Spain Box Office for Stand Up Guys (2013)
| Theatrical Performance (US$) | ||
| Spain Box Office | $361,643 | Details |
| Worldwide Box Office | $6,118,797 | Details |
| Home Market Performance | ||
| North America DVD Sales | $3,224,630 | Details |
| North America Blu-ray Sales | $1,384,921 | Details |
| Total North America Video Sales | $4,609,551 | |
| Further financial details... | ||
Synopsis
Val is released from prison after serving twenty-eight years for refusing to give up one of his close criminal associates. His best friend Doc is there to pick him up, and the two soon re-team with another old pal, Hirsch. Their bond is as strong as ever, and the three reflect on freedom lost and gained, loyalties ebbed and flowed, and days of glory gone by. And despite their age, their capacity for mayhem is still very much alive and well - bullets fly as they make a hilariously valiant effort to compensate for the decades of crime, drugs and sex they've missed. But one of the friends is keeping a dangerous secret - he's been put in an impossible quandary by a former mob boss, and his time to find an acceptable alternative is running out. As the sun rises on the guys' legendary reunion, their position becomes more and more desperate and they finally confront their past once and for all.
Metrics
Movie Details
| Spain Releases: | April 12th, 2013 (Wide) |
| Video Release: | May 21st, 2013 by Lionsgate Home Entertainment |
| MPAA Rating: | R for language, sexual content, violence and brief drug use. (Rating bulletin 2237, 8/22/2012) |
| Running Time: | 95 minutes |
| Keywords: | Life on the Outside, Mafia, One Last Job, Organized Crime, Hitmen, Dysfunctional Family, Retirement, Prostitution, Kidnap, Revenge, Autumn Years, Death of a Son or Daughter, Sex Crimes, One Day, Digital Cinematography, Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lionsgate, Sidney Kimmel Entertainment, Lakeshore Entertainment |
| Production Countries: | United States |
| Languages: | English, Korean, Ukrainian |
Home Market Numbers: Massive Update: May 26th, 2013
June 22nd, 2013
There were a number of new releases to reach the top of the DVD sales chart. They earned the top four spots and seven of the top eight spots. On the downside, it was absolutely a case of quantity over quality. Parker earned first place on the DVD chart, but with just 170,000 units / $2.62 million. It only managed second place on Blu-ray with 72,000 units / $1.50 million for an opening week Blu-ray share of just under 30%, which is bad for an action film. Speaking of action films, The Last Stand opened in second place on DVD with 154,000 units / $2.17 million, but earned first place on Blu-ray with 110,000 units / $1.64 million. Its opening week Blu-ray share was 42%, which is more in line with the average for that genre.
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DVD and Blu-ray Releases for May 21st, 2013
May 23rd, 2013
It's an abridged list of DVD and Blu-ray releases report this week due to technical difficulties. The best selling new release of the week is True Blood: The Complete Fifth Season on Blu-ray Combo Pack, which is certainly worth owning for fans. However, the best releases are the Hayao Miyazaki Double-Shot, Howl's Moving Castle on Blu-ray Combo Pack and My Neighbor Totoro on Blu-ray Combo Pack. Most prefer the former, but I prefer the latter.
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Featured Blu-ray / DVD Review: Stand Up Guys
May 20th, 2013
Stand Up Guys has a very impressive cast with three Oscar winners in the three lead roles. It also opened with an Oscar-qualifying run; however, outside of a Golden Globe nomination for best original song, it was passed over by Awards Season voters. When it opened in limited release, it debuted in several hundred theaters, but barely topped the Mendoza Line on the per theater chart, while it disappeared as quickly as that opening would suggest. Will it find success on the home market? Or will it struggle there like it did in limited release and during Awards Season?
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Per Theater Chart: No Means Business
February 21st, 2013
No led the way on the per theater chart with an average of $17,936 in four theaters. The Gatekeepers remained strong with an average of $11,296 in four theaters during its third weekend of release. This is very impressive longevity.
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Per Theater Chart: Gate Keeps Out Thief
February 13th, 2013
The Gatekeepers remained in first place in the per theater chart with an average of $14,024 in three theaters. The only other film to top $10,000 on the per theater chart was Identity Thief with an average of $11,000, which is amazing for a wide release at this time of year.
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Per Theater Chart: Gated Community
February 5th, 2013
The Gatekeepers led the way on the per theater chart with an average of $22,226 in three theaters. The only other member of the $10,000 club was Koch with an average of $17,598 in two. Both films should continue to do well on the art house circuit, but as documentaries, I doubt they will expand significantly.
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Limited Releases: Stand Up for Limited Releases
February 1st, 2013
It's a weak week for limited releases with only two films that are earning overwhelmingly positive reviews. Those two films, The Gatekeepers and Koch, have something else in common, they are both documentaries. So, there are probably no breakout hits on this weeks list.
