Italy Box Office for She's Funny That Way (2015)
| Theatrical Performance (US$) | ||
| Italy Box Office | $758,332 | Details |
| Worldwide Box Office | $5,946,642 | Details |
| Further financial details... | ||
Synopsis
When established director Arnold Albertson casts his call girl-turned-actress Isabella “Izzy” Patterson in a new play to star alongside his wife Delta and her ex-lover Seth Gilbert, a love tangle with many twists forms.
Metrics
Movie Details
| Italy Releases: | October 29th, 2015 (Wide) |
| Video Release: | August 21st, 2015 by Lionsgate Home Entertainment |
| MPAA Rating: | R for some language including sexual references. (Rating bulletin 2373, 5/13/2015) |
| Running Time: | 93 minutes |
| Keywords: | Early / Simultaneous Video-on-Demand release, Theater Actor, Backstage, Prostitution, Love Triangle, Romance, Infidelity, Writing and Writers, Therapists / Therapy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lagniappe, Venture Forth, Three Point Capital, Lailaps Pictures, Holly Wiersma |
| Production Countries: | United States |
| Languages: | English |
Limited and VOD Releases: Autumn Years and Oscar Glory
August 21st, 2015
It might not be a good week for limited releases overall, but we do have a potential Oscar nominee opening this week. Grandma is not only earning the best reviews of the week, but Lily Tomlin is earning some early Awards Season buzz.
More...
She’s Funny That Way Trailer
February 21st, 2015
Comedy starring Jennifer Aniston, Imogen Poots, Owen Wilson and Will Forte opens May 1... Full movie details...
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/10/30 | 10 | $282,747 | 119 | $2,376 | $282,746 | 1 | |
| 2015/11/06 | 12 | $163,698 | -42% | 106 | $1,544 | $513,423 | 2 |
| 2015/11/13 | 18 | $59,773 | -63% | 30 | $1,992 | $605,358 | 3 |
| 2015/11/20 | 22 | $31,080 | -48% | 18 | $1,727 | $648,353 | 4 |
| 2015/11/27 | 27 | $13,072 | -58% | 7 | $1,867 | $665,806 | 5 |
| 2015/12/04 | 28 | $11,988 | -8% | 4 | $2,997 | $680,419 | 6 |
| 2015/12/11 | 26 | $11,754 | -2% | 7 | $1,679 | $700,750 | 7 |
| 2015/12/18 | 27 | $5,808 | -51% | 7 | $830 | $709,891 | 8 |
| 2015/12/25 | 26 | $5,789 | n/c | 2 | $2,895 | $717,604 | 9 |
| 2016/01/01 | 29 | $1,827 | -68% | 2 | $914 | $721,741 | 10 |
| 2016/01/08 | 31 | $929 | -49% | 2 | $465 | $724,200 | 11 |
| 2016/01/15 | 23 | $5,848 | +529% | 7 | $835 | $735,890 | 12 |
| 2016/01/22 | 42 | $646 | -89% | 2 | $323 | $736,933 | 13 |
| 2016/01/29 | 36 | $823 | +27% | 1 | $823 | $738,157 | 14 |
| 2016/02/19 | 51 | $622 | 2 | $311 | $750,316 | 17 | |
| 2016/02/26 | 58 | $195 | -69% | 1 | $195 | $751,288 | 18 |
| 2016/03/04 | 54 | $416 | +113% | 1 | $416 | $753,734 | 19 |
| 2016/03/11 | 52 | $443 | +6% | 1 | $443 | $754,177 | 20 |
| 2016/04/01 | 56 | $451 | 2 | $226 | $756,084 | 23 | |
| 2016/04/08 | 44 | $1,722 | +282% | 2 | $861 | $758,332 | 24 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 8/27/2015 | $88,503 | 22 | 35 | 93 | $260,421 | 11/24/2018 |
| Australia | 8/27/2015 | $63,195 | 42 | 43 | 119 | $272,449 | 11/10/2015 |
