Russia (CIS) Box Office for Unforgettable (2016)

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Unforgettable
Theatrical Performance (US$)
Russia (CIS) Box Office $732,537Details
Worldwide Box Office $16,221,211Details
Home Market Performance
North America DVD Sales $1,224,873 Details
North America Blu-ray Sales $388,399 Details
Total North America Video Sales $1,613,272
Further financial details...

Synopsis

Tessa Connover is barely coping with the end of her marriage when her ex-husband, David, becomes happily engaged to Julia Banks—not only bringing Julia into the home they once shared but also into the life of their daughter, Lilly. Trying to settle into her new role as a wife and a stepmother, Julia believes she has finally met the man of her dreams, the man who can help her put her own troubled past behind her. But Tessa’s jealousy soon takes a pathological turn until she will stop at nothing to turn Julia’s dream into her ultimate nightmare.

Metrics

Movie Details

Production Budget:$12,000,000
Russia (CIS) Releases: April 21st, 2017 (Wide)
Video Release: July 18th, 2017 by Warner Home Video
MPAA Rating: R for sexual content, violence, some language, and brief partial nudity.
(Rating bulletin 2479 (Cert #50319), 6/7/2017)
Running Time: 114 minutes
Keywords: Romance, Relationships Gone Wrong, Obsession, The Other Woman, Social Media, Psychological Thriller
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Warner Bros., RatPac Entertainment, Dune Entertainment, Di Novi Pictures
Production Countries: United States
Languages: English

Home Market Releases for July 25th, 2017

July 26th, 2017

Lost in America

The Boss Baby is the biggest release of the week, while Ghost in the Shell is a distant second place. Neither of those films are terrible, but neither are remotely good enough to be a Pick of the Week contender. Gifted was in contention, but in the end, I went with the Criterion Collection release for Lost in America. More...

Home Market Releases for July 18th, 2017

July 18th, 2017

Stalker

Last week, The Fate of the Furious scared away all of the competition. This week, the competition is still scared, as there’s very little in the way of top notch releases. Kong: Skull Island is by far the biggest new release of the week, while the next two biggest are The Promise and Free Fire. As for the best releases of the week, The Expanse: Season Two is a contender, but ultimately the Pick of the Week goes to the Stalker Criterion Collection Blu-ray. More...

Weekend Wrap-Up: April’s Conclusion was a Wild Weekend

May 1st, 2017

Baahubali 2: The Conclusion

The weekend box office was a wild one with two limited releases in the top five, How to be a Latin Lover and Baahubali 2: The Conclusion. The Fate of the Furious remained in first place with $19.94 million, which is better than expected. Unfortunately, the overall box office was still weak down 8.3% from last weekend to just $99 million. Worse still, this is 8.9% lower than the same weekend last year. 2017’s lead over 2016 took a bit of a hit, but still has a 5.1% or $180 million lead, $3.66 billion to $3.48 billion. More...

Contest: Forget About It: Winning Announcement

April 26th, 2017

La La Land

The winners of our Forget About It contest were determined and the entrants with the closest predictions for Unforgettable’s opening weekend were... More...

Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million

April 25th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion. More...

Weekend Estimates: Big Decline, Big Win for Fate of the Furious

April 23rd, 2017

The Fate of the Furious

A decline of 61% compared to its opening weekend still leaves The Fate of the Furious the big winner at the box office this weekend, with the five new wide releases combined making less than half the $38.7 million it will earn on its second weekend, according to Universal’s weekend estimate. The film’s domestic gross will end the weekend at about $163.6 million. As of last night, it has reached $636.3 million internationally, and it should end the weekend with $752.4 million overseas, for a global total of $916 million as of Sunday. $327.4 million of that will have come from China, where Fate is clocking up another $67 million this weekend. More...

Friday Estimates: Furious Falls 75%, Still Dominates Friday with $11.2 million

April 22nd, 2017

The Fate of the Furious

The Fate of the Furious dominated the box office chart on Friday with $11.2 million. This could be more than any other film will earn during the entire weekend. That’s the good news. The bad news is this still represents a decline of just over 75% from its opening Friday. This is not good by any stretch of the word, but it is also not unexpected. The film will rebound on Saturday, and earn about $35.5 million over the weekend, according to Universal, which is close to our prediction and will lift the film’s running tally to $160 million. This keeps The Fate of the Furious on pace for $200 million and the film should become the third film released in 2017 to get to that milestone. It might overtake Logan on the yearly chart, but Guardians of the Galaxy, Vol. 2 will probably get there first. More...

Thursday Night Previews: New Releases are Showing Very Little Promise

April 21st, 2017

The Promise

There are five films opening wide or semi-wide this weekend and four of them have previews. (Phoenix Forgotten is the lone exception.) At the moment, we only have numbers for The Promise and they are not good. The film pulled in $200,000 in previews last night, putting it on par with The Space Between Us. That’s not good news, as that film missed the Mendoza Line by a large margin. The Promise is playing in fewer theaters and it is earning better reviews, so it might not open below the Mendoza Line, but its theater average won't be much above $2,000 in the best of circumstances. More...

