Portugal Box Office for O Terceiro Assassinato (2017)
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| Theatrical Performance (US$) | ||
| Portugal Box Office | $1,181 | Details |
| Worldwide Box Office | $13,411,818 | Details |
| Home Market Performance | ||
| North America DVD Sales | $16,248 | Details |
| North America Blu-ray Sales | $15,207 | Details |
| Total North America Video Sales | $31,455 | |
| Further financial details... | ||
Synopsis
Leading attorney Shigemori takes on the defence of murder-robbery suspect Misumi who served jail time for another murder 30 years ago. Shigemori’s chances of winning the case seem low — his client freely admits his guilt, despite facing the death penalty if he is convicted. As he digs deeper into the case, as he hears the testimonies of the victim’s family and Misumi himself, the once confident Shigemori begins to doubt whether his client is the murderer after all.
Metrics
Movie Details
| Portugal Releases: | March 30th, 2018 (Wide), released as O Terceiro Assassinato |
| Video Release: | November 13th, 2018 by Film Movement Video |
| MPAA Rating: | Not Rated |
| Running Time: | 124 minutes |
| Keywords: | Death Penalty, Courtroom / Legal Drama, Lawyers, Set in Japan, Sex Crimes, Dysfunctional Family, Child Abuse, False Confession |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Fuji Television Network, Amuse Entertainment, GAGA Corporation |
| Production Countries: | Japan |
| Languages: | Japanese |
Home Market Releases for November 13th, 2018
November 14th, 2018
There are not many big releases on this week’s list. The Meg is the biggest, but not the best. As for the best, I’m going with Pixar Short Film Collection: Volume Three on Blu-ray.
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Theater Averages: Eighth Grade Repeats a Grade
July 25th, 2018
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Eighth Grade remained on top of the theater average chart with an average of $24,975 in 33 theaters over the weekend. McQueen and Blindspotting were right behind with averages of $24,718 and $24,024 in 4 and 14 theaters respectively. The re-release of Wanda opened with $10,679 in one theater. The two wide releases of the week were next with The Equalizer 2 and Mamma Mia: Here We Go Again! in a virtual tie at $10,629 and $10,537 respectively.
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Limited and VOD Releases: Some Promising Limited Releases are Ready to Bloom
July 20th, 2018
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It is not a busy week for limited releases, but the majority of the ones on the main list are worth checking out. I think Blindspotting has the best shot at box office success, but personally I’m most interested in seeing Maquia: When The Promised Flower Blooms.
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Limited and VOD Releases: Week of Spectacular Limited Releases
June 15th, 2018
There are not a lot of limited releases on this week’s list, and none of them stand out as potential box office hits. The Year of Spectacular Men has some of the loudest buzz and good reviews, but it is playing on Video on Demand, so it will likely do well there and not find an audience in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/03/30 | - | $1,007 | 4 | $252 | $1,181 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| China | 3/30/2018 | $357,693 | 0 | 0 | 0 | $79,277 | 8/10/2018 |
| France | 4/13/2018 | $232,627 | 0 | 0 | 0 | $545,016 | 6/12/2018 |
| Italy | 12/19/2019 | $4,094 | 5 | 7 | 12 | $16,931 | 1/10/2020 |
| Japan | 9/8/2017 | $2,163,015 | 0 | 0 | 0 | $12,246,965 | 7/5/2018 |
| Netherlands | 6/22/2018 | $8,709 | 13 | 13 | 26 | $19,400 | 7/5/2018 |
| North America | 7/20/2018 | $10,670 | 2 | 10 | 53 | $89,315 | |
| Portugal | 3/30/2018 | $1,007 | 4 | 4 | 4 | $1,181 | 4/3/2018 |
| Russia (CIS) | 5/17/2018 | $5,321 | 0 | 0 | 0 | $11,826 | 1/1/2019 |
| South Korea | 12/14/2017 | $6,546 | 0 | 117 | 214 | $260,006 | 10/14/2018 |
| Spain | 10/27/2017 | $47,631 | 42 | 42 | 84 | $128,924 | 11/13/2017 |
| United Kingdom | 3/23/2018 | $12,977 | 10 | 10 | 10 | $12,977 | 3/29/2018 |
| Worldwide Total | $13,411,818 | 1/10/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Masaharu Fukuyama | Tomoaki Shigemori |
| Koji Yakusho | Misumi |
| Suzu Hirose | Sakie Yamanaka |
Supporting Cast
| Yuki Saito | Yamanaka Mitsue |
| Kōtarō Yoshida | Daisuke Settsu |
| Shinnosuke Mitsushima | Kawashima |
| Izumi Matsuoka | Akiko Hattori |
| Mikako Ichikawa | Shinohara |
| Isao Hashizume | Akihisa Shigemori |
| Aju Makita | Shigemori Yuka |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Hirokazu Kore-eda | Director |
| Hirokazu Kore-eda | Screenwriter |
| Hirokazu Kore-eda | Story by |
| Hirokazu Kore-eda | Editor |
| Ludivico Einaudi | Composer |
| Takimoto Mikiya | Director of Photography |
| Tomita Kazuhiko | Sound Designer |
| Yohei Taneda | Production Designer |
| Ogawa Shinichi | Chief Executive Producer |
| Harada Chiaki | Chief Executive Producer |
| Tom Yoda | Chief Executive Producer |
| Osawa Megumi | Associate Producer |
| Odake Satomi | Associate Producer |
| Kaoru Matsuzaki | Producer |
| Hijiri Taguchi | Producer |