Australia Box Office for Testament of Youth (2015)
Theatrical Performance (US$) | ||
Australia Box Office | $632,930 | Details |
Worldwide Box Office | $6,646,669 | Details |
Home Market Performance | ||
North America DVD Sales | $613,001 | Details |
North America Blu-ray Sales | $277,109 | Details |
Total North America Video Sales | $890,110 | |
Further financial details... |
Synopsis
Testament of Youth is a story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.
Metrics
Movie Details
Production Budget: | $10,000,000 |
Australia Releases: | April 23rd, 2015 (Wide) |
Video Release: | October 20th, 2015 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for thematic material including bloody and disturbing war related images. (Rating bulletin 2368, 4/8/2015) |
Running Time: | 129 minutes |
Keywords: | Coming of Age, Non-Chronological, Death of a Sibling, 1910s, Nurse, Historical Drama, World War I |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | BBC Films, Heyday Films, Screen Yorkshire, BFI, Hotwells Productions, Nordisk Film, Lipsync Productions |
Production Countries: | United Kingdom |
Languages: | English |
Home Market Releases for October 20th, 2015
October 20th, 2015
It is a shallow week on the home market. The number one release is Jurassic World, which is one of the biggest hits of all time. The second biggest release according to Amazon.com is the Back to the Future Box Set. There's mostly filler by the time you get to the second page of new releases. As for the best release on this week's list, I'm going old school. ... Really, really old school. Diary of a Lost Girl is 86 years old, but the Blu-ray is Pick of the Week.
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Per Theater Chart: Tangerine Has Sweet Start
July 14th, 2015
The $10,000 club was busier that it was last week with four films earning a per theater average of more than $10,000. This includes the overall number one film, Minions, which earned an average of $26,905 in over 4,000 theaters. The best limited release was Tangerine with an average $15,171 in four theaters. I thought this might be a little too niche to find a large audience, but perhaps I was wrong. Up next is Baahubali: The Beginning, which was also a surprise hit with an average of $13,559 in 236 theaters. It is very rare for a Bollywood film to do that well. The final film in the $10,000 club was Do I Sound Gay? with $11,000 in its lone theater.
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Per Theater Chart: Youthful Enthusiasm
June 9th, 2015
There was only one film in the $10,000 club, Testament of Youth, which opened with $13,252 in four theaters. There was one other film, A Pigeon Sat on a Branch Reflecting on Existence, which earned an average of $8,699 in two theaters over the weekend. However, it was a Wednesday release and its average over five days was $12,657.
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Weekend Estimates: Spy! Beats Crowded Field with $30 Million Debut
June 7th, 2015
Going into the weekend, any one of three films could conceivably win at the box office, with a fourth wide release having the potential to act as a spoiler by pulling away some of the audience from the others. In the event, the right film won, if one goes by the reviews, with Spy! pulling in $30 million to take the prize. That’s basically a par score for Melissa McCarthy, compared to Bridesmaids’ $26 million start, the $34.5 million debut of Identity Thief, The Heat’s $39 million, and Tammy’s $21.5 million. Paul Feig directed McCarthy in Bridesmaids, The Heat and now Spy!, so it’s a par score for him too.
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Limited and VOD Releases: Some Lovely Limited Releases
June 5th, 2015
In another improvement to our news this week, the Limited Releases column is expanding to cover both limited and VOD releases. I know what you are thinking. You are thinking, “aren't you already talking about VOD on the Home Market Releases column?” Yes. However, those are for VOD releases for films that already played in theaters some time ago. This column will include films that debut on VOD either before, or simultaneously with, their theatrical release. We think this it an important change, as too often the Limited Release column was “Limited Releases Playing in New York City and Possibly Los Angeles.” For people in most of the rest of the country, there were no films on the list playing anywhere near them. This week, there are at least a few films worth checking out, including We Are Still Here, which is playing on VOD and Love and Mercy and Testament of Youth, which are theatrical-only releases that both have a shot at mainstream success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/03/13 | 53 | $987 | 3 | $329 | $22,245 | 7 | |
2015/04/24 | 12 | $136,251 | 64 | $2,129 | $164,817 | 1 | |
2015/05/01 | 12 | $115,781 | -15% | 62 | $1,867 | $338,791 | 2 |
2015/05/08 | - | $69,789 | -40% | 64 | $1,090 | $463,157 | 3 |
2015/05/15 | 17 | $48,825 | -30% | 43 | $1,135 | $555,920 | 4 |
2015/05/22 | 26 | $18,374 | -62% | 31 | $593 | $579,169 | 5 |
2015/05/29 | 28 | $16,693 | -9% | 22 | $759 | $592,837 | 6 |
2015/06/05 | 28 | $9,501 | -43% | 16 | $594 | $605,736 | 7 |
2015/06/12 | 32 | $6,456 | -32% | 16 | $404 | $629,822 | 8 |
2015/06/19 | 45 | $2,613 | -60% | 7 | $373 | $638,891 | 9 |
2015/06/26 | 47 | $1,146 | -56% | 4 | $287 | $632,915 | 10 |
2015/07/03 | 55 | $926 | -19% | 4 | $232 | $632,930 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 4/23/2015 | $987 | 3 | 64 | 336 | $632,930 | 7/7/2015 |
Belgium | 9/16/2015 | $0 | 0 | 6 | 6 | $32,756 | 10/13/2015 |
France | 10/2/2015 | $167,079 | 0 | 0 | 0 | $167,079 | 8/21/2018 |
New Zealand | 4/23/2015 | $0 | 0 | 47 | 173 | $190,507 | 5/13/2024 |
North America | 6/5/2015 | $53,008 | 4 | 104 | 720 | $1,822,250 | 4/23/2019 |
United Kingdom | 1/16/2015 | $632,698 | 0 | 0 | 0 | $2,877,384 | 8/27/2018 |
Rest of World | $923,763 | ||||||
Worldwide Total | $6,646,669 | 5/13/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Alicia Vikander | Vera Brittain |
Kit Harington | Roland Leighton |
Taron Egerton | Edward Brittain |
Emily Watson | Mrs. Brittain |
Colin Morgan | Victor Richardson |
Dominic West | Mr. Brittain |
Supporting Cast
Hayley Atwell | Hope Milroy |
Miranda Richardson | Miss Lorimer |
Joanna Scanlan | Aunt Belle |
Anna Chancellor | Mrs. Leighton |
Alexandra Roach | Winifred Holtby |
Jonathan Bailey | Geoffrey Thurlow |
Charlotte Hope | Betty |
Emily Bevan | Convalescent Nurse |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
James Kent | Director |
David Heyman | Producer |
Rosie Alison | Producer |
Juliette Towhidi | Screenwriter |
Vera Brittain | Based on the autobiography by |
Christine Langan | Executive Producer |
Joe Oppenheimer | Executive Producer |
Hugo Heppell | Executive Producer |
Zygi Kamasa | Executive Producer |
Richard Mansell | Executive Producer |
Celia Duval | Co-Producer |
Rob Hardy | Director of Photography |
Jon Henson | Production Designer |
Lucia Zucchetti | Editor |
Consolata Boyle | Costume Designer |
Christine Walmesley-Cotham | Make-up and Hair Designer |
Max Richter | Composer |
Lucy Bevan | Casting Director |
Claire Freeman | Music Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.