Australia Box Office for Under The Silver Lake (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $23,007 | Details |
Worldwide Box Office | $2,804,142 | Details |
Further financial details... |
Synopsis
Sam is a disenchanted 33-year-old who discovers a mysterious woman, Sarah, frolicking in his apartment’s swimming pool. When she vanishes, Sam embarks on a surreal quest across Los Angeles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal, and conspiracy in the City of Angels.
Metrics
Movie Details
Australia Releases: | June 21st, 2019 (Wide) |
Video Release: | April 23rd, 2019 by A24 |
MPAA Rating: | R for strong sexual content, graphic nudity, violence, language throughout and some drug use. (Rating bulletin 2522 (Cert #51548), 4/11/2018) |
Running Time: | 139 minutes |
Keywords: | Set in Los Angeles, Set in California, Swimming, Conspiracy Theory, Secret Societies, Missing Person, Romance, Narcotics, Codebreaker |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Pastel, Michael De Luca Productions, Stay Gold Features, Vendian Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for June 18th, 2019
June 19th, 2019
It is a shallow week with a lot of films on the main list that would be secondary Blu-ray releases on a normal week. There are only two contenders for Pick of the Week: Us and Killing Eve: Season Two. The Us Blu-ray screener hasn’t arrived yet, but it is still Pick of the Week, even with an unknown quality of extras.
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Theater Averages: Silvers Wins Gold
April 25th, 2019
Under the Silver Lake earned top spot on the theater average chart with an average of $17,635 in two theaters. This is amazing for two reasons. Firstly, its reviews are barely above the 50% level. Secondly, it opened on VOD on Tuesday, so anyone who was interested in seeing the movie didn’t have to wait long to see it at home instead. On the other hand, it is a A24 release and the company has had an amazing track record at the box office during its young career.
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Home Market Releases for April 23rd, 2019
April 24th, 2019
It is another slow week on the home market, but that gave me a chance to complete a couple of late reviews. The best release on this week’s list is A Face in the Crowd and it is the Pick of the Week. However, both of the late reviews, On the Basis of Sex and Willie Dynamite, are worth picking up.
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Limited and VOD Releases: A Little Hope for New Releases
April 19th, 2019
Little Woods is the biggest, and one of the best, limited releases on this week’s list. It has a real shot at earning some measure of mainstream success. There are also several films on this week’s list that could do well on the art house circuit, but likely won’t expand significantly. These include Grass, Hagazussa: A Heathen’s Curse, and Rafiki.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/06/21 | - | $8,493 | 6 | $1,416 | $9,077 | 1 | |
2019/06/28 | - | $3,502 | -59% | 6 | $584 | $17,175 | 2 |
2019/07/05 | - | $1,647 | -53% | 4 | $412 | $20,993 | 3 |
2019/07/12 | - | $856 | -48% | 3 | $285 | $23,007 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 6/21/2019 | $8,493 | 6 | 6 | 19 | $23,007 | 7/16/2019 |
Czech Republic | 12/7/2018 | $3,401 | 22 | 22 | 22 | $3,605 | 12/11/2018 |
France | 8/10/2018 | $449,446 | 0 | 0 | 0 | $1,461,198 | 9/7/2018 |
Netherlands | 8/10/2018 | $32,778 | 24 | 24 | 73 | $143,877 | 11/2/2018 |
New Zealand | 8/15/2019 | $298 | 1 | 1 | 4 | $2,832 | 9/10/2019 |
North America | 4/19/2019 | $35,270 | 2 | 2 | 2 | $46,083 | 8/28/2021 |
Portugal | 12/28/2018 | $0 | 0 | 20 | 25 | $22,666 | 1/17/2019 |
Russia (CIS) | 11/8/2018 | $76,620 | 213 | 213 | 337 | $129,894 | 1/18/2019 |
South Korea | 9/19/2019 | $8,061 | 31 | 31 | 31 | $17,897 | 9/25/2019 |
Spain | 12/28/2018 | $38,779 | 37 | 37 | 37 | $38,779 | 1/9/2019 |
United Kingdom | 3/15/2019 | $18,351 | 7 | 7 | 7 | $18,351 | 3/20/2019 |
Rest of World | $895,953 | ||||||
Worldwide Total | $2,804,142 | 8/28/2021 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Andrew Garfield | Sam |
Riley Keough | Sarah |
Uncategorized
Topher Grace | |
Laura-Leigh | Mae |
Zosia Mamet | |
Jimmi Simpson | |
Patrick Fischler | |
Luke Baines | |
Callie Hernandez | |
Riki Lindhome | |
Don McManus | |
Summer Bishil | |
Grace Van Patten | Balloon Girl |
Sydney Sweeney | Shooting Star |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
David Robert Mitchell | Director |
Michael De Luca | Producer |
Chris Bender | Producer |
Adele Romanski | Producer |
Jake Weiner | Producer |
David Robert Mitchell | Screenwriter |
Disasterpeace | Composer |
Michael Gioulakis | Cinematographer |
Julio Perez | Editor |
Ivan Kraljevic | Key Second Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.