United Arab Emirates Box Office for Sully (2016)
Theatrical Performance (US$) | ||
United Arab Emirates Box Office | $3,400,000 | Details |
Worldwide Box Office | $238,524,556 | Details |
Home Market Performance | ||
North America DVD Sales | $15,897,285 | Details |
North America Blu-ray Sales | $12,334,637 | Details |
Total North America Video Sales | $28,231,922 | |
Further financial details... |
Synopsis
On January 15, 2009, the world witnessed the “Miracle on the Hudson” when Captain “Sully” Sullenberger glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and his career.
Metrics
Movie Details
Production Budget: | $60,000,000 |
United Arab Emirates Releases: | September 8th, 2016 (Wide) |
Video Release: | December 6th, 2016 by Warner Home Video |
MPAA Rating: | PG-13 for some peril and brief strong language. (Rating bulletin 2429 (Cert #50318), 6/15/2016) |
Running Time: | 96 minutes |
Keywords: | In a Plane, Disaster, 2000s, Set in New York City, Biography, IMAX: DMR, Biographical Drama |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Warner Bros., Malpaso Productions, Flashlight Films, Village Roadshow Productions, The Kennedy/Marshall Company |
Production Countries: | United States |
Languages: | English |
2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!
February 26th, 2017
It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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2016 - Awards Season: Oscars - Nominations - Final Look
February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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2016 Awards Season: Oscar Nominations
January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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Home Market Releases for December 20th, 2016
December 19th, 2016
It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss.
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2016 - Awards Season: SAG - Nominations
December 14th, 2016
The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. This could mean the Oscar race will be a lot closer than in past years. This time around Manchester by the Sea led the way with four nominations.
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2016 - Awards Season: Golden Globes - Nominations
December 12th, 2016
The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season.
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Home Market Releases for December 6th, 2016
December 5th, 2016
There are a few releases on this week’s list that are worth picking up. The Secret Life of Pets is by far the biggest release of the week. That said, Don’t Think Twice is the best and the Blu-ray is our Pick of the Week.
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Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million
October 4th, 2016
The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former.
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Thursday Night Previews: Peregrine Gets a Head Start on Maze Runner with $1.2 million - Update with Masterminds previews
September 30th, 2016
Miss Peregrine’s Home for Peculiar Children earned $1.2 million during its Thursday previews, which is just ahead of the $1.1 million earned by The Maze Runner back in 2014. Unfortunately, there’s a question whether we should treat this as a young adult book adaptation, or whether we should treat it as a more gonzo Tim Burton offering. If we go that route, there are no really good comparisons. Dark Shadows earned $550,000, but that was just over four years ago when midnight screenings weren’t standard and far fewer people went overall. Regardless, this is a better start than expected and an opening weekend of $30 million is more likely than it was before.
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Weekend Predictions: Will September end on a Disastrous Note?
September 29th, 2016
Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison.
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International Box Office: Bridget Jones Celebrates Second Weekend on Top with $22.1 million
September 29th, 2016
Bridget Jones’s Baby remained in first place with $22.1 million on 5,092 screens in 47 markets for totals of $67.42 million internationally and $84.01 million worldwide. At this pace, the film will have no trouble getting to $100 million internationally and perhaps $150 million worldwide. That's enough to pay for its $35 million production budget and perhaps all of its advertising budget as well. The film’s best new opening of the week was Italy, where it managed second place with $1.9 million on 421 screens. Its biggest market overall was the U.K. where it remained in first place with $8.39 million in 648 theaters for a two-week total of $27.59 million. It is now the biggest September release of all time in that market, topping Calendar Girls’ 13-year old record.
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Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues
September 27th, 2016
Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion.
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Weekend Estimates: Magnificent Seven Rides to $35 Million Opening
September 25th, 2016
The Magnificent Seven will almost exactly match Sully’s debut two weeks ago by posting a $35 million opening, according to Sony’s Sunday projection. To us, it looks as though the film will fall fractionally short of that number, but it should still have the sixth-best September opening of all time (not adjusted for inflation). Those two films alone have given the box office enough of a boost that the industry will wrap up the month in fairly healthy condition.
