United Kingdom Box Office for A Royal Night Out (2015)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $2,248,591 | Details |
| Worldwide Box Office | $5,094,646 | Details |
| Further financial details... | ||
Synopsis
On V.E. Day in 1945, as peace extends across Europe, Princesses Elizabeth and Margaret are allowed out to join the celebrations. It is a night full of excitement, danger and the first flutters of romance.
Metrics
Movie Details
| United Kingdom Releases: | May 15th, 2015 (Wide) |
| Video Release: | April 19th, 2016 by Fox Home Entertainment |
| MPAA Rating: | PG-13 for some sexual content and brief drug elements. (Rating bulletin 2398 (Cert #50125), 11/4/2015) |
| Running Time: | 97 minutes |
| Keywords: | 1940s, Royalty, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Ecosse Films, Filmgate Films, Scope Pictures, HanWay Films, Quickbake Productions, Twinstone, Screen Yorkshire, Lipsync Productions, Film i Vast, The Northlight Studios, Lionsgate |
| Production Countries: | United Kingdom |
| Languages: | English |
Home Market Releases for May 3rd, 2016
May 2nd, 2016
This week the biggest releases are busted Oscar-bait, Joy; a post-apocalyptic young adult adaptation, The 5th Wave; and the latest from Nicholas Sparks, The Choice. Joy is worth at least a rental. The other two are not. There are no major releases that are contenders for Pick of the Week, so that title will go to a smaller release, East Side Sushi on DVD. It has earned unanimously positive reviews, but no buzz.
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Home Market Releases for April 19th, 2016
April 19th, 2016
The biggest release on this week's list is The Revenant. There are no other releases that come close to that film's box office run and / or Awards Season run. However, personally I think it is well overrated and would be considered a merely good film if it weren't for its reputation for being a difficult shoot. As for the Pick of the Week, there were only a couple of contenders. In the end, Drunk Stoned Brilliant Dead on Blu-ray was the clear choice.
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Per Theater Chart: Carol Completes the Hat-trick
December 8th, 2015
For the third weekend in a row, Carol earned first place on the per theater chart, this time with an average of $36,281. It is still playing in only four theaters, which is a huge mistake in my mind. It really should have expanded by now. The Danish Girl remained in second place with an average of $26,089, also in four theaters. It too should expand. The best new release was Youth, which opened with an average of $19,521, again in four theaters. Macbeth was playing in five theaters and earned an average of $13,967. Hitchcock/Truffaut opened with an average of $9,393 in three theaters over the weekend, but it was a Wednesday release. Its five-day average was $11,927.
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Limited and VOD Releases: It's All Greek to Me
December 4th, 2015
It's a very busy weekend with way too many limited releases. Because of this, we had to be a little more selective with what films made the cut to appear in our column. Chi-raq is opening the widest and should earn the most over the weekend. However, there are more than half-a-dozen films on this week's list earning overwhelmingly positive reviews. Some of these might pick up some major Awards Season nominations.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/05/15 | 7 | $475,845 | 333 | $1,429 | $497,221 | 1 | |
| 2015/07/03 | 32 | $3,148 | 5 | $630 | $1,530,226 | 8 | |
| 2015/07/10 | 14 | $59,225 | +1,781% | 20 | $2,961 | $1,588,126 | 9 |
| 2015/07/17 | 17 | $89,875 | +52% | 36 | $2,497 | $1,776,236 | 10 |
| 2015/07/24 | 16 | $87,560 | -3% | 34 | $2,575 | $2,004,724 | 11 |
| 2015/07/31 | 20 | $43,990 | -50% | 16 | $2,749 | $2,217,214 | 12 |
| 2015/08/28 | 38 | $1,048 | 1 | $1,048 | $2,248,591 | 16 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 5/14/2015 | $530,773 | 264 | 264 | 978 | $1,406,337 | 7/20/2015 |
| Austria | 10/2/2015 | $8,555 | 26 | 26 | 69 | $27,707 | 11/17/2015 |
| Germany | 10/1/2015 | $45,664 | 95 | 95 | 238 | $128,871 | 11/3/2015 |
| Hong Kong | 9/10/2015 | $18,490 | 7 | 7 | 11 | $26,803 | 11/26/2018 |
| Italy | 4/7/2016 | $90,606 | 59 | 59 | 92 | $146,319 | 6/9/2016 |
| New Zealand | 5/14/2015 | $58,857 | 63 | 91 | 464 | $511,211 | 7/16/2015 |
| North America | 12/4/2015 | $100,847 | 156 | 158 | 260 | $228,136 | |
| Poland | 7/3/2015 | $21,654 | 0 | 0 | 0 | $114,383 | 12/30/2018 |
| Portugal | 9/24/2015 | $10,394 | 11 | 11 | 26 | $23,252 | 10/20/2015 |
| Spain | 5/20/2016 | $100,595 | 121 | 121 | 276 | $219,389 | 6/9/2016 |
| Turkey | 7/3/2015 | $0 | 0 | 12 | 12 | $13,647 | 12/30/2018 |
| United Kingdom | 5/15/2015 | $475,845 | 333 | 333 | 445 | $2,248,591 | 12/9/2015 |
| Worldwide Total | $5,094,646 | 12/30/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Sarah Gadon | Princess Elizabeth |
| Bel Powley | Princess Margaret |
| Jack Reynor | Jack |
| Rupert Everett | King George |
| Emily Watson | Queen Elizabeth |
Supporting Cast
| Roger Allam | Stan |
| Ruth Sheen | Jack's Mum |
| Jack Gordon | Lieutenant Burridge |
| Geoffrey Streatfield | Jeffers |
| Jack Laskey | Lieutenant Price |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Julian Jarrold | Director |
| Robert Bernstein | Producer |
| Douglas Rae | Producer |
| Trevor De Silva | Screenwriter |
| Kevin Hood | Screenwriter |
| Mark Woolley | Executive Producer |
| Peter Watson | Executive Producer |
| Thorsten Schumacher | Executive Producer |
| Hugo Heppell | Executive Producer |
| Peter Hampden | Executive Producer |
| Zygi Kamasa | Executive Producer |
| Matt Delargy | Co-Producer |
| Genevieve Lemal | Co-Producer |
| James Saynor | Co-Producer |
| Nick O'Hagan | Co-Producer |
| Christophe Beaucarne | Director of Photography |
| Luke Dunkley | Editor |
| Ian Neil | Music Supervisor |
| Paul Englishby | Composer |
| Laurence Dorman | Production Designer |
| Claire Anderson | Costume Designer |
| Lorraine Hill | Make-up and Hair Designer |
| Sam Jones | Casting Director |