Argentina Box Office for Unforgettable (2016)
Theatrical Performance (US$) | ||
Argentina Box Office | $153,680 | Details |
Worldwide Box Office | $16,221,211 | Details |
Home Market Performance | ||
North America DVD Sales | $1,224,873 | Details |
North America Blu-ray Sales | $388,399 | Details |
Total North America Video Sales | $1,613,272 | |
Further financial details... |
Synopsis
Tessa Connover is barely coping with the end of her marriage when her ex-husband, David, becomes happily engaged to Julia Banks—not only bringing Julia into the home they once shared but also into the life of their daughter, Lilly. Trying to settle into her new role as a wife and a stepmother, Julia believes she has finally met the man of her dreams, the man who can help her put her own troubled past behind her. But Tessa’s jealousy soon takes a pathological turn until she will stop at nothing to turn Julia’s dream into her ultimate nightmare.
Metrics
Movie Details
Production Budget: | $12,000,000 |
Argentina Releases: | April 28th, 2017 (Wide) |
Video Release: | July 18th, 2017 by Warner Home Video |
MPAA Rating: | R for sexual content, violence, some language, and brief partial nudity. (Rating bulletin 2479 (Cert #50319), 6/7/2017) |
Running Time: | 114 minutes |
Keywords: | Romance, Relationships Gone Wrong, Obsession, The Other Woman, Social Media, Psychological Thriller |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Warner Bros., RatPac Entertainment, Dune Entertainment, Di Novi Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 25th, 2017
July 26th, 2017
The Boss Baby is the biggest release of the week, while Ghost in the Shell is a distant second place. Neither of those films are terrible, but neither are remotely good enough to be a Pick of the Week contender. Gifted was in contention, but in the end, I went with the Criterion Collection release for Lost in America.
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Home Market Releases for July 18th, 2017
July 18th, 2017
Last week, The Fate of the Furious scared away all of the competition. This week, the competition is still scared, as there’s very little in the way of top notch releases. Kong: Skull Island is by far the biggest new release of the week, while the next two biggest are The Promise and Free Fire. As for the best releases of the week, The Expanse: Season Two is a contender, but ultimately the Pick of the Week goes to the Stalker Criterion Collection Blu-ray.
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Weekend Wrap-Up: April’s Conclusion was a Wild Weekend
May 1st, 2017
The weekend box office was a wild one with two limited releases in the top five, How to be a Latin Lover and Baahubali 2: The Conclusion. The Fate of the Furious remained in first place with $19.94 million, which is better than expected. Unfortunately, the overall box office was still weak down 8.3% from last weekend to just $99 million. Worse still, this is 8.9% lower than the same weekend last year. 2017’s lead over 2016 took a bit of a hit, but still has a 5.1% or $180 million lead, $3.66 billion to $3.48 billion.
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Contest: Forget About It: Winning Announcement
April 26th, 2017
The winners of our Forget About It contest were determined and the entrants with the closest predictions for Unforgettable’s opening weekend were...
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Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million
April 25th, 2017
As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion.
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Weekend Estimates: Big Decline, Big Win for Fate of the Furious
April 23rd, 2017
A decline of 61% compared to its opening weekend still leaves The Fate of the Furious the big winner at the box office this weekend, with the five new wide releases combined making less than half the $38.7 million it will earn on its second weekend, according to Universal’s weekend estimate. The film’s domestic gross will end the weekend at about $163.6 million. As of last night, it has reached $636.3 million internationally, and it should end the weekend with $752.4 million overseas, for a global total of $916 million as of Sunday. $327.4 million of that will have come from China, where Fate is clocking up another $67 million this weekend.
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Friday Estimates: Furious Falls 75%, Still Dominates Friday with $11.2 million
April 22nd, 2017
The Fate of the Furious dominated the box office chart on Friday with $11.2 million. This could be more than any other film will earn during the entire weekend. That’s the good news. The bad news is this still represents a decline of just over 75% from its opening Friday. This is not good by any stretch of the word, but it is also not unexpected. The film will rebound on Saturday, and earn about $35.5 million over the weekend, according to Universal, which is close to our prediction and will lift the film’s running tally to $160 million. This keeps The Fate of the Furious on pace for $200 million and the film should become the third film released in 2017 to get to that milestone. It might overtake Logan on the yearly chart, but Guardians of the Galaxy, Vol. 2 will probably get there first.
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Thursday Night Previews: New Releases are Showing Very Little Promise
April 21st, 2017
There are five films opening wide or semi-wide this weekend and four of them have previews. (Phoenix Forgotten is the lone exception.) At the moment, we only have numbers for The Promise and they are not good. The film pulled in $200,000 in previews last night, putting it on par with The Space Between Us. That’s not good news, as that film missed the Mendoza Line by a large margin. The Promise is playing in fewer theaters and it is earning better reviews, so it might not open below the Mendoza Line, but its theater average won't be much above $2,000 in the best of circumstances.
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Weekend Predictions: New Releases are Very Forgettable
April 20th, 2017
Late April is one of the traditional dumping grounds and this week is truly living down to that reputation. There are five new releases that have at least a shot at the top ten, but none of them have a shot at becoming midlevel hits. Unforgettable is the widest new release of the week and will likely be the biggest hit, but it very likely won’t be the best. Free Fire and Born in China are in a close battle for the best reviews for the week. Meanwhile, The Promise and Phoenix Forgotten are just hoping to avoid opening below the Mendoza Line. I think earning a theater average above $2,000 is overly optimistic for either film. There’s a lot of competition, but nearly all of it is terrible, so The Fate of the Furious will have no trouble repeating in first place. Furthermore, both The Boss Baby and Beauty and the Beast will likely remain in the top five, meaning there’s not a lot of room for the other films. This weekend last year, The Jungle Book earned just over $60 million over the weekend, while The Huntsman: Winter’s War opened with close to $20 million. There’s no way 2017 will be able to match this one-two punch.
