New Zealand Box Office for Second Best Exotic Marigold Hotel, The (2015)
Theatrical Performance (US$) | ||
New Zealand Box Office | $2,493,057 | Details |
Worldwide Box Office | $89,400,862 | Details |
Home Market Performance | ||
North America DVD Sales | $3,908,666 | Details |
North America Blu-ray Sales | $751,710 | Details |
Total North America Video Sales | $4,660,376 | |
Further financial details... |
Synopsis
The Second Best Exotic Marigold Hotel is the expansionist dream of Sonny, and it’s making more claims on his time than he has available, considering his imminent marriage to the love of his life, Sunaina. Sonny has his eye on a promising property now that his first venture, The Best Exotic Marigold Hotel for the Elderly and Beautiful, has only a single remaining vacancy—posing a rooming predicament for fresh arrivals Guy and Lavinia. Evelyn and Douglas have now joined the Jaipur workforce, and are wondering where their regular dates for Chilla pancakes will lead, while Norman and Carol are negotiating the tricky waters of an exclusive relationship, as Madge juggles two eligible and very wealthy suitors. Perhaps the only one who may know the answers is newly installed co-manager of the hotel, Muriel, the keeper of everyone’s secrets. As the demands of a traditional Indian wedding threaten to engulf them all, an unexpected way forward presents itself.
Metrics
Movie Details
Production Budget: | $10,000,000 |
New Zealand Releases: | February 26th, 2015 (Wide), released as Second Best Exotic Marigold Hotel, The |
Video Release: | July 14th, 2015 by Fox Home Entertainment |
MPAA Rating: | PG for some language and suggestive comments. (Rating bulletin 2332, 7/23/2014) |
Running Time: | 122 minutes |
Franchise: | Best Exotic Marigold Hotel |
Keywords: | Autumn Years, Romance, December Romance, Retirement, Set in India, Ensemble, Intertitle, Mistaken Identity, Wedding Planning, Choreography, Relationships Gone Wrong, Professional Rivalry, Voiceover/Narration, Widow/Widower, Comedy Drama |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Blueprint Films, Fox Searchlight Pictures, Participant Media, Image Nation Abu Dhabi |
Production Countries: | United Kingdom, United States |
Languages: | English, Hindi |
Home Market Numbers: Longest Ride Rides Tall
August 3rd, 2015
The new releases for July 14th dominated the combined DVD and Blu-ray chart for July 19. In fact, they took every single spot in the top five. The Longest Ride led the way with 514,000 units / $9.03 million Its opening week Blu-ray share was 24%, which is better than the Blu-ray share of a lot of female-centric dramas.
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Contest: Pixel Perfect: Winning Announcement
July 29th, 2015
The winners of our Pixel Perfectcontest were determined and the entrants with the closest predictions for Pixels opening weekend were...
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Home Market Releases for July 21st, 2015
July 21st, 2015
I can't wait till the TV on DVD releases start coming out. I will finally have something to talk about on the home market. This week, according to Amazon.com, the best-selling new release is What We Do In Shadows. The film earned excellent reviews and did well in limited release, but it isn't a number one chart-topper. The second best-selling new release of the week is Scooby-Doo and Kiss. ... What? From what few reviews I could find, it is better than it looks. That said, the Pick of the Week is still What We Do In Shadows.
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Featured Blu-ray / DVD Review: The Second Best Exotic Marigold Hotel
July 20th, 2015
The Best-Exotic Marigold Hotel is a film that cost just $10 million to make, but pulled in a global box office of $135 million. Needless to say, a sequel was made and The Second Best Exotic Marigold Hotel hit theaters earlier this year. Comedies rarely produce sequels that live up to the original film, but is this one an exception? If not, is it still worth checking out, if it isn't quite as good?
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Contest: Pixel Perfect
July 16th, 2015
Next weekend, there are three wide releases, two of which should do well at the box office. Paper Towns will very likely be the best film coming out next week, while Pixels will very likely be the biggest. (On the other hand, Southpaw looks like busted Oscar-bait and I'm not bullish about its chances.) I don't know if Pixels will be one of the biggest hits of the summer, but it should be the biggest hit of the week and as such, it is the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Pixels.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy The Second Best Exotic Marigold Hotel on Blu-ray.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy The Second Best Exotic Marigold Hotel on Blu-ray.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize featuring a previously reviewed DVD or Blu-ray.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Contest: Don't Be Slow: Winning Announcement
July 14th, 2015
The winners of our Don't Be Slow contest were determined and the entrants with the closest predictions for Minions opening weekend were...