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Friday Estimates: Magnificent was Merely Okay with $12.7 million
September 24th, 2016
The Friday box office was not particularly good, as The Magnificent Seven led the way with just $12.7 million. This isn’t terrible. In fact, it is nearly the record for biggest opening day in September for a non-sequel. (Sweet Home Alabama still holds that record.) However, this is far below the nearly $20 million a lot were expecting. There are some positive signs going forward. The film’s reviews are good and it did earn an A- from CinemaScore, so that should help its legs. Likewise, Denzel Washington’s films do tend to have long legs. A $35 million opening weekend is likely on the cards and that could be enough to get to the century mark domestically. I’m not saying $100 million is likely, but I also wouldn’t bet against it.
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Thursday Night Previews: Magnificent Can’t Live Up to Name, but still Starts well with $1.75 million - Updated with Storks' Start
September 23rd, 2016
The Magnificent Seven earned $1.75 million during Thursday’s previews. This is not terrible; it is better than the $1.5 million The Equalizer made in 2014 and the $1.35 million Sully made two weeks ago. However, it is not as strong as most were expecting. Perhaps it will still match predictions, if the audience reaction is significantly better than its reviews. I wouldn’t bet on it. It will still likely earn first place, but now just under $40 million looks more likely than $50 million.
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Weekend Predictions: Will the New Releases be Magnificent?
September 22nd, 2016
It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it.
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Weekend Estimates: Sully Beats Trio of New Releases
September 18th, 2016
As expected, this weekend’s three new wide releases couldn’t budge Sully from the top of the chart with the Tom Hanks/Clint Eastwood drama down a very respectable 37% in its second weekend to $22 million, for a total of $70.5 million to date. Two films, Blair Witch and Bridget Jones’s Baby both had aspirations to challenge Sully for the title, but had to settle for second and third place.
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Friday Estimates: New Releases Get Snowed Under by Sully’s $6.57 million Haul
September 17th, 2016
Friday was terrible for new releases and Sully will have no trouble repeating on top of the chart this weekend. The film earned $6.57 million on Friday, which is less than a 50% decline from its opening Friday. It might not quite get to $22 million as predicted, but even if it doesn’t, it should come close enough to be considered a victory. This is great news, because it is the only September release so far that has done well enough to call it a box office success.
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Weekend Predictions: Baby vs. Witch
September 15th, 2016
There are three wide releases this week, plus another that could sneak into the top ten. Two of the three new releases, Blair Witch and Bridget Jones’s Baby, are expected to do well. On the other hand, Snowden is only going to reach the top five due to the lack of competition. Meanwhile, Hillsong: Let Hope Rise is a faith-based concert film. It could reach the top five, or it could miss the Mendoza Line. There’s no way to predict its box office potential. Despite the number of new releases, Sully is expected to remain in top spot thanks to its reviews and target demographic. This weekend last year, Maze Runner: The Scorch Trials led the way with just over $30 million. It is likely no film will make that this year, while the depth is a mixed bag, so it looks like 2016 will lose in the year-over-year comparison.
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Weekend Wrap-Up: Sully Saves the Box Office with $35.03 million
September 13th, 2016
Four films opened wide or semi-wide over the weekend, but only one of them, Sully, did well at the box office. It earned more than double its nearest competition, When the Bough Breaks, at $35.03 million to $14.20 million. The other two new releases bombed. Overall, the box office was flat, up 1.1% from last weekend to $101 million. This was also flat when compared to last year, down just 1.7%. Since this weekend was so close to last weekend, it should come as no surprise that the year-over-year comparison hardly moved. This time last week, 2016 was ahead of 2016 by just over 6.7%, while this week its lead is just under 6.8% at $8.10 billion to $7.58 billion.
