Spain Box Office for Stand Up Guys (2013)

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Stand Up Guys poster
Theatrical Performance (US$)
Spain Box Office $361,643Details
Worldwide Box Office $6,118,797Details
Home Market Performance
North America DVD Sales $3,224,630 Details
North America Blu-ray Sales $1,384,921 Details
Total North America Video Sales $4,609,551
Further financial details...

Synopsis

Val is released from prison after serving twenty-eight years for refusing to give up one of his close criminal associates. His best friend Doc is there to pick him up, and the two soon re-team with another old pal, Hirsch. Their bond is as strong as ever, and the three reflect on freedom lost and gained, loyalties ebbed and flowed, and days of glory gone by. And despite their age, their capacity for mayhem is still very much alive and well - bullets fly as they make a hilariously valiant effort to compensate for the decades of crime, drugs and sex they've missed. But one of the friends is keeping a dangerous secret - he's been put in an impossible quandary by a former mob boss, and his time to find an acceptable alternative is running out. As the sun rises on the guys' legendary reunion, their position becomes more and more desperate and they finally confront their past once and for all.

Metrics

Movie Details

Spain Releases: April 12th, 2013 (Wide)
Video Release: May 21st, 2013 by Lionsgate Home Entertainment
MPAA Rating: R for language, sexual content, violence and brief drug use.
(Rating bulletin 2237, 8/22/2012)
Running Time: 95 minutes
Keywords: Life on the Outside, Mafia, One Last Job, Organized Crime, Hitmen, Dysfunctional Family, Retirement, Prostitution, Kidnap, Revenge, Autumn Years, Death of a Son or Daughter, Sex Crimes, One Day, Digital Cinematography, Black Comedy
Source:Original Screenplay
Genre:Black Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate, Sidney Kimmel Entertainment, Lakeshore Entertainment
Production Countries: United States
Languages: English, Korean, Ukrainian

Home Market Numbers: Massive Update: May 26th, 2013

June 22nd, 2013

There were a number of new releases to reach the top of the DVD sales chart. They earned the top four spots and seven of the top eight spots. On the downside, it was absolutely a case of quantity over quality. Parker earned first place on the DVD chart, but with just 170,000 units / $2.62 million. It only managed second place on Blu-ray with 72,000 units / $1.50 million for an opening week Blu-ray share of just under 30%, which is bad for an action film. Speaking of action films, The Last Stand opened in second place on DVD with 154,000 units / $2.17 million, but earned first place on Blu-ray with 110,000 units / $1.64 million. Its opening week Blu-ray share was 42%, which is more in line with the average for that genre. More...

DVD and Blu-ray Releases for May 21st, 2013

May 23rd, 2013

It's an abridged list of DVD and Blu-ray releases report this week due to technical difficulties. The best selling new release of the week is True Blood: The Complete Fifth Season on Blu-ray Combo Pack, which is certainly worth owning for fans. However, the best releases are the Hayao Miyazaki Double-Shot, Howl's Moving Castle on Blu-ray Combo Pack and My Neighbor Totoro on Blu-ray Combo Pack. Most prefer the former, but I prefer the latter. More...

Featured Blu-ray / DVD Review: Stand Up Guys

May 20th, 2013

Stand Up Guys has a very impressive cast with three Oscar winners in the three lead roles. It also opened with an Oscar-qualifying run; however, outside of a Golden Globe nomination for best original song, it was passed over by Awards Season voters. When it opened in limited release, it debuted in several hundred theaters, but barely topped the Mendoza Line on the per theater chart, while it disappeared as quickly as that opening would suggest. Will it find success on the home market? Or will it struggle there like it did in limited release and during Awards Season? More...

Per Theater Chart: No Means Business

February 21st, 2013

No led the way on the per theater chart with an average of $17,936 in four theaters. The Gatekeepers remained strong with an average of $11,296 in four theaters during its third weekend of release. This is very impressive longevity. More...

Per Theater Chart: Gate Keeps Out Thief

February 13th, 2013

The Gatekeepers remained in first place in the per theater chart with an average of $14,024 in three theaters. The only other film to top $10,000 on the per theater chart was Identity Thief with an average of $11,000, which is amazing for a wide release at this time of year. More...

Per Theater Chart: Gated Community

February 5th, 2013

The Gatekeepers led the way on the per theater chart with an average of $22,226 in three theaters. The only other member of the $10,000 club was Koch with an average of $17,598 in two. Both films should continue to do well on the art house circuit, but as documentaries, I doubt they will expand significantly. More...