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Home Market Releases for July 14th, 2015
July 13th, 2015
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Weekend Wrap-Up: Cinderella Helps Box Office Bounce Back
March 16th, 2015
As expected, Cinderella easily won the race to the top of the box office. However, it didn't quite do as well as expected. Additionally, Run All Night's opening was also a little softer than expected. Fortunately, despite this, the overall box office still bounced back from last weekend growing by 47% to $132 million. This was also higher than last year by 16%, which is really high for a year-over-year comparison. Year-to-date, 2015 is ahead of 2014 by 2.3% at $2.01 billion to $1.97 billion. This is not a huge lead, but it is still enough growth that the overall industry should be happy.
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Weekend Predictions: Cinderella (Ella Ella)
March 12th, 2015
Last weekend was a disaster, the worst weekend at the box office so far this year. This weekend should bounce back with the opening of Cinderella. Its the first family film to come out since The SpongeBob Movie: Sponge Out of Water and its reviews are excellent. The other film opening wide this week is Run All Night, which is the latest Liam Neeson action film. There's not much more that needs to be said about that. This weekend last year was led by Mr. Peabody and Sherman with $21.81 million. Cinderella will crush that figure. In fact, Cinderella might make more than the top five made combined last year.
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Weekend Wrap-Up: Chappie Leads Worst Weekend of the Year
March 10th, 2015
It was the worst weekend of the year so far with two of the three wide releases bombing compared to expectations. It was so bad, that the three wide releases combined were lower than the high end predictions for Chappie. Unfinished Business missed the Mendoza Line and will be quickly forgotten by the end of the month. Only The Second Best Exotic Marigold Hotel has a future. Overall, the total box office was just under $90 million, which was 16% lower than last weekend. It was also 38% lower than the same weekend last year. The top five this year barely made more than the number one film from last year, 300: Rise of an Empire. The combined opening of the three new releases this year was dwarfed by the opening of Mr. Peabody and Sherman last year. Granted, 2015 is still ahead of 2014 in the year-to-date comparison, but the lead has shrunk to under 1% at $1.85 billion to $1.84 billion.
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Weekend Estimates: Chappie Tops Soft Weekend
March 8th, 2015
A soft opening for Chappie and a weak returning field will combine to make this the worst weekend at the box office since the dark days of early December last year. Total spending will be around $90 million, down substantially from this time last year when 300: Rise of an Empire opened with $45 million. Chappie won’t manage a third of that, with a $13.3 million weekend projected by Sony as of Sunday morning. A slightly stronger $8.6 million opening from 1,573 theaters for The Second Best Exotic Marigold Hotel won’t help the overall numbers much, but does add a bit of diversity to the top of the chart.
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Weekend Predictions: Not the Best New Releases
March 5th, 2015
March begins with three wide releases. Or to be more accurate, two wide releases and a semi-wide release. Unfortunately, both wide releases are being attacked by critics. Chappie is being called a smart idea with a dumb execution. Unfinished Business is earning some of the worst reviews of the year and its buzz is really not much better than its reviews. The Second Best Exotic Marigold Hotel is earning good reviews, but its theater count is low enough that it might not reach the top five. This weekend last year, there were two $100 million hits that debuted, 300: Rise of an Empire and Mr. Peabody and Sherman. None of the three wide releases this week will get to $100 million in total. In fact, all three films combined likely won't open with as much as 300: Rise of an Empire did. It looks like 2015 will lose in the year-over-year comparison in a significant way.
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International Box Office: Shades Completes the Threepeat
March 5th, 2015
For the third weekend in a row, Fifty Shades of Grey ruled the international box office, this time pulling in $36 million in 59 markets over the weekend for totals of $337.00 million internationally and $484.40 million worldwide. It will reached $500 million early this weekend [ Copy Ed: Just heard it crossed $500 million today with $352 million internationally and $150 million domestically for a worldwide total of $502 million]. The film opened in South Korea, but struggled earning fourth place with $1.25 million on 510 screens over the weekend for a total opening of $1.80 million. It might have struggled in South Korea, because by the time it opened there, the word-of-mouth has overtaken the hype. Its biggest single market is the U.K. where it has made $46.27 million, including $3.43 million on 545 screens this past weekend.
