Slovenia Box Office for Seven Psychopaths (2012)
Theatrical Performance (US$) | ||
Slovenia Box Office | $26,874 | Details |
Worldwide Box Office | $33,035,736 | Details |
Home Market Performance | ||
North America DVD Sales | $6,004,251 | Details |
North America Blu-ray Sales | $3,130,022 | Details |
Total North America Video Sales | $9,134,273 | |
Further financial details... |
Synopsis
Marty is a struggling writer who dreams of finishing his screenplay, "Seven Psychopaths". Billy is Marty's best friend, an unemployed actor and part time dog thief, who wants to help Marty by any means necessary. All he needs is a little focus and inspiration. Hans is Billy's partner in crime. A religious man with a violent past. Charlie is the psychopathetic gangster whose beloved dog, Billy and Hans have just stolen. Charlie's unpredictable, extremely violent and wouldn't think twice about killing anyone or anything associated with the theft. Marty is going to get all the focus and inspiration he needs, just as long as he lives to tell the tale.
Metrics
Movie Details
Production Budget: | $13,500,000 |
Slovenia Releases: | January 3rd, 2013 (Wide) |
Video Release: | January 29th, 2013 by Sony Pictures Home Entertainment |
MPAA Rating: | R for strong violence, bloody images, pervasive language, sexuality/nudity and some drug use. (Rating bulletin 2235, 8/8/2012) |
Running Time: | 109 minutes |
Keywords: | Ensemble, Writing and Writers, Kidnap, Animal Lead, Organized Crime, Relationships Gone Wrong, Revenge, Crime Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | CBS Films, Film4, BFI, HanWay Films, Blueprint Films |
Production Countries: | United Kingdom, United States |
Languages: | English |
Blu-ray Sales: February 3rd, 2013: Transylvania Transcends Competition
March 20th, 2013
New releases took four of the top five spots on the Blu-ray sales chart for the week of February 3rd, 2013. Hotel Transylvania led the way with 633,000 units / $14.54 million. Its opening week Blu-ray share was 37%, which is very healthy for a kids movie.
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DVD Sales: February 3rd, 2013: Hotel is Booked Solid
March 20th, 2013
New releases dominated the DVD sales chart for the week of February 3rd with three in the top five and five in the top ten. This includes Hotel Transylvania, which opened in first place with 1.08 million units / $19.52 million and it is already in second place for the year.
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DVD and Blu-ray Releases for January 29th, 2013
January 28th, 2013
There are quite a few films that opened wide in theaters on this week's list, but most of them bombed at the box office. Hotel Transylvania is the only exception, but while it is a good kids movie, it isn't Pick of the Week material. The best release of the week, in my opinion, is Seven Psychopaths on either DVD or Blu-ray.
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Awards Season: Silver Linings for Limited Releases
November 28th, 2012
The Independent Spirit Awards has a special place in the Awards Season. The nominations are the unoffficial start of Awards Season, but the actual awards aren't given out until Oscar weekend, so they are the beginning at the end of Awards Season. They also help out a lot of limited releases that would otherwise not get enough buzz, although they are not so good at predicting Oscar wins. This year, two films tied for most nominations, Moonrise Kingdom and The Silver Linings Playbook, both of which earned five nominations. They weren't the only films to earn multiple nominations though.
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Weekend Wrap-Up: Paranormal Inactivity
October 22nd, 2012
As everyone was expecting, October 21st, 2012
After five years of Saw, and a hand-over period of a couple of years, the Paranormal Activity franchise has come to dominate the brief Halloween movie season. Showing that horror moviegoers may be more tradition-bound than any other category of film fans, Paranormal Activity 4 is set for a healthy opening this weekend, with Paramount projecting at total of $30.4 million by the end of the weekend. That's down quite a bit from the $50 million-plus debut of Paranormal Activity 3 last year, and the franchise does look like it is losing some momentum. With production budgets around $5 million, and relatively modest marketing costs, however, the studio will earn a healthy profit from this release and has, predictably, announced Paranormal Activity 5 will go into production early next year for release in October.
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October 15th, 2012
It was another good week at the box office with just about every film in the top ten at least doing as well as expected. Granted, none of the new releases were monster hits, but the depth was very good with five films topping $10 million over the weekend. Taken 2 remained in first place, so it should come as no surprise that the box office was lower than last weekend; however, it only fell 8.6% to $130 million. This is 48% more than the same weekend last year, which is a huge boost. Year-to-date, 2012 expanded its lead to 3.8% at $8.42 billion to $8.11 billion. Just a few weeks ago, it looked like 2012 would fall below 2011's pace in the end, but now things are looking a lot more optimistic.
