Belgium Box Office for Renoir (2012)
| Theatrical Performance (US$) | ||
| Belgium Box Office | $128,717 | Details |
| Worldwide Box Office | $6,761,636 | Details |
| Further financial details... | ||
Synopsis
Set on the French Riviera in the summer of 1915, Gilles Bourdos' lushly atmospheric drama RENOIR tells the story of celebrated Impressionist painter Pierre-Auguste Renoir, in declining health at age 74, and his middle son Jean, who returns home to convalesce after being wounded in World War I. The elder Renoir is filled with a new, wholly unexpected energy when a young girl miraculously enters his world. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. At the same time, Jean also falls under the spell of the free-spirited young Andrée. Their beautiful home and majestic countryside grounds reverberate with familial intrigue, as both Renoirs, père et fils, become smitten with the enchanting and headstrong young muse.
Metrics
Movie Details
| Belgium Releases: | January 2nd, 2013 (Wide) |
| MPAA Rating: | R for sequences of art-related nudity and brief language. (Rating bulletin 2251, 12/5/2012) |
| Running Time: | 111 minutes |
| Keywords: | Artists, Autumn Years, Returning Soldiers, World War I, Epilogue, Models, Biography |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Fidelite, Wild Bunch, Mars Films, France 2 Cinema |
| Production Countries: | France |
| Languages: | French |
Per Theater Chart: Much Success for Nothing
June 12th, 2013
Much Ado About Nothing lived up to the hype earning first place on the per theater chart with an average of $34,388 in five theaters. This is enough to suggest significant expansion, but I think it is too "art house" to expand even semi-wide. Dirty Wars opened in second place with an average of $15,876 in four theaters. This is an excellent start for a documentary. The overall box office leader, The Purge, earned third place with an average of $13,430. The final film in the $10,000 club was Before Midnight with an average of $10,123 in 52 theaters during its third weekend of release.
More...
Per Theater Chart: Iron Man Ices the Competition
May 7th, 2013
Iron Man 3 dominated the Per Theater Chart earning an average of $40,946 at over 4,000 screens. Two Millenium Films releases were next with The Iceman and What Maisie Knew earning averages of $21,987 and $21,480 respectively. Free the Mind opened with $12,215 in its lone theater.
More...
Per Theater Chart: Needing a Bigger Place
April 2nd, 2013
There was a huge selection of films in the $10,000 club, led by The Place Beyond the Pines, which earned an average of $69,864 in four theaters. This is the second-best per theater average for the year thus far, behind only Spring Breakers. Space Station rose back to the $10,000 club with $15,301 in two theaters. This film has amazing legs, even compared to other IMAX films, and pops into the $10,000 from time to time. Room 237 opened with an average of $14,847 in two theaters. This is a good start, but as a documentary its potential to expand is very limited. The overall box office leader, G.I. Joe: Retaliation, earned an average of $10,891 over the three-day portion of its opening weekend. Renoir was right behind with an average of $10,866 in six theaters. Temptation also managed to earn a spot in the $10,000 club with an average of $10,572.
More...
Limited Releases: Going Mental for Limited Releases
March 29th, 2013
It's kind of a mixed week when it comes to limited releases. There are quite a few of them, but not many that have good reviews and strong buzz. The best of these is Blancanieves, which I thought opened previously. There are some with good reviews and some with buzz, but not a lot that scream hit. The Place Beyond the Pines probably has the best chance at hitting major milestones.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2013/01/04 | 14 | $39,638 | 11 | $3,603 | $39,638 | 1 | |
| 2013/01/11 | 16 | $27,079 | -32% | 13 | $2,083 | $73,530 | 2 |
| 2013/01/18 | 18 | $14,044 | -48% | 14 | $1,003 | $80,761 | 3 |
| 2013/01/25 | 18 | $16,844 | +20% | 14 | $1,203 | $97,605 | 4 |
| 2013/02/01 | 23 | $7,139 | -58% | 11 | $649 | $120,528 | 5 |
| 2013/02/08 | 26 | $5,059 | -29% | 10 | $506 | $127,980 | 6 |
| 2013/02/15 | 31 | $2,873 | -43% | 5 | $575 | $132,199 | 7 |
| 2013/02/22 | 33 | $840 | -71% | 3 | $280 | $134,136 | 8 |
| 2013/03/01 | 32 | $659 | -22% | 3 | $220 | $128,717 | 9 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Austria | 4/12/2013 | $0 | 0 | 13 | 25 | $55,315 | 12/14/2015 |
| Belgium | 1/2/2013 | $39,638 | 11 | 14 | 84 | $128,717 | 12/14/2015 |
| Brazil | 7/5/2013 | $0 | 0 | 1 | 1 | $180,958 | 12/13/2015 |
| Chile | 6/12/2014 | $0 | 0 | 2 | 5 | $37,102 | 12/30/2018 |
| Denmark | 1/17/2013 | $11,502 | 7 | 7 | 14 | $28,594 | 12/14/2015 |
| France | 1/2/2013 | $0 | 0 | 323 | 553 | $3,010,648 | 12/14/2015 |
| Germany | 2/7/2013 | $0 | 0 | 75 | 282 | $855,634 | 12/14/2015 |
| Netherlands | 12/20/2012 | $5,056 | 7 | 7 | 7 | $5,056 | 12/13/2015 |
| North America | 3/29/2013 | $65,194 | 6 | 86 | 654 | $2,291,047 | |
| Switzerland | 1/9/2013 | $32,986 | 6 | 16 | 34 | $126,221 | 12/14/2015 |
| Uruguay | 12/5/2013 | $3,043 | 2 | 2 | 7 | $42,344 | 12/30/2018 |
| Worldwide Total | $6,761,636 | 12/30/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Michel Bouquet | Pierre-Auguste Renoir |
| Christa Théret | Andrée Heuschling |
| Vincent Rottiers | Jean Renoir |
Supporting Cast
| Thomas Doret | Coco Renoir |
| Michele Gleizer | Aline Renoir |
| Romane Bohringer | Gabrielle |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Gilles Bourdos | Director |
| Jerome Tonnerre | Screenwriter |
| Michel Spinosa | Screenplay (in collaboration with) |
| Jacques Renoir | Based on the book "Le Tableau Amoureux" |
| Alexandre Desplat | Composer |
| Mark Ping Bing Lee* | Photography |
| Yannick Kergoat | Editor |
| François Waledisch | Sound |
| Valérie Deloof | Sound |
| Cyril Holtz | Sound |
| Pascaline Chavanne | Costume Designer |
| Benoît Barouh | Set Designer |
| Christophe Marillier | First Assistant Director |
| Richard Rousseau | Casting Director |
| Elsa Pharaon | Casting Director |
| Michel Charvaz | Props |
| Guy Ribes | Painter |
| Samuel Amar | Production Manager |
| Christine de Jekel | Line Producer |
| Olivier Delbosc | Producer |
| Marc Missonnier | Producer |