| Austria | 8/21/2015 | $30,317 | 31 | 34 | 136 | $122,813 | 10/20/2015 |
| Belgium | 5/20/2015 | $0 | 0 | 4 | 4 | $58,083 | 7/8/2015 |
| Brazil | 10/15/2015 | $80,695 | 42 | 42 | 111 | $166,337 | 11/13/2018 |
| Bulgaria | 5/29/2015 | $0 | 0 | 2 | 4 | $19,942 | 12/30/2018 |
| Central America | 9/3/2015 | $31,770 | 29 | 29 | 47 | $68,270 | 9/22/2015 |
| Chile | 8/13/2015 | $13,934 | 15 | 15 | 18 | $19,857 | 12/30/2018 |
| Colombia | 9/3/2015 | $33,521 | 43 | 43 | 49 | $45,951 | 12/30/2018 |
| Finland | 7/31/2015 | $12,280 | 21 | 21 | 30 | $22,743 | 8/11/2015 |
| France | 4/22/2015 | $323,875 | 112 | 112 | 112 | $323,875 | 10/26/2018 |
| Germany | 8/20/2015 | $112,034 | 0 | 83 | 184 | $449,530 | 8/22/2018 |
| Greece | 7/30/2015 | $37,436 | 9 | 9 | 9 | $37,436 | 8/4/2015 |
| Hong Kong | 8/27/2015 | $9,816 | 5 | 5 | 6 | $16,397 | 9/9/2015 |
| Hungary | 6/18/2015 | $0 | 0 | 52 | 52 | $96,614 | 12/30/2018 |
| Italy | 10/29/2015 | $282,747 | 119 | 119 | 323 | $758,332 | 6/9/2016 |
| Mexico | 8/20/2015 | $185,045 | 0 | 121 | 144 | $384,329 | 9/7/2018 |
| New Zealand | 8/20/2015 | $16,239 | 23 | 23 | 57 | $33,558 | 9/8/2015 |
| North America | 8/21/2015 | $43,820 | 26 | 27 | 56 | $111,993 | |
| Peru | 8/13/2015 | $62,289 | 46 | 46 | 60 | $114,558 | 12/20/2018 |
| Poland | 6/19/2015 | $152,589 | 0 | 0 | 0 | $585,380 | 12/30/2018 |
| Portugal | 11/12/2015 | $37,076 | 24 | 24 | 62 | $85,060 | 12/8/2015 |
| Russia (CIS) | 5/7/2015 | $397,985 | 560 | 560 | 1250 | $928,236 | 11/19/2018 |
| Spain | 7/24/2015 | $58,802 | 38 | 42 | 131 | $183,776 | 11/28/2018 |
| Taiwan | 5/29/2015 | $2,014 | 9 | 9 | 13 | $4,011 | 11/4/2018 |
| Turkey | 9/11/2015 | $40,265 | 75 | 75 | 106 | $84,880 | 2/26/2019 |
| United Kingdom | 6/26/2015 | $35,133 | 19 | 19 | 25 | $83,190 | 10/13/2015 |
| Uruguay | 9/3/2015 | $15,322 | 6 | 6 | 14 | $33,156 | 12/30/2018 |
| Venezuela | 11/20/2015 | $0 | 0 | 10 | 17 | $575,465 | 1/13/2016 |
| Worldwide Total | $5,946,642 | 2/26/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Owen Wilson | Arnold Albertson |
| Imogen Poots | Isabella Patterson |
| Kathryn Hahn | Delta Simmons |
| Will Forte | Joshua Fleet |
| Rhys Ifans | Seth Gilbert |
| Jennifer Aniston | Jane Claremont |
Supporting Cast
| Cybill Shepherd | Nettie Finkelstein |
| Austin Pendleton | Judge Pendergast |
| Joanna Lumley | Vivian Claremont |
| Richard Lewis | Al Finkelstein |
| Jake Hoffman | Hotel Bellman |
| George Morfogen | Harold Fleet |
| Ahna O'Reilly | Elizabeth |
| Lucy Punch | Kandi |
| Illeana Douglas | Judy |
| Graydon Carter | Limo Driver |
| Scott Campbell | Hotel Guest #1 |
| Erin Heatherton | Hotel Guest #2 |
| Melanie Hill | Hotel Receptionist |
| Debi Mazar | Vickie |
| Tovah Feldshuh | Miriam Pendergast |
| Jake Lucas | David Albertson |
| Sydney Lucas | Josie Albertson |
| Nora Jobling | Sandy |
| Bergen Sanderford | Auditioning Girl |
| Dimitri Dimitrov | Maitre'd |
| Tatum O'Neal | Waitress |
| Ren Croney | Frankie |
| Colleen Camp | Cece |
| Jennifer Esposito | Margie |
| David Calderazzo | Bernie's Floor Manager |