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October 14th, 2012
Taken 2 is set for a second weekend at the top of the box office charts with $22.5 million, although its 55% decline from last weekend makes it clear that the film won't have anything like the legs of its predecessor, which fell only 17% in its second outing. That will make for a tight pack of films at the top of the chart this weekend, with Argo leading the charge. Ben Affleck's film is set for $20.1 million this weekend and is showing signs of having very good word of mouth: it was up 47% from Friday to Saturday and looks likely to fall by around 35% on Sunday -- impressive figures these days. Sinister will have the rare distinction of opening at the top of the chart on Friday and finishing the weekend in third place (Lionsgate has its gross pegged at $18.25 million over three days).
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October 11th, 2012
There could be as many as five new releases to reach the top ten this week. It is also very possible that Taken 2 will remain in first place on the weekend chart, so while there's a high quantity of new releases, the quality isn't there. Argo likely has the best shot at becoming the new number one film, but some think Sinister will benefit from the close proximity to Halloween and steal a victory. On the other hand the buzz for Here Comes the Boom just hasn't grown like it should and it could struggle to grab fifth place, despite playing in more than 3,000 theaters. On the other hand, Seven Psychopaths has excellent buzz, but is only playing in 1500 theaters. Finally there's Atlas Shrugged: Part II, which is opening in just over 1,000 theaters, but with no chance outside of its politically motivated target demographic. Last year was disappointing at the box office with none of the three new releases becoming hits, while the box office was led by Real Steel for the third weekend in a row. We should do better this time around, unless all of the new releases miss expectations.
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October 5th, 2012
There are three wide releases coming out next week, and another opening semi-wide. Here Comes the Boom could win the box office race, especially if Kevin James returns to his earlier box office success. Sinister could be a low-level hit, especially if horror fans are excited by Halloween, but it doesn't have the hype to compete for first place. Seven Psychopaths might win an Oscar given its reviews, but it is opening in less than 2000 theaters and likely won't reach the top five. This leaves Argo as the most likely candidate for number one film next weekend. (Here Comes the Boom does have a shot, while Taken 2 might repeat on top of the chart during its second weekend of release.) Argo is the target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Argo.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), regardless if they go over or under, will win a copy of Dark Shadows on Blu-ray Combo Pack.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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October 1st, 2012
2012 continues its downward path. After a record-breaking spring, thanks to The Hunger Games, and a record-breaking start to the summer, thanks to The Avengers, the box office hasn't been able to maintain any real momentum. For most of the month, September was no better than August and now the year-over-year gains are just a little more than inflation. October will need to improve or 2012 will be in real trouble. Unfortunately, that might be tough. There's not a single film coming out in October that looks like it will be a guaranteed $100 million hit and there are only two films with a realistic chance, Taken 2 and Paranormal Activity 4. (There's also Cloud Atlas, which is a wild card. That movie could bomb or be the biggest hit of the month and I wouldn't be surprised either way.) There is a chance all three will get to the century mark, but there's a better chance none of them will. Last October, two films cracked $100 million: Paranormal Activity 3 and Puss in Boots, with the latter nearly reaching $150 million. I don't see any film coming close to matching that figure. On the other hand, last year there were six films that one could accurately describe as bombs. So while 2012 is weaker at the top, it could have better depth than 2011 did. Let's hope so, because we can't afford more bad news.
