Lithuania Box Office for Kvadratas (2017)
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| Theatrical Performance (US$) | ||
| Lithuania Box Office | $58,055 | Details |
| Worldwide Box Office | $8,784,707 | Details |
| Home Market Performance | ||
| North America DVD Sales | $361,152 | Details |
| Total North America Video Sales | $361,152 | |
| Further financial details... | ||
Synopsis
Christian is the respected curator of a contemporary art museum, a divorced but devoted father of two who drives an electric car and supports good causes. His next show is “The Square”, an installation that invites passersby to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals: Christian’s foolish response to the theft of his phone drags him into shameful situations. Meanwhile, the museum's PR agency has created an unexpected campaign for ”The Square”. The response is overblown and sends Christian, as well as the museum, into an existential crisis.
Metrics
Movie Details
2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture
March 4th, 2018
It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes.
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2017 Awards Season: Oscars Nominations: Final Look
March 4th, 2018
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning.
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Home Market Releases for January 30th, 2018
January 31st, 2018
This is one of the worse times of year for the home market. Until we start getting the holiday blockbusters landing on DVD / Blu-ray, there’s not much to talk about. That’s not to say there are no good releases, as God’s Own Country, The Square, and Steven Universe: Season One are all easily worth picking up. There are just no big releases. For example, the Pick of the Week goes to Professor Marston & The Wonder Women on Blu-ray, which was sadly ignored by moviegoers when it first hit theaters.
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2017 Awards Season: Oscars Nominations
January 23rd, 2018
The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations.
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Theater Averages: Tonya Skates its Way to $66,039
December 12th, 2017
There was another Oscar contender on top of the theater average chart this weekend, as I, Tonya earned an average of $66,039 in four theaters. Call Me by Your Name was the next best film with an average of $31,761 in nine theaters. The film isn’t expanding as fast as one would expect, given its theater average, but this could be because the studio doesn’t think it has mainstream appeal. The Shape of Water was close behind with an average of $27,843 in 41 theaters and it has already earned some measure of mainstream success. The final film in the $10,000 club was Darkest Hour with an average of $13,989 in 53 theaters.
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2017 - Awards Season: Golden Globes - Nominations
December 11th, 2017
The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece.
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Theater Averages: The Square Squirreled Away $18,558
November 1st, 2017
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The Square was the only film in the $10,000 club this past weekend. The latest from Ruben Ostlund earned an average of $18,558 in four theaters. This is a better opening than his last film, Force Majeure, which earned more than $1 million domestically. Hopefully this one will do the same.
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Limited and VOD Releases: Get Hip to these Square Releases
October 27th, 2017