Weekend Predictions: New Releases are Very Forgettable

April 20th, 2017

Free Fire

Late April is one of the traditional dumping grounds and this week is truly living down to that reputation. There are five new releases that have at least a shot at the top ten, but none of them have a shot at becoming midlevel hits. Unforgettable is the widest new release of the week and will likely be the biggest hit, but it very likely won’t be the best. Free Fire and Born in China are in a close battle for the best reviews for the week. Meanwhile, The Promise and Phoenix Forgotten are just hoping to avoid opening below the Mendoza Line. I think earning a theater average above $2,000 is overly optimistic for either film. There’s a lot of competition, but nearly all of it is terrible, so The Fate of the Furious will have no trouble repeating in first place. Furthermore, both The Boss Baby and Beauty and the Beast will likely remain in the top five, meaning there’s not a lot of room for the other films. This weekend last year, The Jungle Book earned just over $60 million over the weekend, while The Huntsman: Winter’s War opened with close to $20 million. There’s no way 2017 will be able to match this one-two punch. More...

Contest: Leave it Up to Fate: Winning Announcement

April 19th, 2017

Sleepless

The winners of our Leave it Up to Fate contest were determined and the entrants with the closest predictions for The Fate of the Furious’s opening weekend were... More...

Contest: Forget About It

April 13th, 2017

La La Land

April is a mess. When I starting writing the April preview I identified nine films that I was not 100% sure were going to open truly wide. While writing the preview, one was pulled from the schedule and since then, two were downgraded to semi-wide or lower. Next weekend, Born in China is opening semi-wide, The Promise is right on the razor’s edge between semi-wide and truly wide, while we still don’t have an estimate for Free Fire. This leaves Unforgettable as the only confirmed truly wide release of the week. Because of this, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Unforgettable.

Our April Fools contests continue this week. Two of our winners will win La La Land on Blu-ray Combo Pack, while one will be chosen at random to be the fool and receive an HD-DVD release. The Blu-ray Combo Pack doesn’t come out until the 25th, but the film is already out on Video on Demand.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will be a potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also be a potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will be the final potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: April

April 1st, 2017

The Fate of the Furious

March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016. More...

Unforgettable Trailer

February 21st, 2017

Thriller starring Katherine Heigl and Rosario Dawson opens April 21, 2017 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/04/21 5 $437,742   727 $602   $437,742 1
2017/04/28 14 $104,109 -76% 696 $150   $701,763 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/28/2017 $119,359 0 0 0 $153,680 1/1/2019
Brazil 4/21/2017 $173,000 0 0 0 $254,704 6/26/2018
Germany 4/28/2017 $52,000 0 0 0 $52,000 6/29/2018
Italy 4/28/2017 $94,582 0 0 0 $94,582 5/4/2017
Mexico 5/19/2017 $447,585 0 0 0 $1,298,853 6/29/2017
North America 4/21/2017 $4,785,431 2,417 2,417 6,418 $11,368,012 4/4/2018
Russia (CIS) 4/21/2017 $437,742 727 727 1423 $732,537 1/1/2019
South Korea 2/26/2016 $460,768 0 0 0 $1,492,275 9/10/2018
Turkey 5/5/2017 $56,214 148 148 217 $114,877 2/26/2019
United Kingdom 4/21/2017 $345,916 363 363 363 $345,916 4/26/2017
 
Rest of World $313,775
 
Worldwide Total$16,221,211 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Katherine Heigl Tessa Connover
Rosario Dawson Julia Banks

Supporting Cast

Geoff Stults David Connover
Isabella Rice Lily Connover
Alex Quijano Miguel
Sarah Burns Sarah
Whitney Cummings Ali
Simon Kassianides Michael Vargas
Robert Wisdom Detective Pope
Cheryl Ladd Tessa’s Mother
Stephanie Escajeda Brunette Woman
Kincaid Walker Saleswoman
Aline Elasmar Deputy Stevens
Jayson Blair Jason
Lauren Rose Lewis Dinner Guest
Robin Hardy Dinner Guest
Mitch Silpa Dinner Guest
Alex Staggs Dinner Guest
Scott Beehner Dinner Guest
Michelle Mehta Child Protective Services Worker

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Denise Di Novi Director
Christina Hodson Screenwriter
Denise Di Novi Producer
Alison Greenspan Producer
Ravi Mehta Producer
Lynn Harris Executive Producer
Steven Mnuchin Executive Producer
Nelson Coates Production Designer
Frederic Thoraval Editor
Toby Chu Composer
Caleb Deschanel Director of Photography
Steven Ritzi Stunt Coordinator
Marian Toy Costume Designer
Susie Farris Casting Director
Joshua Throne Unit Production Manager
Jonas Spaccarotelli First Assistant Director
Deborah Chung Second Assistant Director
Joshua Throne Co-Producer
Chris Dileo Art Director
Robert Gould Set Decorator
Anna Rane Script Supervisor
Richard Van Dyke Sound Mixer
Maeve Guesdon Costume Supervisor
Tania McComas Make up
Brenna Bash Make up
Leslie Bennett Hairstylist
Marcos Diaz Hairstylist
Jeff Khachadoorian Special Effects
Sheryl Benko Post-Production Supervisor
Craig Hayes First Assistant Editor
Kasey Truman Music Supervisor
Sherry Whitfield Music Editor
Julie Pearce Music Editor
Jeremy Peirson Supervising Sound Editor
Jeremy Peirson Sound Designer
Jeremy Peirson Re-recording Mixer
Elmo Weber Re-recording Mixer
Thomas Jones Dialogue/ADR Supervisor
Michelle Pazer Dialogue Editor
Darin Mann Foley Mixer
Sharon Lopez Production Supervisor
Eric Hodge Location Manager
Matt Prisk Location Manager
Adriana M. Dardas Set Designer
Kathleen Parker Casting Associate
Jeff Biggers Score Mixer
John Rodd Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.