| Albert Jones | Bernie's Security |
| Besnik Shabani | Limo Driver |
| Poppy Delevingne | Macy's Greeter |
| Megan Rosen | Seth Fan |
| Michael Shannon | Policeman Macy's |
| Peter Cormican | Delta's Father |
| Polly Adams | Delta's Mother |
| Nur Khan | Wrestler #1 |
| Chazz Menendez | Wrestler #2 |
| Brian Donahue | Wrestling Spectator #1 |
| Nell Schaap | Wrestling Spectator #2 |
Cameos
| Quentin Tarantino | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Peter Bogdanovich | Director |
| Peter Bogdanovich | Screenwriter |
| Louise Stratten | Screenwriter |
| Louise Stratten | Producer |
| Logan Levy | Producer |
| Holly Wiersma | Producer |
| George Drakoulias | Producer |
| Michael Sledd | Co-Executive Producer |
| Captain Mauzner | Co-Executive Producer |
| Robert Ogden Barnun | Executive Producer |
| Cassian Elwes | Executive Producer |
| George Steiner | Executive Producer |
| Hollis Hill | Executive Producer |
| Christa Campbell | Executive Producer |
| Lati Grobman | Executive Producer |
| Jeff Rice | Executive Producer |
| Yaron Orbach | Director of Photography |
| Jane Musky | Production Designer |
| Nick Moore | Editor |
| Pax Wassermann | Editor |
| Jen Rudin | Casting Director |
| Jacob Pechenik | Executive Producer |
| Andy Neuberger | Executive Producer |
| Brice Sanderford | Executive Producer |
| Charles Caplinger | Executive Producer |
| Najeeb Thomas | Executive Producer |
| Nils Dunker | Executive Producer |
| Josef Steinberger | Executive Producer |
| Michael Sledd | Co-Producer |
| Parry Creedon | Co-Producer |
| Darin Dusan | Co-Executive Producer |
| Rodney Baty | Co-Executive Producer |
| Carrie Menke | Co-Executive Producer |
| Antonia Bogdanovich | Co-Executive Producer |
| Edward Shearmur | Composer |
| Peggy Schnitzer | Costume Designer |
| Robin Urdang | Music Supervisor |
| Colleen Camp | Associate Producer |
| Brandon Park | Associate Producer |
| Chris Cuseo | Associate Producer |
| Michael Sledd | Unit Production Manager |
| Parry Creedon | Unit Production Manager |
| Mariela Comitini | First Assistant Director |
| Brad Robinson | Second Assistant Director |
| Gregory Tillman | Additional Editor |
| Nathan Levine-Heaney | Additional Photography |
| Damian Elias Canelos | Sound Mixer |
| Ryan Heck | Art Director |
| Jonathan Rose | Set Decorator |
| Barbara Lacy | Make up |
| Paul Molnar | Make up |
| Vanessa Sims | Hairstylist |
| John Roberson | Hairstylist |
| Jonathan Ferrantelli | Post-Production Supervisor |
| Tara Carrozza | Post-Production Supervisor |
| Missy Cohen | Music Editor |
| Robert Hein | Supervising Sound Editor |
| Sylvia Menno | Dialogue Editor |
| David Wahnon | Dialogue Editor |
| Rob Fernandez | Re-recording Mixer |
| Luke DiTommaso | Visual Effects Supervisor |
| Henry Langstraat | Visual Effects Sr. Producer |
| Aniela Sidorska | Visual Effects Producer |
| Lotta Forssman | Visual Effects Producer |
| Manny Siverio | Stunt Coordinator |
| Elliot Santiago | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.