Taiwan Box Office for Rough Night (2017)
Theatrical Performance (US$) | ||
Taiwan Box Office | $378,228 | Details |
Worldwide Box Office | $46,844,357 | Details |
Home Market Performance | ||
North America DVD Sales | $1,435,588 | Details |
North America Blu-ray Sales | $1,123,340 | Details |
Total North America Video Sales | $2,558,928 | |
Further financial details... |
Synopsis
Five best friends from college reunite 10 years later for a wild bachelorette weekend in Miami. Their hard partying takes a dark turn when they accidentally kill a male stripper. Amidst the craziness of trying to cover it up, they’re ultimately brought closer together when it matters most.
Metrics
Movie Details
Production Budget: | $20,000,000 |
Taiwan Releases: | July 20th, 2017 (Wide) |
Video Release: | August 25th, 2017 by Sony Pictures Home Entertainment |
MPAA Rating: | R for crude sexual content, language throughout, drug use and brief bloody images. (Rating bulletin 2479 (Cert #50626), 6/7/2017) |
Running Time: | 101 minutes |
Keywords: | Strippers / Stripping, Parties Gone Wild, College, Bachelor Party, Friends Reuniting, Accidental Death, Covering Up an Accidental Death, Screenplay Written By the Star, Ensemble |
Source: | Original Screenplay |
Genre: | Black Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Columbia Pictures, Matt Tolmach Productions, Paulilu |
Production Countries: | United States |
Languages: | English |
Home Market Releases for September 5th, 2017
September 5th, 2017
There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week.
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Home Market Releases for August 22nd, 2017
August 23rd, 2017
Guardians of the Galaxy Vol 2 comes out this week and it is such a big release that is scared away nearly all of the competition. Fortunately, it is also a great film and a serious contender for Pick of the Week. The main competition are Ash vs Evil Dead: Season 2 and Supergirl: Season 2. In the end. I went with Ash vs Evil Dead, but it was a close race.
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Weekend Estimates: Dunkirk, Girls Trip Post Impressive Debuts
July 23rd, 2017
Dunkirk will easily top the chart at the box office this weekend, with a $50.5 million opening weekend from 3,720 theaters that’s broadly in line with expectations, and also remarkably similar to the first weekend for Interstellar, which opened with $47.5 million from 3,561 theaters back in 2014. It seems that the film has reached the Christopher Nolan fan base, but not extended much beyond that. Remarkably, Pearl Harbor remains the record holder for biggest opening weekend for a World War II movie, with the $59 million it earned back in 2001 (equivalent to roughly $93 million with today’s ticket prices).
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Weekend Predictions: Take a Trip with Valerian and Laureline to Dunkirk
July 20th, 2017
So far this summer, box office is running about $200 million behind last year’s pace. The numbers have fallen so far that, year to date, 2017 is now behind 2016’s box office pace. This is even more depressing as last weekend, five of the top six films earned Tomatometer Scores that were over 90% positive. This week, we are continuing the amazing run with critics as two of the three wide releases are earning 90% positive reviews or better, but it doesn’t look like we will be able to improve our box office woes. This weekend last year, Star Trek Beyond opened with nearly $60 million and four other films earned more than $20 million. This weekend, Dunkirk will open in first place and it might top Star Trek Beyond, but that seems unlikely. Even getting to $50 million could be asking too much. Girls Trip should have a box office run somewhere between Rough Night and Bad Moms. ... Yes, I know that’s a lot of wiggle room, but there’s a lot of uncertainty here. Finally there’s Valerian and the City of a Thousand Planets, which cost $180 million to make but is earning almost no buzz here. (It should do a lot better internationally.) We would have to have all three new releases beat expectations and have solid holdovers for 2017 to come out ahead in the year-over-year comparison.
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Thursday Night Previews: Despicable Me 3 Finds $4.1 million During Previews
June 30th, 2017
Despicable Me 3 earned $4.1 million during previews last night, which is both good and bad. It is the best previews for an animated film this year, topping the $2.8 million Cars 3 earned earlier this month. However, it is weaker than the $4.7 million Despicable Me 2 earned and that film was a Wednesday release, so that would have depressed its previews even more, which makes this comparison even worse for Despicable Me 3. The Secret Life of Pets opened on a Friday and earned $5.3 million during its previews. If we use that film as a gauge, then Despicable Me 3 will earn $81 million over the weekend. Despicable Me 3 has earned weaker reviews than those The Secret Life of Pets earned, while it is also a sequel, which tends to hurt legs. We predicted $82 million, but that might be a little optimistic now. It should come close, on the other hand.
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Weekend Predictions: Can Despicable have a Picable Opening?
