Umi yori mo mada fukaku (2016)

Umi yori mo mada fukaku
Theatrical Performance
Domestic Box Office $272,132Details
International Box Office $5,093,716Details
Worldwide Box Office $5,365,848
Home Market Performance
Est. Domestic DVD Sales $84,814 Details
Est. Domestic Blu-ray Sales $66,209 Details
Total Est. Domestic Video Sales $151,023
Further financial details...

Synopsis

Dwelling on his past glory as a prize-winning author, Ryota wastes the money he makes as a private detective on gambling and can barely pay his child support. After the death of his father, his aging mother Yoshiko and his beautiful ex-wife Kyoko seem to be moving on with their lives. Renewing contact with his initially distrusting family, Ryota struggles to take back control of his existence and to find a place in the life of his young son Shingo until a stormy summer night offers them a chance to truly bond again.

Metrics

Opening Weekend:$27,880 (10.2% of total gross)
Legs:7.48 (domestic box office/biggest weekend)
Domestic Share:5.1% (domestic box office/worldwide)
Theater counts:6 opening theaters/38 max. theaters, 4.3 weeks average run per theater
Infl. Adj. Dom. BO $327,044

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: March 17th, 2017 (Limited) by Film Movement, released as After the Storm
International Releases: May 20th, 2016 (Wide) (Japan)
July 22nd, 2016 (Limited), released as After the Storm (South Korea)
July 27th, 2016 (Wide), released as After the Storm (South Korea)
November 11th, 2016 (Wide), released as Despues de la tormenta (Spain)
March 14th, 2017 (Limited), released as After the Storm (Netherlands)
... Show all releases
Video Release: August 15th, 2017 by Film Movement Video, released as After the Storm
MPAA Rating: Not Rated
Running Time: 117 minutes
Comparisons: Create your own comparison chart…
Keywords: Writing and Writers, Dysfunctional Family, Private Investigator, Extreme Weather, Money Troubles, Gambling
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: AOI Pro Inc, Fuji Television Network, Bandai Visual, GAGA Corporation
Production Countries: Japan
Languages: Japanese

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 17, 2017 45 $27,880   6 $4,647   $27,880 1
Mar 24, 2017 50 $23,500 -16% 10 $2,350   $72,692 2
Mar 31, 2017 47 $23,999 +2% 16 $1,500   $109,474 3
Apr 7, 2017 44 $36,379 +52% 35 $1,039   $158,408 4
Apr 14, 2017 46 $25,477 -30% 38 $670   $201,713 5
Apr 21, 2017 61 $10,337 -59% 21 $492   $224,207 6
Apr 28, 2017 76 $2,273 -78% 8 $284   $235,281 7
May 5, 2017 74 $2,791 +23% 7 $399   $241,276 8
May 12, 2017 77 $3,625 +30% 8 $453   $246,528 9
May 19, 2017 - $264 -93% 2 $132   $249,936 10
May 26, 2017 80 $645 +144% 3 $215   $252,210 11
Jun 2, 2017 83 $1,412 +119% 3 $471   $254,806 12
Jun 9, 2017 91 $182 -87% 2 $91   $256,299 13
Jun 16, 2017 95 $150 -18% 1 $150   $260,461 14
Jun 23, 2017 71 $2,599 +1,633% 2 $1,300   $263,661 15
Jul 7, 2017 87 $658   1 $658   $267,115 17
Jul 28, 2017 99 $253   1 $253   $270,367 20