Limited Releases: Stand Up for Limited Releases

February 1st, 2013

It's a weak week for limited releases with only two films that are earning overwhelmingly positive reviews. Those two films, The Gatekeepers and Koch, have something else in common, they are both documentaries. So, there are probably no breakout hits on this weeks list. More...

2013 Preview: February

February 1st, 2013

For the most part, January was a really good month and 2013 got off to a really good start. I'm not so sure about February, on the other hand. There's only one film that has a statistically significant shot at $100 million, A Good Day to Die Hard, but I'm a little concerned that it won't live up to expectations. The franchise has been around a long time and it is possible that the target audience has either moved on or are too young to remember when these films were huge at the box office. The film I'm most looking forward to seeing is Warm Bodies, which is earning amazing early reviews (the keyword there is "early"), but it is too high-concept to be a major hit. Last February, there were a couple of films that topped $100 million, plus a few other midlevel hits. I would like to think that would also be the case this year, but I have to be more cautious than that. The evidence points to a weak month ahead, for the most part. More...

Any Day is a Good Day for Limited Releases

December 14th, 2012

It is another busy week for limited releases, including some that are earning overwhelmingly positive reviews. Unfortunately, like it usually is at this time of year, unless a limited release is earning Oscar buzz, it is very unlikely to find an audience in limited release. Any Day Now is the film I have the highest hopes for, but even for a film with 88% positive reviews, it will be a challenge. More...

Awards Season: Lincoln Shows a United Front at the Golden Globes

December 13th, 2012

The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/04/12 5 $151,064   96 $1,574   $151,064 1
2013/04/19 7 $86,543 -43% 102 $848   $297,103 2
2013/04/26 13 $33,236 -62% 62 $536   $361,643 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/24/2013 $86,354 29 29 73 $166,222 12/30/2018
Brazil 3/8/2013 $112,140 47 47 100 $236,485 12/14/2015
Chile 3/7/2013 $14,445 6 6 17 $30,304 12/30/2018
Croatia 3/14/2013 $9,659 7 7 29 $30,446 12/30/2018
Czech Republic 4/4/2013 $12,007 20 23 62 $28,573 12/30/2018
Estonia 3/22/2013 $14,542 6 6 7 $23,574 12/14/2015
Hungary 3/7/2013 $22,165 15 15 30 $36,713 12/30/2018
Latvia 2/22/2013 $8,636 3 3 6 $17,838 12/30/2018
Lebanon 1/10/2013 $41,224 12 12 17 $79,414 12/30/2018
North America 2/1/2013 $1,486,390 659 670 1,506 $3,310,031 3/30/2016
Romania 3/8/2013 $37,278 28 28 92 $87,905 12/30/2018
Singapore 3/7/2013 $16,032 6 6 12 $29,106 12/14/2015
Slovakia 4/4/2013 $11,008 13 13 13 $11,008 12/14/2015
Spain 4/12/2013 $151,064 96 102 260 $361,643 12/14/2015
Uruguay 3/8/2013 $5,613 3 3 13 $22,885 12/30/2018
 
Rest of World $1,646,650
 
Worldwide Total$6,118,797 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Supporting Cast

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Fisher Stevens Director
Sidney Kimmel Producer
Tom Rosenberg Producer
Gary Lucchesi Producer
Jim Tauber Producer
Noah Haidle Screenwriter
Michael Grady Director of Photography
Mark Livolsi Editor
Maher Ahmad Production Designer
Lindsay Ann McKay Costume Designer
Eric Reid Executive Producer
Ted Gidlow Executive Producer
Bruce Toll Executive Producer
Bingham Ray Executive Producer
Matt Berenson Executive Producer
Jon Bon Jovi Song Writer
Lyle Workman Composer
Brian McNelis Music Supervisor
Eric Craig Music Supervisor
Tom Taylor Art Director
Kathy Lucas Set Decorator
Steven A. Morrow Sound
Derek Vanderhorst Supervising Sound Editor
Mandell Winter Supervising Sound Editor
Leslie Shatz Re-recording Mixer
Derek Vanderhorst Re-recording Mixer
Bart Dion Special Effects Coordinator
David Danesi Visual Effects
Thomas Duval Visual Effects Supervisor
Scott Andrew Robertson Assistant Director
Jonas Spaccarotelli Assistant Director
Tricia Wood Casting Director
Deborah Aquila Casting Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.