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Weekend Estimates: Sully Executes Safe Landing with $35.5 Million
September 11th, 2016
Friday Estimates: Sully Breaks Bough
September 10th, 2016
Sully is the only new release not to disappoint this weekend, as it earned $12.21 million on Friday. This is well ahead of Tom Hanks’ recent trio of real-life movies. It tops Captain Philips’ opening day by nearly 50%, and that movie went on to earn more than $100 million domestically. Additionally, the film’s reviews improved and hit 84% positive. That’s on the low end of potential Awards Season buzz, but it isn’t impossible to get there. It also earned a solid A from CinemaScore, which suggests good word-of-mouth. As for its opening weekend chances, it is on pace for about $35 million over the weekend and I’m predicting $100 million domestically. There’s no way the studio isn’t happy with that.
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Thursday Night Previews: Sully Takes Off with $1.35 million
September 9th, 2016
Sully was the only one of the four wide releases to have previews and the lack of competition paid off, as it opened with $1.35 million. This is more than twice as much as Tom Hanks’ previous fall release, Bridge of Spies, earned last year ($600,000). That film did earn better reviews than Sully earned, but with a Tomatometer Score of 82% positive, Sully isn’t going to suffer from bad word-of-mouth.
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Weekend Predictions: The Real Work Begins
September 8th, 2016
The weekend after the Labor Day long weekend is often the worst weekend of the year. However, this year there two films opening wide that have a real shot at $20 million or more. Sully is Oscar-bait, but it is opening a little too early for that role and its reviews are a little below where they need to be. When the Bough Breaks is a thriller aimed at African-Americans and this time of year has become the perfect time to release such a film. Those two films should earn $50 million combined. Unfortunately, there are two other films coming out this week. The Wild Life is a third-tier animated film, while The Disappointments Room isn’t even opening truly wide. There’s a chance neither of them will reach the top five. The Disappointments Room likely won’t reach the top ten. This weekend last year, the top two films were The Perfect Guy and The Visit, which combined earned just over $50 million at the box office. It should be a really close race in the year-over-year competition.
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Contest: Doing Hard Labor: Winning Announcement
September 7th, 2016
The winners of our Doing Hard Labor contest were determined and the entrants with the closest predictions for Morgan opening weekend were...
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Contest: Don’t Sully Your Reputation
September 1st, 2016
There may be as many as four wide releases coming out next week; however, the weekend will be a two-horse race between Sully and When the Bough Breaks. Sully should have no trouble being the biggest hit overall, but When the Bough Breaks is a thriller and those films tend to open a lot faster, but collapse quickly. Because of that, it has a chance at earning first place during its opening weekend. In these cases, I flip a coin to decide which film should be the target film and Sully is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Sully.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2016 Preview: September
September 1st, 2016
August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top.
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Sully Trailer
July 18th, 2016
Real-life drama starring Tom Hanks, directed by Clint Eastwood, opens September 9 ... Full Movie Details.