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 17, 2017 45 $49,192   6 $8,199   $49,192 1
Mar 24, 2017 47 $36,283 -26% 11 $3,298   $86,464 2
Mar 31, 2017 46 $35,565 -2% 19 $1,872   $122,029 3
Apr 7, 2017 42 $52,997 +49% 35 $1,514   $176,236 4
Apr 14, 2017 47 $37,716 -29% 38 $993   $213,952 5
Apr 21, 2017 57 $19,056 -49% 21 $907   $233,008 6
Apr 28, 2017 71 $5,477 -71% 8 $685   $238,485 7
May 5, 2017 71 $4,620 -16% 7 $660   $243,105 8
May 12, 2017 73 $6,567 +42% 11 $597   $249,672 9
May 19, 2017 77 $1,893 -71% 2 $947   $251,565 10
May 26, 2017 76 $1,717 -9% 3 $572   $253,882 11
Jun 2, 2017 85 $2,235 +30% 3 $745   $256,117 12
Jun 9, 2017 77 $1,988 -11% 2 $994   $258,105 13
Jun 16, 2017 93 $358 -82% 1 $358   $258,975 14
Jun 23, 2017 68 $5,934 +1,558% 2 $2,967   $264,909 15
Jul 7, 2017 80 $2,341   2 $1,171   $270,114 17
Jul 28, 2017 98 $149   1 $149   $270,516 20
Aug 25, 2017 110 $238   1 $238   $272,132 24

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/30/2017 $24,419 0 0 0 $38,261 1/1/2019
Australia 5/19/2017 $1,204 2 2 5 $8,450 8/6/2018
France 4/28/2017 $105,655 0 0 0 $815,129 6/27/2018
Italy 5/25/2017 $49,894 0 0 0 $171,533 6/22/2017
Japan 5/20/2016 $988,361 0 0 0 $3,120,206 8/20/2018
Netherlands 3/14/2017 $20,342 19 19 55 $69,015 4/7/2017
New Zealand 4/28/2017 $3,215 12 14 72 $24,947 6/19/2017
Portugal 10/19/2023 $407 1 1 1 $422 10/24/2023
South Korea 7/22/2016 $3,498 3 72 219 $678,338 4/19/2017
Spain 11/11/2016 $46,495 36 36 114 $139,126 12/29/2016
United Kingdom 6/2/2017 $28,289 20 20 20 $28,289 6/9/2017
 
International Total$5,093,716 10/24/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Hiroshi Abe Ryota Shinoda
Yoko Maki Kyoko Shiraishi
Taiyo Yoshizawa Shingo Shiraishi
Kirin Kiki Yoshiko Shinoda

Supporting Cast

Lily Franky Koichiro Yamabe
Satomi Kobayashi Chinatsu Nakashima
Sosuke Ikematsu Kento Machida
Isao Hashizume Mitsuru Niida

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Hirokazu Kore-eda Director
Hirokazu Kore-eda Screenwriter
Hirokazu Kore-eda Original Story by
Hirokazu Kore-eda Editor
Hanaregumi Composer
Yutaka Yamazaki Director of Photography
Eiji Oshita Lighting
Yutaka Tsurumaki Sound Designer
Mitsumatsu Keiko Production Designer
Takashi Ishihara Chief Executive Producer
Kazumi Kawashiro Chief Executive Producer
Tsugihiko Fujiwara Chief Executive Producer
Tom Yoda Chief Executive Producer
Yasushi Kuwata Executive Producer
Kenji Hamada Executive Producer
Yasuhito Nakae Executive Producer
Tsuyoshi Matsushita Executive Producer
Osawa Megumi Associate Producer
Kaoru Matsuzaki Producer
Akihiko Yose Producer
Hijiri Taguchi Producer

Home Market Releases for August 15th, 2017

August 16th, 2017

The Good, The Bad, and the Ugly

Alien: Covenant is the biggest release on this week’s list, but the franchise is off its peak and has been for a long time. As for Pick of the Week contenders, there are not a lot of them. If I were to stretch the definition, Food Wars: Season One is great, if you are into that subgenre of Anime. Descendants 2 is arguably better than the original, but the DVD isn’t going to really appeal to those outside the target audience. That leaves The Good, the Bad and the Ugly: 50th Anniversary Blu-ray as the clear winner for Pick of the Week. More...

Theater Averages: Beauty Outshines all Competition with Average of $41,508

March 21st, 2017

Beauty and the Beast

Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470. More...

Limited and VOD Releases: Can you Spot any Hits?