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2015 Preview: March
March 1st, 2015
February was strong thanks to The SpongeBob Movie: Sponge Out of Water and Fifty Shades of Grey, both of which beat expectations. This March could actually be even better, as there are three or four films that have a decent shot at earning $100 million or more. The top film will likely be Cinderella, which has a real shot at $200 million. Insurgent will almost assuredly get beyond the $100 million mark, while Get Hard, Home, and perhaps Chappie will also get to the century mark. Last March, there were four $100 million hits, led by Divergent, which pulled in $150 million. While this March should be better than February, I'm not sure it will be better than last March. I don't think March 2015 will be much worse than last year, but I think its percentage lead will be chipped away at by the end of the month.
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Contest: Easy Breezy
February 27th, 2015
Next weekend, there are three wide releases, including Chappie, which should lead the way on the box office chart over the weekend. (The Second Best Exotic Marigold Hotel and Unfinished Business could be midlevel hits, but nothing more.) Because Chappie's box office potential is about twice that of the two other new releases, it is the only real choice for target target film in this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Chappie.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize, including Life's a Breeze on DVD.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, including Life's a Breeze on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/05/01 | 15 | $16,794 | 44 | $382 | $2,634,928 | 10 | |
2015/05/08 | 21 | $9,874 | -41% | 28 | $353 | $2,640,788 | 11 |
2015/05/15 | 22 | $5,054 | -49% | 21 | $241 | $2,650,115 | 12 |
2015/05/22 | 20 | $4,342 | -14% | 16 | $271 | $2,592,448 | 13 |
2015/05/29 | 28 | $1,605 | -63% | 9 | $178 | $2,526,064 | 14 |
2015/06/05 | 33 | $800 | -50% | 7 | $114 | $2,504,994 | 15 |
2015/06/12 | 33 | $782 | -2% | 4 | $196 | $2,484,453 | 16 |
2015/06/19 | 36 | $310 | -60% | 4 | $78 | $2,453,017 | 17 |
2020/11/27 | - | $15 | 1 | $15 | $2,493,057 | 301 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/8/2015 | $111,044 | 48 | 48 | 97 | $240,099 | 11/24/2018 |
Australia | 2/26/2015 | $3,177,726 | 417 | 417 | 2452 | $12,045,816 | 10/20/2022 |
Belgium | 4/1/2015 | $101,655 | 30 | 30 | 30 | $0 | 11/16/2015 |
Brazil | 5/8/2015 | $141,617 | 57 | 57 | 111 | $263,466 | 11/6/2018 |
Finland | 3/27/2015 | $0 | 0 | 13 | 13 | $83,208 | 11/16/2015 |
France | 4/1/2015 | $385,315 | 165 | 165 | 165 | $713,887 | 8/21/2018 |
Germany | 4/2/2015 | $604,070 | 0 | 4 | 12 | $2,345,145 | 8/22/2018 |
Hong Kong | 3/20/2015 | $96,583 | 29 | 29 | 66 | $231,791 | 11/26/2018 |
India | 3/20/2015 | $0 | 0 | 6 | 6 | $165,013 | 11/16/2015 |
Italy | 4/30/2015 | $491,685 | 0 | 1 | 2 | $1,528,278 | 11/6/2018 |
Lebanon | 3/19/2015 | $0 | 0 | 4 | 4 | $42,413 | 12/30/2018 |
Mexico | 5/8/2015 | $154,545 | 0 | 0 | 0 | $376,881 | 8/30/2018 |
Netherlands | 3/19/2015 | $112,234 | 41 | 41 | 196 | $461,220 | 11/21/2018 |
New Zealand | 2/26/2015 | $0 | 0 | 44 | 134 | $2,493,057 | 11/30/2020 |
North America | 3/6/2015 | $8,540,370 | 1,573 | 2,022 | 10,142 | $33,078,266 | 7/8/2016 |
Poland | 5/8/2015 | $58,132 | 0 | 0 | 0 | $185,450 | 12/30/2018 |
Russia (CIS) | 3/13/2015 | $209,251 | 576 | 576 | 1116 | $439,590 | 11/19/2018 |