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2013 Preview: February
February 1st, 2013
For the most part, January was a really good month and 2013 got off to a really good start. I'm not so sure about February, on the other hand. There's only one film that has a statistically significant shot at $100 million, A Good Day to Die Hard, but I'm a little concerned that it won't live up to expectations. The franchise has been around a long time and it is possible that the target audience has either moved on or are too young to remember when these films were huge at the box office. The film I'm most looking forward to seeing is Warm Bodies, which is earning amazing early reviews (the keyword there is "early"), but it is too high-concept to be a major hit. Last February, there were a couple of films that topped $100 million, plus a few other midlevel hits. I would like to think that would also be the case this year, but I have to be more cautious than that. The evidence points to a weak month ahead, for the most part.
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Any Day is a Good Day for Limited Releases
December 14th, 2012
It is another busy week for limited releases, including some that are earning overwhelmingly positive reviews. Unfortunately, like it usually is at this time of year, unless a limited release is earning Oscar buzz, it is very unlikely to find an audience in limited release. Any Day Now is the film I have the highest hopes for, but even for a film with 88% positive reviews, it will be a challenge.
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Awards Season: Lincoln Shows a United Front at the Golden Globes
December 13th, 2012
The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2013/04/12 | 5 | $151,064 | 96 | $1,574 | $151,064 | 1 | |
| 2013/04/19 | 7 | $86,543 | -43% | 102 | $848 | $297,103 | 2 |
| 2013/04/26 | 13 | $33,236 | -62% | 62 | $536 | $361,643 | 3 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 1/24/2013 | $86,354 | 29 | 29 | 73 | $166,222 | 12/30/2018 |
| Brazil | 3/8/2013 | $112,140 | 47 | 47 | 100 | $236,485 | 12/14/2015 |
| Chile | 3/7/2013 | $14,445 | 6 | 6 | 17 | $30,304 | 12/30/2018 |
| Croatia | 3/14/2013 | $9,659 | 7 | 7 | 29 | $30,446 | 12/30/2018 |
| Czech Republic | 4/4/2013 | $12,007 | 20 | 23 | 62 | $28,573 | 12/30/2018 |
| Estonia | 3/22/2013 | $14,542 | 6 | 6 | 7 | $23,574 | 12/14/2015 |
| Hungary | 3/7/2013 | $22,165 | 15 | 15 | 30 | $36,713 | 12/30/2018 |
| Latvia | 2/22/2013 | $8,636 | 3 | 3 | 6 | $17,838 | 12/30/2018 |
| Lebanon | 1/10/2013 | $41,224 | 12 | 12 | 17 | $79,414 | 12/30/2018 |
| North America | 2/1/2013 | $1,486,390 | 659 | 670 | 1,506 | $3,310,031 | 3/30/2016 |
| Romania | 3/8/2013 | $37,278 | 28 | 28 | 92 | $87,905 | 12/30/2018 |
| Singapore | 3/7/2013 | $16,032 | 6 | 6 | 12 | $29,106 | 12/14/2015 |
| Slovakia | 4/4/2013 | $11,008 | 13 | 13 | 13 | $11,008 | 12/14/2015 |
| Spain | 4/12/2013 | $151,064 | 96 | 102 | 260 | $361,643 | 12/14/2015 |
| Uruguay | 3/8/2013 | $5,613 | 3 | 3 | 13 | $22,885 | 12/30/2018 |
| Rest of World | $1,646,650 | ||||||
| Worldwide Total | $6,118,797 | 12/30/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Al Pacino | Val |
| Christopher Walken | Doc |
| Alan Arkin | Hirsch |
Supporting Cast
| Julianna Margulies | Nina Hirsch |
| Addison Timlin | Alex |
| Vanessa Ferlito | Sylvia |
| Lucy Punch | Wendy |
| Mark Margolis | Claphands |
| Katheryn Winnick | Oxana |
| Bill Burr | Larry |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Fisher Stevens | Director |
| Sidney Kimmel | Producer |
| Tom Rosenberg | Producer |
| Gary Lucchesi | Producer |
| Jim Tauber | Producer |
| Noah Haidle | Screenwriter |
| Michael Grady | Director of Photography |
| Mark Livolsi | Editor |
| Maher Ahmad | Production Designer |
| Lindsay Ann McKay | Costume Designer |
| Eric Reid | Executive Producer |
| Ted Gidlow | Executive Producer |
| Bruce Toll | Executive Producer |
| Bingham Ray | Executive Producer |
| Matt Berenson | Executive Producer |
| Jon Bon Jovi | Song Writer |
| Lyle Workman | Composer |
| Brian McNelis | Music Supervisor |
| Eric Craig | Music Supervisor |
| Tom Taylor | Art Director |
| Kathy Lucas | Set Decorator |
| Steven A. Morrow | Sound |
| Derek Vanderhorst | Supervising Sound Editor |
| Mandell Winter | Supervising Sound Editor |
| Leslie Shatz | Re-recording Mixer |
| Derek Vanderhorst | Re-recording Mixer |
| Bart Dion | Special Effects Coordinator |
| David Danesi | Visual Effects |
| Thomas Duval | Visual Effects Supervisor |
| Scott Andrew Robertson | Assistant Director |
| Jonas Spaccarotelli | Assistant Director |
| Tricia Wood | Casting Director |
| Deborah Aquila | Casting Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.