robert Striem | Location Manager |
Kimberly Fischer | Set Decorator |
Kristin Lindbeck | Costume Supervisor |
Lisa Forst | Make up |
JT Franchuk | Hairstylist |
Glenfield Payne | Supervising Sound Editor |
Josh Berger | Re-recording Mixer |
Glenfield Payne | Re-recording Mixer |
Josh Berger | Dialogue Editor |
Grant Elder | Sound Designer |
Gavin Hecker | Foley Mixer |
Lesley Robson-Foster | Visual Effects Supervisor |
Parker Chehak | Visual Effects Producer |
Matt Griffin | Visual Effects Producer |
David Wilder Savage | Composer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.