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We don’t have a long list of limited releases this week, but there are a few that stand out as worth checking out and might actually do well in theaters. These include Bill Nye: Science Guy, God’s Own Country, The Square. The Square has the advantage, at least for the opening weekend, but I would be surprised if any of them expanded significantly over the coming weeks.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/12/01 | 10 | $6,715 | 12 | $560 | $6,715 | 1 | |
| 2017/12/08 | 10 | $5,977 | -11% | 14 | $427 | $16,248 | 2 |
| 2017/12/15 | 10 | $7,037 | +18% | 16 | $440 | $26,901 | 3 |
| 2017/12/22 | 9 | $3,122 | -56% | 16 | $195 | $32,795 | 4 |
| 2017/12/29 | 11 | $3,562 | +14% | 9 | $396 | $40,220 | 5 |
| 2018/01/12 | 19 | $2,127 | 7 | $304 | $50,864 | 7 | |
| 2018/01/19 | 20 | $1,062 | -50% | 4 | $266 | $53,771 | 8 |
| 2018/01/26 | 28 | $241 | -77% | 1 | $241 | $55,406 | 9 |
| 2018/02/09 | 23 | $339 | 3 | $113 | $55,325 | 11 | |
| 2018/02/16 | - | $229 | -32% | 3 | $76 | $56,871 | 12 |
| 2018/02/23 | - | $221 | -3% | 3 | $74 | $56,591 | 13 |
| 2018/03/02 | - | $289 | +31% | 3 | $96 | $57,093 | 14 |
| 2018/03/09 | 29 | $350 | +21% | 4 | $88 | $57,615 | 15 |
| 2018/03/16 | 24 | $282 | -19% | 2 | $141 | $58,055 | 16 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 11/17/2017 | $24,127 | 0 | 0 | 0 | $53,207 | 1/1/2019 |
| Australia | 2/9/2018 | $47,164 | 2 | 22 | 155 | $308,523 | 2/13/2023 |
| Bulgaria | 4/13/2018 | $888 | 0 | 0 | 0 | $888 | 2/26/2019 |
| Czech Republic | 10/13/2017 | $3,502 | 24 | 24 | 24 | $4,347 | 1/1/2019 |
| France | 10/20/2017 | $784,276 | 0 | 0 | 0 | $2,529,660 | 9/23/2018 |
| Germany | 10/20/2017 | $350,082 | 0 | 0 | 0 | $800,120 | 6/29/2018 |
| Italy | 11/9/2017 | $231,012 | 0 | 0 | 0 | $1,095,857 | 1/8/2018 |
| Lithuania | 12/1/2017 | $6,715 | 12 | 16 | 97 | $58,055 | 3/19/2018 |
| Netherlands | 11/10/2017 | $144,990 | 39 | 41 | 333 | $926,920 | 9/9/2024 |
| New Zealand | 3/9/2018 | $3,700 | 8 | 11 | 54 | $58,001 | 8/9/2018 |
| North America | 10/27/2017 | $74,233 | 4 | 71 | 532 | $1,502,347 | |
| Poland | 9/15/2017 | $94,161 | 0 | 0 | 0 | $347,126 | 1/1/2019 |
| Portugal | 11/24/2017 | $14,262 | 12 | 12 | 61 | $121,183 | 3/7/2018 |
| Russia (CIS) | 9/8/2017 | $48,721 | 143 | 143 | 213 | $188,683 | 1/1/2019 |
| Slovakia | 10/20/2017 | $1,378 | 6 | 6 | 7 | $12,682 | 1/10/2018 |
| South Korea | 8/2/2018 | $31,107 | 42 | 42 | 104 | $122,678 | 10/2/2018 |
| Spain | 11/10/2017 | $69,632 | 45 | 54 | 186 | $290,696 | 12/29/2017 |
| Turkey | 11/3/2017 | $11,344 | 20 | 20 | 45 | $55,750 | 2/26/2019 |
| United Kingdom | 3/16/2018 | $307,984 | 56 | 56 | 56 | $307,984 | 3/21/2018 |
| Worldwide Total | $8,784,707 | 9/9/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Claes Bang | Christian |
| Elisabeth Moss | Anne |
| Terry Notary | Oleg |
| Dominic West | Julian Gijoni |
Supporting Cast
| Christopher Laesso | Michael |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ruben Ostlund | Director |
| Ruben Ostlund | Screenwriter |
| Erik Hemmendorff | Producer |
| Philippe Bober | Producer |
| Tomas Eskilsson | Executive Producer |
| Agneta Perman | Executive Producer |
| Dan Friedkin | Executive Producer |
| Bradley Thomas | Executive Producer |
| Isabell Wiegand | Co-Producer |
| Sarah Nagel | Co-Producer |
| Katja Adomeit | Co-Producer |
| Fredrik Wenzel | Director of Photography |
| Ruben Ostlund | Editor |
| Jacob Secher Schulsinger | Editor |
| Jonas Rudels | Sound Mixer |
| Jesper Miller | Sound Mixer |
| Josefin Asberg | Production Designer |
| Sofie Krunegård | Costume Designer |
| Andreas Franck | Sound Designer |
| Anna Carlsten | Line Producer |