Netherlands Box Office for Stillwater (2021)
| Theatrical Performance (US$) | ||
| Netherlands Box Office | $423,986 | Details |
| Worldwide Box Office | $17,243,702 | Details |
| Home Market Performance | ||
| North America DVD Sales | $1,743,414 | Details |
| North America Blu-ray Sales | $1,173,363 | Details |
| Total North America Video Sales | $2,916,777 | |
| Further financial details... | ||
Synopsis
Unemployed roughneck Bill Baker travels from Oklahoma to Marseille to visit his estranged daughter Allison. Imprisoned for a murder she claims she did not commit. Allison seizes on a new tip that could exonerate her and presses Bill to engage her legal team But Bill eager to prove his worth and regain his daughter’s trust, takes matters into his own hands. He is quickly stymied by language barriers, cultural differences, and a complicated legal system until he meets French actress Virginie, mother to eight year old Maya. Together, these unlikely allies embark on a journey of discovery, truth, love and liberation.
Metrics
Movie Details
| Netherlands Releases: | August 20th, 2021 (Wide) |
| Video Release: | August 20th, 2021 by Focus Features |
| MPAA Rating: | R for language. (Rating bulletin 2681 (cert #53225), 5/19/2021) |
| Running Time: | 138 minutes |
| Keywords: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Participant Media, DreamWorks Pictures, Slow Pony Pictures, Anonymous Content, 3dot Productions, Supernatural Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Shang-Chi keeps the market afloat with $35.8-million second weekend
September 12th, 2021
Shang-Chi and the Legend of the Ten Rings isn’t just the biggest game in town, it’s practically the only game in town at the moment when it comes to earning dollars at the box office. The Marvel movie will earn about $35.8 million this weekend, according to Disney’s Sunday morning projection, a decline of 53% from its three-day opening (a good figure these days), and will stand at $145.6 million or so in total by the end of today, making it already the fourth-highest earner at the domestic box office in 2021 with plenty more to come. Malignant’s $5.57 million box office debut will only be enough for third place this weekend and raises further questions about Warner Bros.’ strategy of releasing films simultaneously on HBO Max.
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Weekend estimates: Jungle Cruise opens with impressive $34.2 million
August 1st, 2021
-3-News.jpg)
Get ready for Big Thunder Mountain Railroad: The Movie everyone. Disney’s strategy of converting its theme park rides into adventure movies is hitting pay dirt again this weekend with Jungle Cruise on its way to a $34.2-million debut, according to the studio’s Sunday morning projection. That’s substantially above our model’s prediction, and it’s not the only movie to be earning more than expected: The Green Knight will earn about $6.8 million this weekend to land in second place. Those two films more than make up for the softness of the returning titles, and we are looking at a welcome “up” weekend for the market as a whole.
