Portugal Box Office for Viver à Margem (2015)
| Theatrical Performance (US$) | ||
| Portugal Box Office | $35,387 | Details |
| Worldwide Box Office | $311,847 | Details |
| Further financial details... | ||
Synopsis
George is an increasingly desperate man. Life seems to have passed him by. With nowhere to turn, he finds himself adrift on the unforgiving streets of New York City. After exhausting all possible housing options, he seeks refuge at Bellevue Hospital, Manhattan's largest intake center for homeless men. It proves a harsh and bewildering environment, teeming with marginalized souls. But when George befriends a seasoned shelter-dweller, he begins to find hope of repairing his relationship with his estranged daughter.
Metrics
Movie Details
| Portugal Releases: | May 5th, 2016 (Wide), released as Viver à Margem |
| Video Release: | September 18th, 2015 by IFC Video |
| MPAA Rating: | Not Rated |
| Running Time: | 121 minutes |
| Keywords: | Homeless, Dysfunctional Family, Set in New York City, Set in Manhattan, Addiction, Social Worker |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gere Productions, Blackbird, River Road Entertainment, Cold Iron Pictures, QED International |
| Production Countries: | United States |
| Languages: | English |
Per Theater Chart: Sleeping's Shocking Start
September 16th, 2015
Sleeping with Other People wasn't expected to do well in theaters, because it only earned mixed reviews, while it was also playing on VOD. Despite this, it led the way on the per theater chart with an average of $17,820 in five theaters. Goodbye Mommy was in second place with an average of $15,063. It could do well in the art house circuit, but expanding wide will be nearly impossible for this German film. Meet the Patels was right behind with an average of $14,436. It too could do well in the art house circuit, but it is a documentary, so expanding wide is likely out of the question. The Black Panthers: Vanguard of the Revolution was the only holdover in the $10,000 club with an average of $13,288 in three theaters. The overall number one film, The Perfect Guy, was next with an average of $11,656. The final film in the $10,000 club was A Brilliant Mind with an average of $10,469 in three theaters.
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Limited and VOD Releases: Feeling Brilliant
September 11th, 2015
It's actually a really good week for limited releases, with nearly half a dozen films on this week's list earning overwhelmingly positive reviews. This includes A Brilliant Young Mind (Reviews), which has a good shot at earning at least some measure of mainstream success. There are others, like Coming Home, that have a good shot at limited success, but their chances of expanding significantly are much more limited.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/05/06 | 12 | $14,471 | 9 | $1,608 | $14,471 | 1 | |
| 2016/05/13 | 16 | $5,155 | -64% | 7 | $736 | $24,347 | 2 |
| 2016/05/20 | 20 | $3,268 | -37% | 6 | $545 | $31,400 | 3 |
| 2016/05/27 | 23 | $2,166 | -34% | 5 | $433 | $35,387 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 9/9/2015 | $18,934 | 4 | 18 | 106 | $164,849 | |
| Portugal | 5/5/2016 | $14,471 | 9 | 9 | 27 | $35,387 | 6/9/2016 |
| Spain | 12/18/2015 | $31,405 | 54 | 54 | 113 | $78,075 | 6/9/2016 |
| United Kingdom | 3/4/2016 | $31,928 | 37 | 37 | 42 | $33,536 | 6/9/2016 |
| Worldwide Total | $311,847 | 6/9/2016 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Richard Gere | George |
Supporting Cast
| Ben Vereen | Dixon |
| Jena Malone | Maggie |
| Kyra Sedgwick | TK |
| Steve Buscemi | Building Manager |
| Jeremy Strong | Jack |
| Yul Vazquez | Raoul |
| Tonye Patano | Ms. Jackson |
| Colman Domingo | Mr. Oyello |
| Geraldine Hughes | Maire |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Oren Moverman | Director |
| Oren Moverman | Screenwriter |
| Jeffrey Caine | Story Creator |
| Oren Moverman | Story Creator |
| Miranda Bailey | Producer |
| Bill Pohlad | Producer |
| Richard Gere | Producer |
| Lawrence Inglee | Producer |
| Caroline Kaplan | Producer |
| Edward Walson | Producer |
| Mohammed Al Turki | Executive Producer |
| Zak Tucker | Executive Producer |
| Amanda Marshall | Executive Producer |
| Eva Maria Daniels | Executive Producer |
| Bobby Bukowski | Director of Photography |
| Kelly McGehee | Production Designer |
| Alex Hall | Editor |
| Catherine George | Costume Designer |
| Stephanie Diaz-Matos | Music Supervisor |
| Carrie Fix | Co-Producer |
| Luca Borghese | Co-Producer |
| Laura Rosenthal | Casting Director |
| Jodi Angstreich | Casting Director |
| Will Dodds | First Assistant Director-Additional Photography |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.