On January 15, 2009, the world witnessed the “Miracle on the Hudson” when Captain “Sully” Sullenberger glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and his career.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 12/2/2016 | $425,503 | 159 | 159 | 502 | $1,782,678 | 1/1/2019 |
Australia | 9/9/2016 | $1,990,427 | 362 | 362 | 1872 | $9,668,286 | 11/10/2016 |
Brazil | 12/16/2016 | $594,000 | 0 | 121 | 229 | $1,890,445 | 6/26/2018 |
Bulgaria | 9/9/2016 | $24,289 | 0 | 0 | 0 | $86,460 | 2/26/2019 |
China | 12/9/2016 | $5,530,000 | 35784 | 35784 | 35784 | $8,985,153 | 10/9/2018 |
Czech Republic | 9/9/2016 | $69,780 | 91 | 91 | 271 | $359,297 | 12/31/2018 |
France | 12/2/2016 | $2,800,000 | 480 | 480 | 480 | $8,250,742 | 6/26/2018 |
Germany | 12/2/2016 | $602,096 | 0 | 0 | 0 | $1,191,915 | 8/19/2018 |
Italy | 12/2/2016 | $2,318,897 | 536 | 536 | 536 | $7,302,875 | 1/19/2017 |
Japan | 9/23/2016 | $2,229,101 | 0 | 0 | 0 | $12,031,043 | 8/20/2018 |
Lithuania | 9/9/2016 | $15,273 | 94 | 94 | 208 | $69,305 | 10/13/2016 |
Mexico | 12/2/2016 | $1,004,706 | 0 | 0 | 0 | $2,693,344 | 12/20/2016 |
Netherlands | 9/9/2016 | $320,136 | 90 | 90 | 488 | $1,191,534 | 10/26/2016 |
New Zealand | 9/9/2016 | $233,514 | 93 | 99 | 561 | $1,261,735 | 10/25/2016 |
North America | 9/9/2016 | $35,028,301 | 3,525 | 3,955 | 24,002 | $125,070,033 | |
Poland | 12/2/2016 | $153,029 | 0 | 0 | 0 | $606,530 | 12/31/2018 |
Portugal | 9/9/2016 | $291,089 | 68 | 71 | 357 | $1,008,063 | 11/17/2016 |
Russia (CIS) | 9/9/2016 | $970,704 | 750 | 750 | 1845 | $2,448,889 | 12/31/2018 |
Slovakia | 9/9/2016 | $32,218 | 47 | 47 | 130 | $149,202 | 10/27/2016 |
Slovenia | 9/9/2016 | $8,567 | 14 | 14 | 45 | $41,416 | 11/7/2016 |
South Korea | 9/12/2016 | $0 | 0 | 573 | 1684 | $4,561,657 | 2/10/2017 |
Spain | 11/4/2016 | $1,465,235 | 309 | 315 | 1432 | $4,145,061 | 1/17/2017 |
Turkey | 9/9/2016 | $108,497 | 96 | 96 | 418 | $799,696 | 2/26/2019 |
United Arab Emirates | 9/8/2016 | $0 | 0 | 0 | 0 | $3,400,000 | 12/31/2018 |
United Kingdom | 12/2/2016 | $2,266,706 | 560 | 592 | 2132 | $9,095,179 | 1/11/2017 |
Rest of World | $30,434,018 | ||||||
Worldwide Total | $238,524,556 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Tom Hanks | Captain Chesley "Sully" Sullenberger |
Supporting Cast
Aaron Eckhart | Jeff Skiles |
Laura Linney | Lorraine Sullenberger |
Valerie Mahaffey | Diane Higgins |
Delphi Harrington | Lucille Palmer |
Mike O'Malley | Charles Porter |
Jamey Sheridan | Ben Edwards |
Anna Gunn | Elizabeth Davis |
Holt McCallany | Mike Cleary |
Ahmed Lucan | Egyptian Driver |
Laura Lundy Wheale | Reporter #1 |
Onira Tares | Reporter #2 |
Gary Weeks | Reporter #3 |
Jeff Kober | LT Cook |
Blake Jones | Sully (16 Years Old) |
Molly Bernard | Alison |
Chris Bauer | Larry Rooney |
Jane Gabbert | Sheila Dail |
Ann Cusack | Donna Dent |
Molly Hagan | Doreen Welsh |
Purva Bedi | Gursimran |
Max Adler | Jimmy Stefanik |
Sam Huntington | Jeff Kolodjay |
Christopher Curry | Rob Kolodjay |
Ashley Austin Morris | Emily (Gate Attendant) |
Cooper Thornton | Jim Whitaker |
Autumn Reeser | Passenger with Baby |
Jeffrey Nordling | Barry Leonard |
Patch Darragh | Patrick Harten |