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Weekend predictions: Jungle Cruise should sail choppy waters to the top of the chart
July 30th, 2021
-2-News.jpg)
Jungle Cruise enters this weekend as a firm favorite to take the box office crown, even though family films have been performing notably weaker in recent weeks and Disney has the film available for a premium via Disney+. Our model thinks it will do roughly twice the business of the number two film on the chart, and there’s a good chance it’ll do even better than that. With the other two new wide releases not expected to do huge amounts of business though, it’s likely to be a flat weekend for the market as a whole unless Disney’s latest theme-park-ride-turned-movie outperforms expectations.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/08/20 | 14 | $134,971 | 63 | $2,142 | $135,478 | 1 | |
| 2021/08/27 | 15 | $98,954 | -27% | 63 | $1,571 | $298,736 | 2 |
| 2021/09/03 | 18 | $43,904 | -56% | 58 | $757 | $384,277 | 3 |
| 2021/09/10 | - | $26,639 | -39% | 39 | $683 | $423,986 | 4 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/12/2021 | $0 | 0 | 0 | 0 | $0 | |
| Central America | 4/7/2022 | $4,483 | 15 | 15 | 16 | $7,685 | 5/1/2022 |
| Germany | 9/9/2021 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 9/9/2021 | $128,207 | 0 | 0 | 0 | $257,498 | 10/20/2022 |
| Netherlands | 8/20/2021 | $134,971 | 63 | 63 | 223 | $423,986 | 9/14/2021 |
| New Zealand | 7/29/2021 | $0 | 0 | 50 | 195 | $103,912 | 10/20/2022 |
| North America | 12/31/2020 | $5,188,150 | 2,531 | 2,611 | 9,887 | $14,465,535 | |
| South Korea | 10/6/2021 | $70,619 | 353 | 353 | 386 | $138,104 | 10/20/2021 |
| Spain | 8/13/2021 | $175,009 | 214 | 214 | 510 | $498,720 | 9/2/2021 |
| Turkey | 9/10/2021 | $8,987 | 148 | 148 | 153 | $23,471 | 10/20/2022 |
| United Kingdom | 8/6/2021 | $663,688 | 488 | 488 | 919 | $1,324,791 | 8/18/2021 |
| Worldwide Total | $17,243,702 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Matt Damon | Bill |
| Camille Cottin | Virginie |
| Abigail Breslin | Allison |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Tom McCarthy | Director |
| Tom McCarthy | Screenwriter |
| Marcus Hinchey | Screenwriter |
| Thomas Bidegain | Screenwriter |
| Noe Debre | Screenwriter |
| Steve Golin | Producer |
| Tom McCarthy | Producer |
| Jonathan King | Producer |
| Liza Chasin | Producer |
| Jeff Skoll | Executive Producer |
| David Linde | Executive Producer |
| Robert Kessel | Executive Producer |
| Mari Jo Winkler-Ioffreda | Executive Producer |
| Thomas Bidegain | Executive Producer |
| Noe Debre | Executive Producer |
| Raphael Benoliel | Co-Producer |
| Melissa Wells | Co-Producer |
| Masanobu Takayanagi | Director of Photography |
| Philip Messina | Production Designer |
| Tom McArdle | Editor |
| Mychael Danna | Composer |
| Mary Ramos | Music Supervisor |
| Karen Muller-Serreau | Costume Designer |
| Kerry Barden | Casting Director |
| Paul Schnee | Casting Director |
| Anne Fremiot | Casting Director |
| Mari Jo Winkler-Ioffreda | Unit Production Manager |
| Walter Gasparovic | First Assistant Director |
| Marie D’Hallivillee | Second Assistant Director |
| Dominique Fouassier | Stunt Coordinator |
| Corinne Golden Weber | Associate Producer |
| Arnaud Duterque | Production Manager |
| Matthieu Rubin | Production Manager |
| Stephane Cressend | Supervising Art Director |
| Thierry Zemmour | Supervising Art Director |
| Loïc Chavanon | Supervising Art Director |
| Aurore Diot | Set Designer |
| Sophie Phillips | Set Decorator |
| Jean Umansky | Sound Mixer |
| Charles-Axel Vollard | Special Effects Supervisor |
| Stephanie Selva | Make up |
| Jose Luis Casas Serrano | Hairstylist |
| Claire Dumaze | Script Supervisor |
| David Piechaczek | Location Manager |
| Christel Rasquin | Location Manager |
| Nathalie Anselme | Production Supervisor |
| Kelley Cribben | Post-Production Supervisor |
| Kevin Birou | Assistant Editor |
| Ryan Murphy | Assistant Editor |
| Paul Hsu | Re-recording Mixer |
| Paul Hsu | Supervising Sound Editor |
| Michael Barry | Sound Editor |
| Dave B. Flynch | Sound Editor |
| Billy Orrico | Sound Editor |
| Al Zaleski* | Sound Editor |
| Aaron Raff | Visual Effects Supervisor |
| Vivian Connolly | Visual Effects Executive Producer |
| Renuka Ballal | Visual Effects Producer |
| Steven Weigle | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.