Singapore | 3/19/2015 | $0 | 0 | 3 | 3 | $157,532 | 11/16/2015 |
Spain | 3/27/2015 | $402,931 | 242 | 275 | 1014 | $2,433,712 | 11/28/2018 |
Taiwan | 3/20/2015 | $69,392 | 46 | 46 | 116 | $210,338 | 11/2/2018 |
Turkey | 4/24/2015 | $11,721 | 47 | 47 | 141 | $32,496 | 12/30/2018 |
United Arab Emirates | 3/19/2015 | $0 | 0 | 3 | 3 | $220,803 | 12/30/2018 |
United Kingdom | 2/27/2015 | $5,823,455 | 589 | 604 | 1360 | $24,463,410 | 2/6/2017 |
Rest of World | $7,188,991 | ||||||
Worldwide Total | $89,400,862 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Judi Dench | Evelyn Greenslade |
Maggie Smith | Muriel Donnelly |
Bill Nighy | Douglas Ainslie |
Celia Imrie | Madge Hardcastle |
Penelope Wilton | Jean Ainslie |
Ronald Pickup | Norman Cousins |
Tina Desai | Sunaina |
Dev Patel | Sonny Kapoor |
Lillete Dubey | Mrs. Kapoor |
Richard Gere | Guy Chambers |
Supporting Cast
David Strathairn | Ty Burley |
Diana Hardcastle | Carol Parr |
Tamsin Greig | Lavinia Beech |
Danny Mahoney | Car Valet |
Shubhrajyoti Barat | Hari |
Fiona Mollison | Susan |
Zachary Coffin | American Tourist |
Jayesh Kardak | Douglas' Assistant |
Shazad Latif | Kushal |
Avijit Dutt | Nimish |
Ashok Pathak | Scorpion Tuk-Tuk Driver |
Poppy Miller | Jodi |
Rajesh Tailang | Babul |
Atul Tiwari | Abhilash |
Seema Azmi | Anokhi |
Neeraj Kadela | Cyril (Bike Mechanic) |
Sarvesh Vyas | Doctor at Clinic |
Lateesha Dorik | Babul's Niece |
Vikram Singh | Vikram |
Avantika Akerkar | Sunaina's Mother |
Shishir Sharma | Sunaina's Father |
Sid Makker | Jay |
Claire Price | Laura Ainslie |
Lokesh Rai | Norman's Tuk-Tuk Driver |
Atul K. Kale | Factory Owner |
Sufiyan Khan | Receptionist/Evelyn's Hotel |
Dinesh Pradhan | Hari's Cousin |
Anita Pradhan | Hari's Cousin |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John Madden | Director |
Ol Parker | Screenwriter |
Ol Parker | Story Creator |
John Madden | Story Creator |
Graham Broadbent | Producer |
Pete Czernin | Producer |
Jeff Skoll | Executive Producer |
Jonathan King | Executive Producer |
John Madden | Executive Producer |
Michael Dreyer | Executive Producer |
Ben Smithard | Director of Photography |
Martin Childs | Production Designer |
Victoria Boydell | Editor |
Pravesh Sahni | Co-Producer |
Thomas Newman | Composer |
Louise Stjernsward | Costume Designer |
Michelle Guish | Casting Director |
Seher Latif | Casting Director |
Tabrez Noorani | Associate Producer |
Matthew Jenkins | Unit Production Manager |
Sanjay Kumar | Unit Production Manager |
George Walker | First Assistant Director |
Udayan Baijal | First Assistant Director |
Daniel Phillips | Make-up and Hair Designer |
Nakul Kamte | Sound Mixer |
Ian Wilson | Supervising Sound Editor |
Alistair Hopkins | Post-Production Supervisor |
James Wakefield | Supervising Art Director |
Dilip More | Art Director |
Ed Turner | Set Decorator |
Swapnali Das | Set Decorator |
Rakesh Singh | Production Manager |
Rajeev Mehra | Production Manager |
Kim Armitage | Script Supervisor |
Marina Theodotou | Assistant Editor |
Vivek Pratap | Assistant Editor |
Jens Baylis | Assistant Editor |
Gurpreet Singh Grewal | Assistant Editor |
Alison Lewis | Costume Supervisor |
Shivanand Mohili | Special Effects |
Sadanand Devadiga | Special Effects |
Ian Wilson | Sound Editor |
Sam Southwick | Supervising Dialogue Editor |
Alastair Sirkett | Sound Effects Editor |
Paul Wrightson | Dialogue Editor |
Tim Cavagin | Supervising Re-Recording Mixer |
Craig Irving | Re-recording Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.