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Contest: Leave it Up to Fate: Winning Announcement
April 19th, 2017
The winners of our Leave it Up to Fate contest were determined and the entrants with the closest predictions for The Fate of the Furious’s opening weekend were...
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Contest: Forget About It
April 13th, 2017
April is a mess. When I starting writing the April preview I identified nine films that I was not 100% sure were going to open truly wide. While writing the preview, one was pulled from the schedule and since then, two were downgraded to semi-wide or lower. Next weekend, Born in China is opening semi-wide, The Promise is right on the razor’s edge between semi-wide and truly wide, while we still don’t have an estimate for Free Fire. This leaves Unforgettable as the only confirmed truly wide release of the week. Because of this, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Unforgettable.
Our April Fools contests continue this week. Two of our winners will win La La Land on Blu-ray Combo Pack, while one will be chosen at random to be the fool and receive an HD-DVD release. The Blu-ray Combo Pack doesn’t come out until the 25th, but the film is already out on Video on Demand.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will be a potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also be a potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will be the final potential winner of La La Land on Blu-ray Combo Pack, or the winner of the Fool’s Prize.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2017 Preview: April
April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
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Unforgettable Trailer
February 21st, 2017
Thriller starring Katherine Heigl and Rosario Dawson opens April 21, 2017 ... Full Movie Details.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/28/2017 | $119,359 | 0 | 0 | 0 | $153,680 | 1/1/2019 |
Brazil | 4/21/2017 | $173,000 | 0 | 0 | 0 | $254,704 | 6/26/2018 |
Germany | 4/28/2017 | $52,000 | 0 | 0 | 0 | $52,000 | 6/29/2018 |
Italy | 4/28/2017 | $94,582 | 0 | 0 | 0 | $94,582 | 5/4/2017 |
Mexico | 5/19/2017 | $447,585 | 0 | 0 | 0 | $1,298,853 | 6/29/2017 |
North America | 4/21/2017 | $4,785,431 | 2,417 | 2,417 | 6,418 | $11,368,012 | 4/4/2018 |
Russia (CIS) | 4/21/2017 | $437,742 | 727 | 727 | 1423 | $732,537 | 1/1/2019 |
South Korea | 2/26/2016 | $460,768 | 0 | 0 | 0 | $1,492,275 | 9/10/2018 |
Turkey | 5/5/2017 | $56,214 | 148 | 148 | 217 | $114,877 | 2/26/2019 |
United Kingdom | 4/21/2017 | $345,916 | 363 | 363 | 363 | $345,916 | 4/26/2017 |
Rest of World | $313,775 | ||||||
Worldwide Total | $16,221,211 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Katherine Heigl | Tessa Connover |
Rosario Dawson | Julia Banks |
Supporting Cast
Geoff Stults | David Connover |
Isabella Rice | Lily Connover |
Alex Quijano | Miguel |
Sarah Burns | Sarah |
Whitney Cummings | Ali |
Simon Kassianides | Michael Vargas |
Robert Wisdom | Detective Pope |
Cheryl Ladd | Tessa’s Mother |
Stephanie Escajeda | Brunette Woman |
Kincaid Walker | Saleswoman |
Aline Elasmar | Deputy Stevens |
Jayson Blair | Jason |
Lauren Rose Lewis | Dinner Guest |
Robin Hardy | Dinner Guest |
Mitch Silpa | Dinner Guest |
Alex Staggs | Dinner Guest |
Scott Beehner | Dinner Guest |
Michelle Mehta | Child Protective Services Worker |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Denise Di Novi | Director |
Christina Hodson | Screenwriter |
Denise Di Novi | Producer |
Alison Greenspan | Producer |
Ravi Mehta | Producer |
Lynn Harris | Executive Producer |
Steven Mnuchin | Executive Producer |
Nelson Coates | Production Designer |
Frederic Thoraval | Editor |
Toby Chu | Composer |
Caleb Deschanel | Director of Photography |
Steven Ritzi | Stunt Coordinator |
Marian Toy | Costume Designer |
Susie Farris | Casting Director |
Joshua Throne | Unit Production Manager |
Jonas Spaccarotelli | First Assistant Director |
Deborah Chung | Second Assistant Director |
Joshua Throne | Co-Producer |
Chris Dileo | Art Director |
Robert Gould | Set Decorator |
Anna Rane | Script Supervisor |
Richard Van Dyke | Sound Mixer |
Maeve Guesdon | Costume Supervisor |
Tania McComas | Make up |
Brenna Bash | Make up |
Leslie Bennett | Hairstylist |
Marcos Diaz | Hairstylist |
Jeff Khachadoorian | Special Effects |
Sheryl Benko | Post-Production Supervisor |
Craig Hayes | First Assistant Editor |
Kasey Truman | Music Supervisor |
Sherry Whitfield | Music Editor |
Julie Pearce | Music Editor |
Jeremy Peirson | Supervising Sound Editor |
Jeremy Peirson | Sound Designer |
Jeremy Peirson | Re-recording Mixer |
Elmo Weber | Re-recording Mixer |
Thomas Jones | Dialogue/ADR Supervisor |
Michelle Pazer | Dialogue Editor |
Darin Mann | Foley Mixer |
Sharon Lopez | Production Supervisor |
Eric Hodge | Location Manager |
Matt Prisk | Location Manager |
Adriana M. Dardas | Set Designer |
Kathleen Parker | Casting Associate |
Jeff Biggers | Score Mixer |
John Rodd | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.