March 17th, 2017

T2: Trainspotting

Beauty and the Beast scared away most of the wide-release competition and there are not many limited releases either this weekend. T2: Trainspotting is by far the biggest in terms of buzz. We also have a few like Mean Dreams, which have good reviews, but are playing on VOD. Or foreign-language films like Frantz. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Dwelling on his past glory as a prize-winning author, Ryota wastes the money he makes as a private detective on gambling and can barely pay his child support. After the death of his father, his aging mother Yoshiko and his beautiful ex-wife Kyoko seem to be moving on with their lives. Renewing contact with his initially distrusting family, Ryota struggles to take back control of his existence and to find a place in the life of his young son Shingo until a stormy summer night offers them a chance to truly bond again.

Metrics

Opening Weekend:$27,880 (10.2% of total gross)
Legs:7.48 (domestic box office/biggest weekend)
Domestic Share:5.1% (domestic box office/worldwide)
Theater counts:6 opening theaters/38 max. theaters, 4.3 weeks average run per theater
Infl. Adj. Dom. BO $327,044

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: March 17th, 2017 (Limited) by Film Movement, released as After the Storm
International Releases: May 20th, 2016 (Wide) (Japan)
July 22nd, 2016 (Limited), released as After the Storm (South Korea)
July 27th, 2016 (Wide), released as After the Storm (South Korea)
November 11th, 2016 (Wide), released as Despues de la tormenta (Spain)
March 14th, 2017 (Limited), released as After the Storm (Netherlands)
... Show all releases
Video Release: August 15th, 2017 by Film Movement Video, released as After the Storm
MPAA Rating: Not Rated
Running Time: 117 minutes
Comparisons: Create your own comparison chart…
Keywords: Writing and Writers, Dysfunctional Family, Private Investigator, Extreme Weather, Money Troubles, Gambling
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: AOI Pro Inc, Fuji Television Network, Bandai Visual, GAGA Corporation
Production Countries: Japan
Languages: Japanese

Leading Cast

Hiroshi Abe Ryota Shinoda
Yoko Maki Kyoko Shiraishi
Taiyo Yoshizawa Shingo Shiraishi
Kirin Kiki Yoshiko Shinoda

Supporting Cast

Lily Franky Koichiro Yamabe
Satomi Kobayashi Chinatsu Nakashima
Sosuke Ikematsu Kento Machida
Isao Hashizume Mitsuru Niida

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Hirokazu Kore-eda Director
Hirokazu Kore-eda Screenwriter
Hirokazu Kore-eda Original Story by
Hirokazu Kore-eda Editor
Hanaregumi Composer
Yutaka Yamazaki Director of Photography
Eiji Oshita Lighting
Yutaka Tsurumaki Sound Designer
Mitsumatsu Keiko Production Designer
Takashi Ishihara Chief Executive Producer
Kazumi Kawashiro Chief Executive Producer
Tsugihiko Fujiwara Chief Executive Producer
Tom Yoda Chief Executive Producer
Yasushi Kuwata Executive Producer
Kenji Hamada Executive Producer
Yasuhito Nakae Executive Producer
Tsuyoshi Matsushita Executive Producer
Osawa Megumi Associate Producer
Kaoru Matsuzaki Producer
Akihiko Yose Producer
Hijiri Taguchi Producer

Home Market Releases for August 15th, 2017

August 16th, 2017

The Good, The Bad, and the Ugly

Alien: Covenant is the biggest release on this week’s list, but the franchise is off its peak and has been for a long time. As for Pick of the Week contenders, there are not a lot of them. If I were to stretch the definition, Food Wars: Season One is great, if you are into that subgenre of Anime. Descendants 2 is arguably better than the original, but the DVD isn’t going to really appeal to those outside the target audience. That leaves The Good, the Bad and the Ugly: 50th Anniversary Blu-ray as the clear winner for Pick of the Week. More...

Theater Averages: Beauty Outshines all Competition with Average of $41,508

March 21st, 2017

Beauty and the Beast

Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470. More...

Limited and VOD Releases: Can you Spot any Hits?

