Argentina Box Office for Umi yori mo mada fukaku (2016)
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| Theatrical Performance (US$) | ||
| Argentina Box Office | $38,261 | Details |
| Worldwide Box Office | $5,365,848 | Details |
| Home Market Performance | ||
| North America DVD Sales | $84,814 | Details |
| North America Blu-ray Sales | $66,209 | Details |
| Total North America Video Sales | $151,023 | |
| Further financial details... | ||
Synopsis
Dwelling on his past glory as a prize-winning author, Ryota wastes the money he makes as a private detective on gambling and can barely pay his child support. After the death of his father, his aging mother Yoshiko and his beautiful ex-wife Kyoko seem to be moving on with their lives. Renewing contact with his initially distrusting family, Ryota struggles to take back control of his existence and to find a place in the life of his young son Shingo until a stormy summer night offers them a chance to truly bond again.
Metrics
Movie Details
| Argentina Releases: | June 30th, 2017 (Wide) |
| Video Release: | August 15th, 2017 by Film Movement Video |
| MPAA Rating: | Not Rated |
| Running Time: | 117 minutes |
| Keywords: | Writing and Writers, Dysfunctional Family, Private Investigator, Extreme Weather, Money Troubles, Gambling |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | AOI Pro Inc, Fuji Television Network, Bandai Visual, GAGA Corporation |
| Production Countries: | Japan |
| Languages: | Japanese |
Home Market Releases for August 15th, 2017
August 16th, 2017
Alien: Covenant is the biggest release on this week’s list, but the franchise is off its peak and has been for a long time. As for Pick of the Week contenders, there are not a lot of them. If I were to stretch the definition, Food Wars: Season One is great, if you are into that subgenre of Anime. Descendants 2 is arguably better than the original, but the DVD isn’t going to really appeal to those outside the target audience. That leaves The Good, the Bad and the Ugly: 50th Anniversary Blu-ray as the clear winner for Pick of the Week.
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Theater Averages: Beauty Outshines all Competition with Average of $41,508
March 21st, 2017
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Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470.
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Limited and VOD Releases: Can you Spot any Hits?
March 17th, 2017
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Beauty and the Beast scared away most of the wide-release competition and there are not many limited releases either this weekend. T2: Trainspotting is by far the biggest in terms of buzz. We also have a few like Mean Dreams, which have good reviews, but are playing on VOD. Or foreign-language films like Frantz.
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Weekend Box Office Performance
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 6/30/2017 | $24,419 | 0 | 0 | 0 | $38,261 | 1/1/2019 |
| Australia | 5/19/2017 | $1,204 | 2 | 2 | 5 | $8,450 | 8/6/2018 |
| France | 4/28/2017 | $105,655 | 0 | 0 | 0 | $815,129 | 6/27/2018 |
| Italy | 5/25/2017 | $49,894 | 0 | 0 | 0 | $171,533 | 6/22/2017 |
| Japan | 5/20/2016 | $988,361 | 0 | 0 | 0 | $3,120,206 | 8/20/2018 |
| Netherlands | 3/14/2017 | $20,342 | 19 | 19 | 55 | $69,015 | 4/7/2017 |
| New Zealand | 4/28/2017 | $3,215 | 12 | 14 | 72 | $24,947 | 6/19/2017 |
| North America | 3/17/2017 | $27,880 | 6 | 38 | 164 | $272,132 | |
| Portugal | 10/19/2023 | $407 | 1 | 1 | 1 | $422 | 10/24/2023 |
| South Korea | 7/22/2016 | $3,498 | 3 | 72 | 219 | $678,338 | 4/19/2017 |
| Spain | 11/11/2016 | $46,495 | 36 | 36 | 114 | $139,126 | 12/29/2016 |
| United Kingdom | 6/2/2017 | $28,289 | 20 | 20 | 20 | $28,289 | 6/9/2017 |
| Worldwide Total | $5,365,848 | 10/24/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Hiroshi Abe | Ryota Shinoda |
| Yoko Maki | Kyoko Shiraishi |
| Taiyo Yoshizawa | Shingo Shiraishi |
| Kirin Kiki | Yoshiko Shinoda |
Supporting Cast
| Lily Franky | Koichiro Yamabe |
| Satomi Kobayashi | Chinatsu Nakashima |
| Sosuke Ikematsu | Kento Machida |
| Isao Hashizume | Mitsuru Niida |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Hirokazu Kore-eda | Director |
| Hirokazu Kore-eda | Screenwriter |
| Hirokazu Kore-eda | Original Story by |
| Hirokazu Kore-eda | Editor |
| Hanaregumi | Composer |
| Yutaka Yamazaki | Director of Photography |
| Eiji Oshita | Lighting |
| Yutaka Tsurumaki | Sound Designer |
| Mitsumatsu Keiko | Production Designer |
| Takashi Ishihara | Chief Executive Producer |
| Kazumi Kawashiro | Chief Executive Producer |
| Tsugihiko Fujiwara | Chief Executive Producer |
| Tom Yoda | Chief Executive Producer |
| Yasushi Kuwata | Executive Producer |
| Kenji Hamada | Executive Producer |
| Yasuhito Nakae | Executive Producer |
| Tsuyoshi Matsushita | Executive Producer |
| Osawa Megumi | Associate Producer |
| Kaoru Matsuzaki | Producer |
| Akihiko Yose | Producer |
| Hijiri Taguchi | Producer |