June 29th, 2017
Despicable Me 3 should dominate the box office this weekend, which is good news, because the last few weeks have been underwhelming. In fact, we haven’t had a monster hit since Wonder Woman started the month off with a bang. The House is an R-rated comedy, but since the last such film to come out bombed, I’m a little worried about its chances. Baby Driver opened on Wednesday and its early numbers are promising. It won’t be a $100 million hit, but it should earn a solid profit for Sony. This weekend last year, there were no monster hits at the box office, but there was solid depth. This weekend, we should be much stronger on top, while the depth won’t be that much weaker, leading to 2017 ending its mini-losing streak.
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Weekend Wrap-up: Knight is First for the Weekend, Last for the Franchise with $44.68 million
June 27th, 2017
Transformers: The Last Knight had the weekend to itself, but it couldn’t take advantage earning $44.68 million / $68.48 million over the full five days. It earned less over five days than last year’s winner, Finding Dory, earned over three days. Wonder Woman remained in second place becoming just the third film released in 2017 to hit $300 million, but there was not much else to celebrate at the box office. This explains why the overall box office fell 27% from last weekend down to $139 million. More importantly, this is 26% lower than the same weekend last year. 2017 is still ahead of 2016, but its lead was cut in half to just 1.3% or $70 million. This is a little distressing.
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Weekend Wrap-Up: Cars 3 Crosses the Finish Line with $53.69 million
June 20th, 2017
As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion.
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Friday Estimates: Cars Doesn’t Burn up the Track, Still Wins Friday with $19.5 million
June 17th, 2017
As expected, Cars 3 earned first place on Friday, but it was a little more subdued than expected, with just $19.5 million for the day. This is a higher opening day than The Lego Batman Movie managed, but family films have a much higher internal multiplier outside of summer, because kids won’t be able to see the movie during matinees on the Friday. If it has the same internal multiplier as Finding Dory had, it would open with $48 million. While Cars 3’s reviews are not as good, it earned an A from CinemaScore, the same as Dory did. Furthermore, Cars 3 is being seen much more by kids than Dory was, as that film had a larger share of adult animation fans, so this should also help its legs. It won’t match our prediction of $58 million, but $51 million is still a great result.
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Thursday Night Previews: The Eyez Have it earning $3.1 million
June 16th, 2017
All Eyez on Me surprised analysts earning $3.1 million during its previews last night. This is better than The Mummy’s $2.66 million earned last weekend, while its reviews are also marginally better. Granted, its Tomatometer score is just 27% positive, so that could kill the film’s legs by Saturday, but this is still a very positive start and the movie will almost assuredly top our prediction of just under $20 million.
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Weekend Predictions: Will Cars Take the Checkered Flag?
June 15th, 2017
It’s a busy week with four truly wide releases, led by Cars 3. The latest film from Pixar is widely expected to earn first place at the box office, but it is part of the only Pixar franchise that isn’t a critical darling. Rough Night is playing in 3,000 theaters, but its early reviews are mixed and that's not going to help its box office numbers. All Eyez on Me is playing in 2,450 theaters, but its early reviews are even worse. Meanwhile, 47 Meters Down’s early reviews were 78% positive, but that has since changed for the worse. This weekend last year, there were two wide releases, Finding Dory and Central Intelligence, which earned a combined $170 million. There’s no way the four new releases coming out this week will match that. Even another strong hold by Wonder Woman won’t make a difference in the year-over-year competition and 2017 is going to lose.
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Contest: Vroom Vroom
June 9th, 2017
There could be as many as four wide releases coming out next week, but there are only two that will likely make an impact at the box office. Rough Night should do well in the counter-programming role and might even be a surprise $100 million hit, if everything goes well. However, there’s almost no chance it will top Cars 3 at the box office. Since Cars 3 is widely expected to dominated during its opening weekend, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Cars 3.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2017 Preview: June
June 1st, 2017
May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead.
