South Korea Box Office for Reminiscence (2021)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $292,000 | Details |
| Worldwide Box Office | $15,449,322 | Details |
| Further financial details... | ||
Synopsis
Nick Bannister, a private investigator of the mind, navigates the darkly alluring world of the past by helping his clients access lost memories. Living on the fringes of the sunken Miami coast, his life is forever changed when he takes on a new client, Mae. A simple matter of lost and found becomes a dangerous obsession. As Bannister fights to find the truth about Mae's disappearance, he uncovers a violent conspiracy, and must ultimately answer the question: how far would you go to hold on to the ones you love?
Metrics
Movie Details
| Production Budget: | $67,972,729 |
| South Korea Releases: | August 25th, 2021 (Wide) |
| Video Release: | August 20th, 2021 by Max |
| MPAA Rating: | PG-13 for strong violence, drug material throughout, sexual content and some strong language. (Rating bulletin 2654 (cert #52921), 11/4/2020) |
| Running Time: | 116 minutes |
| Keywords: | Crime Thriller, Near Future, Set in Miami, Romance, Exploring a Character's Mind, Film Noir, Narcotics, Organized Crime, Missing Person, Surprise Twist, Kidnap, Suicide, Dysfunctional Family, Inheritance |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | FilmNation Entertainment, Warner Bros., Kilter Films, Michael De Luca Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend estimates: Shang-Chi keeps the market afloat with $35.8-million second weekend
September 12th, 2021
Shang-Chi and the Legend of the Ten Rings isn’t just the biggest game in town, it’s practically the only game in town at the moment when it comes to earning dollars at the box office. The Marvel movie will earn about $35.8 million this weekend, according to Disney’s Sunday morning projection, a decline of 53% from its three-day opening (a good figure these days), and will stand at $145.6 million or so in total by the end of today, making it already the fourth-highest earner at the domestic box office in 2021 with plenty more to come. Malignant’s $5.57 million box office debut will only be enough for third place this weekend and raises further questions about Warner Bros.’ strategy of releasing films simultaneously on HBO Max.
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Weekend estimates: strong hold for Free Guy keeps it top for second weekend
August 22nd, 2021
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Free Guy will fall just 34% in its second weekend, according to Disney’s Sunday-morning projection, and a weekend total of $18.79 million will be enough to keep it at the top of the box office chart. PAW Patrol: The Movie will come in with a solid $13 million in second place, but the other openers are doing much more poorly, leading to a down weekend for the market as a whole.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/08/27 | 6 | $135,375 | 495 | $273 | $265,664 | 1 | |
| 2021/09/03 | - | $2,592 | -98% | 39 | $66 | $292,831 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/19/2021 | $72,392 | 119 | 119 | 396 | $177,915 | 10/20/2022 |
| Czech Republic | 8/20/2021 | $18,792 | 81 | 81 | 104 | $36,589 | 10/20/2022 |
| Finland | 9/3/2021 | $15,975 | 35 | 35 | 61 | $36,397 | 10/20/2022 |
| France | 8/25/2021 | $662,000 | 477 | 477 | 1156 | $1,200,000 | 9/27/2021 |
| Germany | 8/19/2021 | $0 | 0 | 0 | 0 | $0 | |
| Hong Kong | 8/18/2021 | $185,604 | 0 | 0 | 0 | $311,000 | 9/27/2021 |
| Italy | 8/26/2021 | $109,325 | 0 | 0 | 0 | $176,750 | 10/20/2022 |
| Japan | 9/17/2021 | $773,000 | 334 | 334 | 334 | $1,700,000 | 9/27/2021 |
| Kuwait | 9/3/2021 | $0 | 0 | 0 | 0 | $222,000 | 10/20/2022 |
| Lithuania | 8/20/2021 | $9,170 | 14 | 14 | 26 | $21,734 | 9/8/2021 |
| Mexico | 8/19/2021 | $288,862 | 0 | 0 | 0 | $668,000 | 10/20/2022 |
| Netherlands | 8/27/2021 | $196,623 | 134 | 134 | 282 | $356,000 | 9/27/2021 |
| New Zealand | 8/19/2021 | $0 | 0 | 30 | 84 | $8,928 | 10/20/2022 |
| North America | 8/20/2021 | $1,950,793 | 3,265 | 3,265 | 6,979 | $3,900,193 | |
| Portugal | 8/20/2021 | $27,530 | 58 | 58 | 124 | $63,491 | 9/9/2021 |
