Australia Box Office for Those Who Wish Me Dead (2021)
| Theatrical Performance (US$) | ||
| Australia Box Office | $2,442,429 | Details |
| Worldwide Box Office | $17,601,631 | Details |
| Home Market Performance | ||
| North America DVD Sales | $849,306 | Details |
| North America Blu-ray Sales | $1,093,662 | Details |
| Total North America Video Sales | $1,942,968 | |
| Further financial details... | ||
Synopsis
A teenage murder witness is lost in the Montana wilderness with the twin assassins hunting him, a survival expert tasked with protecting him, and a forest fire that threatens to consume them all.
Metrics
Movie Details
| Australia Releases: | May 14th, 2021 (Wide) |
| Video Release: | May 14th, 2021 by Max |
| MPAA Rating: | R for strong violence, and language throughout. (Rating bulletin 2662 (cert #52965), 1/6/2021) |
| Running Time: | 100 minutes |
| Keywords: | Set in Montana, Witnessing a Crime, Early / Simultaneous Video-on-Demand release, Action Thriller, Firefighter, Death of a Partner, PTSD, Hitmen |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, Bron Studios, Filmrights, Creative Wealth Media Finance |
| Production Countries: | Canada, United States |
| Languages: | English |
Weekend estimates: Spiral repeats as market braces for Memorial Day
May 23rd, 2021
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With no new films opening in over 1,500 theaters, this weekend was always going to be a modest one at the box office as the industry prepares for a make-or-break Memorial Day session. Spiral will repeat at the top of the chart with a projected $4.55 million, according to Lionsgate’s Sunday-morning projection. Its 48% decline from opening weekend is a bit better than expected, and several other films are also holding on well, which means the weekend as a whole looks more solid than feared. It’s still fair to say that A Quiet Place: Part II and Cruella will face virtually no competition when they open this coming weekend.
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Weekend estimates: Spiral beats prediction, but not by much
May 16th, 2021
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Going into the weekend, the industry was hoping Spiral would earn something around $15 million and help build on recent progress in the theatrical market. Our prediction model was considerably less optimistic, expecting the film to take in a little over $6 million. So the glass-half-full view of the weekend is that the film beat our prediction, with Lionsgate projecting it will earn $8.725 million as of Sunday morning. That’s not a huge amount over what the model expected though, and the rest of the market isn’t looking that great either.
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Weekend predictions: Spiral leads a rush of new releases
May 14th, 2021
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There are four new wide releases this weekend, a new high point as theaters reopen and the theatrical market continues its recovery. In spite of some fairly impressive star power on display, there’s not a huge amount of doubt about which film will top the chart this weekend. Spiral, the latest incarnation of the Saw franchise is getting the widest release, in 2,811 theaters, and by far the loudest pre-release buzz. The sheer quantity of new films makes this a challenging weekend to predict, but here’s what our model has to say…
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/05/14 | 1 | $871,066 | 333 | $2,616 | $957,302 | 1 | |
| 2021/05/21 | 2 | $540,189 | -38% | 321 | $1,683 | $1,739,988 | 2 |
| 2021/05/28 | 4 | $250,207 | -54% | 262 | $955 | $2,165,428 | 3 |
| 2021/06/04 | 5 | $143,782 | -43% | 188 | $765 | $2,397,006 | 4 |
| 2021/06/11 | 10 | $48,252 | -66% | 146 | $330 | $2,484,731 | 5 |
| 2021/06/18 | - | $7,790 | -84% | 47 | $166 | $2,449,888 | 6 |
| 2021/06/25 | - | $800 | -90% | 3 | $267 | $2,487,085 | 7 |
| 2021/07/02 | - | $1,374 | +72% | 4 | $344 | $2,458,210 | 8 |
| 2021/07/09 | - | $177 | -87% | 2 | $89 | $2,452,575 | 9 |
| 2021/07/16 | - | $36 | -80% | 1 | $36 | $2,429,352 | 10 |
| 2021/08/27 | - | $26 | 1 | $26 | $2,398,565 | 16 | |
| 2021/09/03 | - | $93 | +258% | 1 | $93 | $2,442,429 | 17 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 5/14/2021 | $871,066 | 333 | 333 | 1309 | $2,442,429 | 9/9/2021 |
| Colombia | 5/21/2021 | $0 | 0 | 0 | 0 | $206,000 | 10/20/2022 |
| Hong Kong | 5/14/2021 | $48,886 | 0 | 0 | 0 | $150,000 | 10/20/2022 |
| Indonesia | 5/21/2021 | $220,000 | 390 | 390 | 390 | $302,000 | 10/20/2022 |