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Rough Night Trailer
May 31st, 2017
Comedy starring Scarlett Johansson, Kate McKinnon, Jillian Bell, Ilana Glazer, and Zoë Kravitz opens June 16 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/07/21 | - | $196,479 | 80 | $2,456 | $196,479 | 1 | |
2017/07/28 | - | $38,721 | -80% | 63 | $615 | $344,896 | 2 |
2017/08/04 | - | $4,238 | -89% | 13 | $326 | $374,876 | 3 |
2017/08/11 | - | $384 | -91% | 1 | $384 | $377,979 | 4 |
2017/08/18 | - | $80 | -79% | 1 | $80 | $378,228 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Aruba | 6/15/2017 | $1,030 | 1 | 3 | 4 | $9,002 | 1/1/2019 |
Australia | 6/16/2017 | $1,192,601 | 345 | 345 | 1151 | $3,754,381 | 8/22/2017 |
Austria | 6/30/2017 | $234,159 | 73 | 74 | 403 | $810,179 | 9/12/2017 |
Bulgaria | 6/16/2017 | $19,584 | 45 | 45 | 110 | $60,287 | 2/26/2019 |
Cambodia | 7/20/2017 | $3,940 | 24 | 24 | 29 | $5,800 | 1/1/2019 |
Croatia | 6/22/2017 | $37,472 | 40 | 40 | 151 | $145,129 | 1/1/2019 |
Curacao | 6/15/2017 | $2,079 | 2 | 2 | 6 | $7,902 | 1/1/2019 |
Czech Republic | 6/30/2017 | $1,300 | 1 | 111 | 236 | $209,353 | 1/1/2019 |
Denmark | 7/20/2017 | $292,988 | 63 | 63 | 297 | $746,478 | 9/12/2017 |
Dominican Republic | 6/22/2017 | $11,126 | 21 | 21 | 44 | $25,131 | 1/1/2019 |
Estonia | 7/7/2017 | $0 | 0 | 14 | 33 | $111,550 | 8/30/2017 |
Finland | 6/16/2017 | $39,419 | 43 | 43 | 135 | $191,971 | 8/16/2017 |
France | 8/2/2017 | $403,307 | 145 | 145 | 378 | $769,983 | 8/30/2017 |
Germany | 6/30/2017 | $1,477,543 | 455 | 485 | 2266 | $3,850,971 | 9/12/2017 |
Greece | 6/29/2017 | $34,821 | 64 | 64 | 87 | $89,979 | 4/19/2018 |
Hong Kong | 7/27/2017 | $196,021 | 71 | 71 | 152 | $561,122 | 8/30/2017 |
Hungary | 6/15/2017 | $133,214 | 51 | 51 | 213 | $489,746 | 1/1/2019 |
Iceland | 6/14/2017 | $15,630 | 8 | 8 | 18 | $54,507 | 1/1/2019 |
Israel | 6/15/2017 | $148,481 | 29 | 29 | 132 | $554,340 | 12/20/2018 |
Jamaica | 6/14/2017 | $5,010 | 4 | 4 | 5 | $10,399 | 1/1/2019 |
Latvia | 7/7/2017 | $12,169 | 7 | 7 | 23 | $46,010 | 1/1/2019 |
Lithuania | 7/7/2017 | $24,291 | 96 | 96 | 228 | $114,531 | 8/15/2017 |
Netherlands | 7/27/2017 | $382,005 | 73 | 90 | 574 | $2,269,305 | 9/11/2017 |
New Zealand | 6/16/2017 | $125,414 | 70 | 70 | 246 | $430,278 | 7/31/2017 |
North America | 6/16/2017 | $8,004,283 | 3,162 | 3,162 | 8,949 | $22,105,643 | 12/16/2017 |
Norway | 6/16/2017 | $122,959 | 151 | 151 | 360 | $470,304 | 9/12/2017 |
Philippines | 8/9/2017 | $91,284 | 114 | 114 | 114 | $91,284 | 1/1/2019 |
Poland | 6/16/2017 | $205,393 | 105 | 105 | 351 | $592,656 | 1/1/2019 |
Portugal | 6/15/2017 | $64,626 | 39 | 47 | 153 | $300,240 | 8/8/2017 |
Romania | 6/16/2017 | $110,961 | 67 | 67 | 300 | $358,595 | 1/1/2019 |
Russia (CIS) | 6/15/2017 | $1,037,577 | 876 | 876 | 2216 | $2,432,408 | 1/1/2019 |
Serbia and Montenegro | 6/22/2017 | $11,307 | 17 | 18 | 73 | $59,343 | 1/1/2019 |
Singapore | 8/24/2017 | $41,677 | 10 | 10 | 23 | $84,915 | 9/12/2017 |
Slovakia | 6/22/2017 | $50,079 | 64 | 64 | 124 | $148,526 | 7/25/2017 |
Slovenia | 6/22/2017 | $20,156 | 13 | 13 | 55 | $60,134 | 8/8/2017 |
South Africa | 6/15/2017 | $102,554 | 66 | 75 | 222 | $339,199 | 8/22/2017 |
Spain | 7/21/2017 | $405,465 | 316 | 320 | 975 | $1,530,460 | 9/12/2017 |
Suriname | 6/15/2017 | $748 | 1 | 1 | 6 | $4,534 | 1/1/2019 |
Sweden | 6/16/2017 | $65,036 | 72 | 72 | 201 | $316,686 | 8/1/2017 |
Switzerland | 6/29/2017 | $141,046 | 44 | 44 | 152 | $345,409 | 9/13/2017 |