Rob Treveiler* | ATC Supervisor |
Billy Richards | Male Pilot |
Aida Manassy | French Woman |
Pascal Yen-Pfister | French Man |
Marcia DeBonis | Shae Childers |
Noel Fisher | GIB — Andrew Carrigan |
Adam Boyer | Johnny — Drunk Customer |
Wilbur Fitzgerald | Drunk Customer #2 |
Michael Rapaport | Bartender — Pete |
Jeremy Luke | Victor Gaggero |
Bernardo Badillo | Robert Rodriguez |
Jerry Ferrara | Michael Delaney |
Victoria Kharchenko | Russian Woman |
Graham Sibley | Carlo Alfonso |
Grant Roberts | Franco Santini |
Wayne Bastrup | Brian Kelly |
Billy Smith | Dan Britt |
Martin Barabas | Police Captain |
E. Roger Mitchell | ATC #1 |
Robert Pralgo | St. Luke's Doctor |
Clayton Landry Landey* | Arnie Gentile |
Tracee Chimo | Evelyn May |
Brett Rice | Carl Clarke |
Captain Larry Guthrie* | Pilot Flight #1 |
Captain Lucy Young* | Co-Pilot Flight #1 |
Captain Lori Cline* | Pilot — Flight #3 |
First Officer Jon Witten* | Co-Pilot #3 |
Cameos
Katie Couric | Herself |
Captain Vincent Peter Lombardi* | Himself |
Randall Pinkston | Himself |
Bobby Cuza | Himself |
Kristine Johnson | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Clint Eastwood | Director |
Clint Eastwood | Producer |
Allyn Stewart | Producer |
Frank Marshall | Producer |
Tim Moore | Producer |
Todd Komarnicki | Screenwriter |
Chesley 'Sully' Sullenberger | Based on the book "Highest Duty" by |
Jeffrey Zaslow | Based on the book "Highest Duty" by |
Steven Mnuchin | Executive Producer |
Kipp Nelson | Executive Producer |
Bruce Berman | Executive Producer |
Jessica Meier | Co-Producer |
Kristina Rivera | Co-Producer |
Tom Stern | Director of Photography |
James J. Murakami | Production Designer |
Blu Murray | Editor |
Deborah Hopper | Costume Designer |
Christian Jacob | Composer |
The Tierney Sutton Band* | Composer |
Geoffrey Miclat | Casting Director |
Michael Owens | Visual Effects Supervisor |
Tim Moore | Unit Production Manager |
David M. Bernstein | First Assistant Director |
Clark Credle | Second Assistant Director |
Kevin Ishioka | Art Director |
Gary Fettis | Set Decorator |
Christine Kim | First Assistant Editor |
Kevin R.W. Murray | Second Assistant Editor |
Susan Malerstein-Watkins | Script Supervisor |
Alan Robert Murray | Supervising Sound Editor |
Bub Asman | Supervising Sound Editor |
Jose Antonio Garcia | Sound Mixer |
Jay Duerr | Music Editor |
Mitchell Kenney | Costume Supervisor |
Luisa Abel | Make up |
Kimberly Felix-Burke | Make up |
Patricia Dehaney | Hairstylist |
Jose Zamora | Hairstylist |
Holly Hagy | Production Supervisor |
Patrick O. Mignano | Location Manager |
Steven Riley | Special Effects Supervisor |
Julien Pougnier | Lead Set Designer |
Katy Wood | Supervising ADR/Dialogue Editor |
Hugo Weng | Dialogue Editor |
Jason King | Sound Effects Editor |
Roland N. Thai | Sound Effects Editor |
Tom Ozanich | Sound Designer |
John Reitz | Re-recording Mixer |
Tom Ozanich | Re-recording Mixer |
Matthew Iadarola | Additional Sound Re-recording Mixer |
James Ashwill | Foley Mixer |
Richard Duarte | Foley Mixer |
Jack Cucci | Foley Mixer |
Blake Collins | Foley Mixer |
Doug Coleman | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.