| Lithuania | 5/14/2021 | $4,900 | 11 | 11 | 17 | $9,749 | 6/3/2021 |
| Mexico | 5/13/2021 | $271,903 | 0 | 437 | 437 | $561,000 | 10/20/2022 |
| New Zealand | 5/13/2021 | $75,649 | 73 | 75 | 298 | $196,562 | 8/10/2021 |
| North America | 5/14/2021 | $2,830,000 | 3,188 | 3,379 | 9,362 | $7,407,200 | |
| Portugal | 5/14/2021 | $20,810 | 41 | 41 | 95 | $39,479 | 6/8/2021 |
| Russia (CIS) | 5/14/2021 | $419,629 | 902 | 902 | 2171 | $755,000 | 10/20/2022 |
| Saudi Arabia | 5/14/2021 | $534,000 | 35 | 35 | 70 | $1,900,000 | 10/20/2022 |
| Singapore | 5/14/2021 | $0 | 0 | 0 | 0 | $118,000 | 10/20/2022 |
| South Korea | 5/5/2021 | $5,230 | 212 | 268 | 748 | $455,000 | 10/20/2022 |
| Spain | 5/14/2021 | $0 | 0 | 84 | 84 | $335,000 | 10/20/2022 |
| Taiwan | 5/14/2021 | $0 | 0 | 0 | 0 | $274,000 | 10/20/2022 |
| Ukraine | 5/14/2021 | $0 | 0 | 0 | 0 | $217,000 | 10/20/2022 |
| United Arab Emirates | 5/14/2021 | $0 | 0 | 0 | 0 | $412,000 | 6/21/2021 |
| United Kingdom | 5/17/2021 | $428,505 | 283 | 283 | 526 | $788,000 | 10/20/2022 |
| Rest of World | $1,033,212 | ||||||
| Worldwide Total | $17,601,631 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Angelina Jolie | Hannah |
| Nicholas Hoult | Patrick |
| Finn Little | Connor |
| Aidan Gillen | Jack |
| Medina Senghore | Allison |
| Jon Bernthal | Ethan |
Supporting Cast
| Jake Weber | Owen |
| Tyler Perry | Arthur |
| Boots Southerland | Sheriff |
| Tory Kittles | Ryan |
| James Jordan | Ben |
| Lora Martinez-Cunningham | Tina |
| Howard Ferguson Jr | Vic |
| Ryan Jason Cook | Leo |
| Laura Niemi | Maggie |
| Dylan Kenin | Pilot |
| Faith Lynch | Pretty Girl |
| Alex Wagenman | Boy #1 |
| Mason Howell | Boy #2 |
| Calvin Olson | Boy #3 |
| Tessa Jo Mentus Darlington | Newscaster |
| Keith Meriweather | Forest Service Official |
| John Trejo | Contractor #1 |
| Sofia Embid | Lady Driver |
| Mary Fenton | Beth |
| Charissa Lauren Potter | Waitress #2 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Taylor Sheridan | Director |
| Taylor Sheridan | Screenwriter |
| Michael Koryta | Screenwriter |
| Charles Leavitt | Screenwriter |
| Michael Koryta | Story based on the book by |
| Steven Zaillian | Producer |
| Garrett Basch | Producer |
| Aaron L. Gilbert | Producer |
| Kevin Turen | Producer |
| Taylor Sheridan | Producer |
| Steven Thibault | Executive Producer |
| Ashley Levinson | Executive Producer |
| Andria Spring | Executive Producer |
| Jason Cloth | Executive Producer |
| Richard McConnell | Executive Producer |
| Kathryn Dean | Executive Producer |
| Michael Friedman | Executive Producer |
| Daria Cercek | Executive Producer |
| Celia Khong | Executive Producer |
| Neil Spisak | Production Designer |
| Chad Galster | Editor |
| Brian Tyler | Composer |
| Ben Richardson | Director of Photography |
| Kari Perkins | Costume Designer |
| Andrea von Foerster | Music Supervisor |
| Cathy Sandrich Gelfond* | Casting Director |
| Amanda Mackey | Casting Director |
| Kate Dean | Unit Production Manager |
| Jason Altieri | First Assistant Director |
| Peter McGrew | Second Assistant Director |
| Brenda Gilbert | Co-Executive Producer |
| Adam Davids | Co-Executive Producer |
| Harrison Kreiss | Co-Producer |
| Grace Morton | Associate Producer |
| Andrejs Prokopenko | Sound Mixer |
| Dawn Swiderski | Supervising Art Director |
| Greg Papalia | Art Director |
| Sandra D. Carmola | Art Director |
| Taura C.C. Rivera | Set Designer |
| Emma Sparer | Set Designer |
| Natalie Pascual | Costume Supervisor |
| Jay Hart | Set Decorator |
| Tim Muir | Hairstylist |
| Nichole Miller | Hairstylist |
| Felicity Bowring | Make up |
| Bonnie Masoner | Make up |
| Daniel Holt | Special Effects Supervisor |
| Anita Sum | Production Supervisor |
| Wade Allen | Second Unit Director |
| Sharron Reynolds-Enriquez | Script Supervisor |
| Len Murach | Supervising Location Manager |
| Tim Pedegana | Post-Production Supervisor |
| Brooke Rupe | First Assistant Editor |
| Alan Robert Murray | Supervising Sound Editor |
| Tom Ozanich | Re-recording Mixer |
| Dean A. Zupancic | Re-recording Mixer |
| Tom Ozanich | Sound Designer |
| John Joseph Thomas | Sound Effects Editor |
| Michael W. Mitchell | Sound Effects Editor |
| Christian Wenger | Sound Effects Editor |
| Michael Hertlein | Dialogue Editor |
| Kevin R.W. Murray | Foley Editor |
| Tavish Grade | Foley Mixer |
| Arno Stephanian | Foley Mixer |
| Mark Stetson | Visual Effects Supervisor |
| Jason Chen | Visual Effects Supervisor |
| Beverly Abbott | Visual Effects Producer |
| Wade Allen | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.