Taiwan | 7/20/2017 | $196,479 | 80 | 80 | 158 | $378,228 | 8/22/2017 |
Thailand | 7/27/2017 | $53,684 | 68 | 68 | 115 | $145,237 | 8/16/2017 |
Trinidad | 6/14/2017 | $28,594 | 14 | 14 | 32 | $57,528 | 1/1/2019 |
Ukraine | 6/15/2017 | $234,568 | 214 | 214 | 551 | $589,392 | 1/1/2019 |
United Kingdom | 8/25/2017 | $314,704 | 378 | 378 | 852 | $1,027,099 | 9/13/2017 |
Vietnam | 7/28/2017 | $18,749 | 34 | 34 | 56 | $56,239 | 1/1/2019 |
Rest of World | $31,964 | ||||||
Worldwide Total | $46,844,357 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Scarlett Johansson | Jess |
Kate McKinnon | Pippa |
Jillian Bell | Alice |
Ilana Glazer | Frankie |
Zoë Kravitz | Blair |
Supporting Cast
Paul W. Downs | Peter |
Ty Burrell | Pietro |
Demi Moore | Lea |
Enrique Murciano | Detective Ruiz |
Karan Soni | Raviv |
Dean Winters | Detective Frazier |
Colton Haynes | Real Scotty |
Patrick Carlyle | Patrick |
Eric Andre | Jake |
Bo Burnham | Tobey |
Hasan Minhaj | Joe |
Laura Grey | Lisa |
Mark Tallman | Malcolm |
Grant Monohon | Dreadlock Guy |
Yoni Lotan | Miami Man |
Caldwell Tidicue | DJ at Club Liv |
Daniel Raymont | Sommelier |
Carlos Ibarra | Delivery Guy |
Madison Arnold | Morty |
Gina Cottone | Betty |
Dorothi Fox | Female Clerk |
Matty Blake | State Trooper Gary |
Peter Grosz | Cliff |
Devin Ratray | Bud |
Peter Francis James | Jack Eason |
Ron Stroman | Taxi Driver |
Matt Evans | Field Reporter |
Miriam Tolan | Maureen |
Brian Stack | Bob |
Daniel Lee | College Guy |
Jaboukie Young-White | Borat |
Keaton Patti | Ping Pong Guy |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Lucia Aniello | Director |
Lucia Aniello | Screenwriter |
Paul W. Downs | Screenwriter |
Matt Tolmach | Producer |
Lucia Aniello | Producer |
Paul W. Downs | Producer |
Dave Becky | Producer |
Matthew Hirsch | Executive Producer |
Sean Porter | Director of Photography |
Bob Shaw | Production Designer |
Craig Alpert | Editor |
Jeanne McCarthy | Casting Director |
Rori Bergman | Casting Director |
Dominic Lewis | Composer |
Leah Katznelson | Costume Designer |
G. A. Aguilar | Stunt Coordinator |
Jonathan Shoemaker | Unit Production Manager |
Julie A. Bloom | First Assistant Director |
David Manpearl | Co-Producer |
Ryan Heck | Art Director |
Carol Silverman | Set Decorator |
Jessica Lichtner | Script Supervisor |
Amy Burt | Costume Supervisor |
Nuria Sitja | Make up |
Angela Johnson | Make-up and Hair Designer |
Sasha Cummins | Hairstylist |
Robert Lugo | Hairstylist |
Alex Sullivan | Sound Mixer |
Steve Kirshoff | Special Effects Supervisor |
John Stifanich | Special Effects Coordinator |
Ronnie Kupferwasser | Location Manager |
Dayna Katz | Casting Associate |
Karlee Fomalont | Casting Associate |
Leslie Woo | Casting Associate |
Hannah Caruso | Casting Associate |
Greg Hayden | Additional Editor |
Ben Cox | First Assistant Editor |
Greg Hollander | Assistant Editor |
Tateum Kohut | Re-recording Mixer |
Greg Orloff | Re-recording Mixer |
Kami Asgar | Supervising Sound Editor |
Sean McCormack | Supervising Sound Editor |
Paul Pirola | Sound Effects Editor |
Trevor Metz | Sound Effects Editor |
Erin Oakley | ADR/Dialogue Editor |
Robert Chen | Dialogue Editor |
Daniel Pinder | Music Editor |
Dan DiPrima | Music Editor |
Chris Fogel | Score Recordist |
Al Clay | Score Mixer |
Karl Coyner | Visual Effects Supervisor |
John Parenteau | Visual Effects Executive Producer |
Victor Perez | Animation |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.