March 17th, 2017

T2: Trainspotting

Beauty and the Beast scared away most of the wide-release competition and there are not many limited releases either this weekend. T2: Trainspotting is by far the biggest in terms of buzz. We also have a few like Mean Dreams, which have good reviews, but are playing on VOD. Or foreign-language films like Frantz. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 17, 2017 45 $27,880   6 $4,647   $27,880 1
Mar 24, 2017 50 $23,500 -16% 10 $2,350   $72,692 2
Mar 31, 2017 47 $23,999 +2% 16 $1,500   $109,474 3
Apr 7, 2017 44 $36,379 +52% 35 $1,039   $158,408 4
Apr 14, 2017 46 $25,477 -30% 38 $670   $201,713 5
Apr 21, 2017 61 $10,337 -59% 21 $492   $224,207 6
Apr 28, 2017 76 $2,273 -78% 8 $284   $235,281 7
May 5, 2017 74 $2,791 +23% 7 $399   $241,276 8
May 12, 2017 77 $3,625 +30% 8 $453   $246,528 9
May 19, 2017 - $264 -93% 2 $132   $249,936 10
May 26, 2017 80 $645 +144% 3 $215   $252,210 11
Jun 2, 2017 83 $1,412 +119% 3 $471   $254,806 12
Jun 9, 2017 91 $182 -87% 2 $91   $256,299 13
Jun 16, 2017 95 $150 -18% 1 $150   $260,461 14
Jun 23, 2017 71 $2,599 +1,633% 2 $1,300   $263,661 15
Jul 7, 2017 87 $658   1 $658   $267,115 17
Jul 28, 2017 99 $253   1 $253   $270,367 20

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 17, 2017 45 $49,192   6 $8,199   $49,192 1
Mar 24, 2017 47 $36,283 -26% 11 $3,298   $86,464 2
Mar 31, 2017 46 $35,565 -2% 19 $1,872   $122,029 3
Apr 7, 2017 42 $52,997 +49% 35 $1,514   $176,236 4
Apr 14, 2017 47 $37,716 -29% 38 $993   $213,952 5
Apr 21, 2017 57 $19,056 -49% 21 $907   $233,008 6
Apr 28, 2017 71 $5,477 -71% 8 $685   $238,485 7
May 5, 2017 71 $4,620 -16% 7 $660   $243,105 8
May 12, 2017 73 $6,567 +42% 11 $597   $249,672 9
May 19, 2017 77 $1,893 -71% 2 $947   $251,565 10
May 26, 2017 76 $1,717 -9% 3 $572   $253,882 11
Jun 2, 2017 85 $2,235 +30% 3 $745   $256,117 12
Jun 9, 2017 77 $1,988 -11% 2 $994   $258,105 13
Jun 16, 2017 93 $358 -82% 1 $358   $258,975 14
Jun 23, 2017 68 $5,934 +1,558% 2 $2,967   $264,909 15
Jul 7, 2017 80 $2,341   2 $1,171   $270,114 17
Jul 28, 2017 98 $149   1 $149   $270,516 20
Aug 25, 2017 110 $238   1 $238   $272,132 24

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/30/2017 $24,419 0 0 0 $38,261 1/1/2019
Australia 5/19/2017 $1,204 2 2 5 $8,450 8/6/2018
France 4/28/2017 $105,655 0 0 0 $815,129 6/27/2018
Italy 5/25/2017 $49,894 0 0 0 $171,533 6/22/2017
Japan 5/20/2016 $988,361 0 0 0 $3,120,206 8/20/2018
Netherlands 3/14/2017 $20,342 19 19 55 $69,015 4/7/2017
New Zealand 4/28/2017 $3,215 12 14 72 $24,947 6/19/2017
Portugal 10/19/2023 $407 1 1 1 $422 10/24/2023
South Korea 7/22/2016 $3,498 3 72 219 $678,338 4/19/2017
Spain 11/11/2016 $46,495 36 36 114 $139,126 12/29/2016
United Kingdom 6/2/2017 $28,289 20 20 20 $28,289 6/9/2017
 
International Total$5,093,716 10/24/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.