| Romania | 8/20/2021 | $30,025 | 73 | 73 | 157 | $84,034 | 10/20/2022 |
| Russia (CIS) | 8/26/2021 | $685,140 | 1333 | 1333 | 3719 | $1,800,000 | 10/20/2022 |
| Saudi Arabia | 8/20/2021 | $330,000 | 0 | 0 | 0 | $613,000 | 10/20/2022 |
| Slovakia | 8/27/2021 | $13,294 | 57 | 57 | 69 | $21,823 | 9/9/2021 |
| South Korea | 8/25/2021 | $135,375 | 495 | 495 | 534 | $292,000 | 9/27/2021 |
| Spain | 8/27/2021 | $216,952 | 305 | 305 | 742 | $524,000 | 9/27/2021 |
| Turkey | 8/20/2021 | $40,215 | 216 | 216 | 484 | $181,724 | 10/20/2022 |
| Ukraine | 8/19/2021 | $217,000 | 0 | 0 | 0 | $302,000 | 10/20/2022 |
| United Arab Emirates | 8/20/2021 | $221,000 | 0 | 0 | 0 | $331,000 | 9/13/2021 |
| United Kingdom | 8/18/2021 | $354,642 | 524 | 524 | 524 | $764,000 | 9/27/2021 |
| Rest of World | $1,656,744 | ||||||
| Worldwide Total | $15,449,322 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Hugh Jackman | Nick Bannister |
| Rebecca Ferguson | Mae |
| Daniel Wu | Saint Joe |
| Thandiwe Newton | Emily “Watts” Sanders |
| Cliff Curtis | Cyrus Boothe |
Supporting Cast
| Marina de Tavira | Tamara Sylvan |
| Mojean Aria | Sebastian Sylvan |
| Brett Cullen | Walter Sylvan |
| Natalie Martinez | Avery Castillo |
| Angela Sarafyan | Elsa Carine |
| Javier Molina | Hank |
| Sam Medina | Falks |
| Norio Nishimura | Harris |
| Roxton Garcia | Freddie |
| Giovannie Cruz | Cindy |
| Woon Young Park | Burly Bouncer |
| Han Soto | Wesley Humphrey |
| Rey Hernandez | Harry |
| Gabrielle Echols | Titch |
| Andrew Masset | Butler |
| Nico Parker | Zoe |
| Barbara Bonilla | |
| Jules Hartley | Hooker |
| Jorge Longoria | Lorenzo |
| Ivan Mbakop | Sunburnt Man |
| Jeff Brockton | Sylvan Guard |
| Michael Papajohn | Sylvan Guard |
| Claire Lanay | Protestor |
| Aria Castillo | Protestor |
| Roger Magee | Protestor |
| Rene Mena | Man on Porch |
| Enrique Abada | Man on Porch |
| Laci Broussard | New Mom |
| Shawn Carter Peterson | Coconut Club Pianist |
| Thomas Francis Murphy | Armin |
| JC Leuyer | Massive Prisoner |
| Teri Wyble | Angela |
| Autumn Dial | Receptionist |
| Renes Rivera | Coconut Club Bouncer |
| Myles Humphus | Moe |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Lisa Joy | Director |
| Lisa Joy | Screenwriter |
| Michael De Luca | Producer |
| Lisa Joy | Producer |
| Aaron Ryder | Producer |
| Jonathan Nolan | Producer |
| Athena Wickham | Executive Producer |
| Elishia Holmes | Executive Producer |
| D. Scott Lumpkin | Executive Producer |
| Howard Cummings | Production Designer |
| Mark Yoshikawa | Editor |
| Ramin Djawadi | Composer |
| Paul Cameron | Director of Photography |
| Brian Machleit | Stunt Coordinator |
| Buster Reeves | Stunt Coordinator |
| Bobby Talbert | Stunt Coordinator |
| Frank Torres | Stunt Coordinator |
| Sam Gilberg | Associate Producer |
| Bruce Jones | Visual Effects Supervisor |
| Jennifer Starzyk | Costume Designer |
| John Papsidera | Casting Director |
| D. Scott Lumpkin | Unit Production Manager |
| Brandon Lambdin | First Assistant Director |
| Kevin Lum | Second Assistant Director |
| Alex Capaldi | Production Supervisor |
| Scott Plauche | Supervising Art Director |
| Matthew Gatlin | Art Director |
| Nicole Reed LeFevre | Set Designer |
| Cierra Madison | Set Designer |
| Stephanie Parker | Set Designer |
| Walter Schneider | Set Designer |
| Brett Murray | Sound Mixer |
| Jeremy Peirson | Sound Designer |
| Jeremy Peirson | Supervising Sound Editor |
| Thomas Jones | Supervising Sound Editor |
| Michael Babcock | Re-recording Mixer |
| Jeremy Peirson | Re-recording Mixer |
| Ralph Osborn | Dialogue Editor |
| Chris Diebold | Sound Effects Editor |
| Dan Kenyon | Sound Effects Editor |
| Mitch Osias | Sound Effects Editor |
| David Jobe | Foley Mixer |
| Ari Nikjeh | Visual Effects Producer |
| Leslie Sungail | Costume Supervisor |
| Donald Kozma | Make up |
| Bernadette Mazur | Make up |
| Anji Bemben | Hairstylist |
| Peter Chesney | Special Effects Supervisor |
| Pete Chesney, Jr. | Special Effects Coordinator |
| Brandon Goertz | Location Manager |
| Steve LeBlanc | Supervising Location Manager |
| Lorna Street Dopson | Script Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.