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Weekend Estimates: Paranormal Activity Continues Halloween Tradition
Weekend Wrap-Up: Taken Two Recaptures Top Spot
Weekend Estimates: Taken Repeats, But Argo's Close
Weekend Predictions: Can Taken Two Top Chart Twice?
Contest: Marketplace of Predictions
2012 Preview: October
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/01/04 | 6 | $9,247 | 4 | $2,312 | $11,750 | 1 | |
2013/01/11 | 10 | $4,664 | -50% | 4 | $1,166 | $19,244 | 2 |
2013/01/25 | 18 | $982 | 4 | $246 | $26,874 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 11/29/2012 | $132,908 | 39 | 61 | 163 | $369,293 | 12/30/2018 |
Australia | 11/8/2012 | $698,087 | 186 | 186 | 596 | $2,086,697 | 12/12/2015 |
Austria | 12/7/2012 | $74,810 | 31 | 31 | 134 | $260,783 | 12/13/2015 |
Belgium | 1/30/2013 | $37,739 | 14 | 14 | 37 | $65,897 | 12/14/2015 |
Bolivia | 3/14/2013 | $12,056 | 5 | 5 | 17 | $32,859 | 12/30/2018 |
Brazil | 1/4/2013 | $132,861 | 67 | 67 | 108 | $265,093 | 12/14/2015 |
Bulgaria | 11/23/2012 | $6,199 | 8 | 8 | 36 | $35,015 | 12/30/2018 |
Chile | 1/17/2013 | $12,906 | 11 | 11 | 13 | $19,304 | 12/30/2018 |
Colombia | 12/7/2012 | $35,064 | 27 | 27 | 43 | $88,251 | 12/29/2018 |
Croatia | 1/24/2013 | $7,992 | 7 | 7 | 24 | $27,876 | 12/30/2018 |
Czech Republic | 11/29/2012 | $34,421 | 60 | 60 | 140 | $102,351 | 12/30/2018 |
Estonia | 11/9/2012 | $11,932 | 5 | 5 | 16 | $40,080 | 12/12/2015 |
Finland | 2/8/2013 | $5,689 | 5 | 5 | 5 | $5,689 | 12/14/2015 |
France | 1/30/2013 | $621,719 | 161 | 161 | 299 | $1,165,887 | 12/14/2015 |
Germany | 12/6/2012 | $0 | 0 | 129 | 312 | $1,541,044 | 12/13/2015 |
Greece | 11/8/2012 | $52,748 | 15 | 21 | 51 | $83,833 | 12/12/2015 |
Hong Kong | 4/10/2013 | $15,419 | 12 | 12 | 26 | $41,530 | 12/14/2015 |
Hungary | 12/6/2012 | $43,982 | 27 | 27 | 135 | $132,886 | 12/30/2018 |
Iceland | 10/12/2012 | $2,774 | 2 | 2 | 5 | $11,708 | 12/29/2018 |
Italy | 11/15/2012 | $337,992 | 138 | 138 | 193 | $516,440 | 12/12/2015 |
Latvia | 11/23/2012 | $11,321 | 3 | 3 | 11 | $42,590 | 12/29/2018 |
Lebanon | 12/13/2012 | $0 | 0 | 1 | 6 | $6,405 | 12/30/2018 |
Lithuania | 11/9/2012 | $10,312 | 4 | 4 | 28 | $56,685 | 12/13/2015 |
Mexico | 11/23/2012 | $142,761 | 109 | 109 | 458 | $600,363 | 12/13/2015 |
New Zealand | 1/3/2013 | $27,158 | 20 | 33 | 170 | $169,036 | 12/14/2015 |
North America | 10/12/2012 | $4,174,915 | 1,480 | 1,480 | 5,263 | $15,024,049 | 12/5/2014 |
Norway | 12/25/2012 | $34,438 | 16 | 28 | 63 | $589,070 | 12/14/2015 |
Peru | 3/14/2013 | $0 | 0 | 27 | 33 | $148,361 | 12/30/2018 |
Poland | 11/30/2012 | $105,612 | 67 | 67 | 134 | $234,890 | 12/29/2018 |
Portugal | 3/21/2013 | $19,055 | 8 | 8 | 25 | $53,806 | 12/14/2015 |
Romania | 12/21/2012 | $0 | 0 | 7 | 25 | $257,696 | 12/30/2018 |
Russia (CIS) | 10/18/2012 | $1,137,561 | 346 | 346 | 378 | $2,800,340 | 12/29/2018 |
Serbia and Montenegro | 2/7/2013 | $2,634 | 3 | 3 | 27 | $12,835 | 12/30/2018 |
Singapore | 1/10/2013 | $37,944 | 6 | 6 | 13 | $67,130 | 12/14/2015 |
Slovenia | 1/3/2013 | $9,247 | 4 | 4 | 12 | $26,874 | 12/14/2015 |
South Africa | 4/12/2013 | $14,628 | 12 | 12 | 12 | $14,628 | 12/14/2015 |
Spain | 2/22/2013 | $277,311 | 167 | 167 | 401 | $515,970 | 12/14/2015 |
Switzerland | 12/6/2012 | $64,922 | 14 | 14 | 21 | $66,648 | 12/14/2015 |
Taiwan | 10/12/2012 | $46,790 | 27 | 27 | 32 | $129,452 | 12/12/2015 |
Turkey | 3/22/2013 | $39,470 | 10 | 10 | 57 | $115,510 | 12/30/2018 |
United Arab Emirates | 11/8/2012 | $63,343 | 20 | 20 | 21 | $94,055 | 12/29/2018 |
United Kingdom | 12/5/2012 | $1,804,894 | 399 | 399 | 1327 | $5,104,076 | 12/14/2015 |
Uruguay | 12/28/2012 | $4,208 | 2 | 2 | 4 | $12,751 | 12/30/2018 |
Worldwide Total | $33,035,736 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Colin Farrell | Marty |
Sam Rockwell | Billy |
Woody Harrelson | Charlie |
Christopher Walken | Hans |
Tom Waits | Zachariah |
Abbie Cornish | Kaya |
Olga Kurylenko | Angela |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Martin McDonagh | Director |
Martin McDonagh | Screenwriter |
Graham Broadbent | Producer |
Pete Czernin | Producer |
Martin McDonagh | Producer |
Tessa Ross | Executive Producer |
Ben Davis | Cinematographer |
Lisa Gunning | Editor |
Carter Burwell | Composer |
David Wasco | Production Designer |
John Dexter | Supervising Art Director |
Sandy Wasco* | Set Decorator |
Geoffrey Patterson | Sound Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.