Paul Cameron
Best known as a Cinematographer based on credits in that role in 13 films, with $2,176,030,070 worldwide aggregate box office (rank #67) |
Best-known technical roles: Pirates of the Caribbean: Dead Men Tell No Tales (Cinematographer), Collateral (Cinematographer), Total Recall (Cinematographer), Gone in 60 Seconds (Cinematographer), Man on Fire (Cinematographer) |
Most productive collaborators: Chad Oman, Jerry Bruckheimer, Terry Rossio, Javier Bardem, Ted Elliott |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Cinematographer | 13 | $754,320,467 | $1,421,709,603 | $2,176,030,070 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office | 86 | $754,320,467 |
Top Grossing Cinematographer at the International Box Office | 63 | $1,421,709,603 |
Top Grossing Cinematographer at the Worldwide Box Office | 67 | $2,176,030,070 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Aug 20, 2021 | Reminiscence | Director of Photography | $3,900,193 | $11,549,129 | $15,449,322 |
Nov 22, 2019 | 21 Bridges | Director of Photography | $28,539,757 | $14,117,874 | $42,657,631 |
Jan 12, 2018 | The Commuter | Director of Photography | $36,343,858 | $82,165,978 | $118,509,836 |
May 26, 2017 | Pirates of the Caribbean: D… | Director of Photography | $172,558,876 | $622,302,918 | $794,861,794 |
Mar 8, 2013 | Dead Man Down | Director of Photography | $10,895,295 | $8,704,679 | $19,599,974 |
Aug 3, 2012 | Total Recall | Cinematographer | $58,877,969 | $152,978,119 | $211,856,088 |
Jan 27, 2012 | Man on a Ledge | Director of Photography | $18,620,000 | $31,001,440 | $49,621,440 |
Apr 20, 2007 | In the Land of Women | Director of Photography | $11,052,958 | $3,087,444 | $14,140,402 |
Nov 22, 2006 | Déjà Vu | Director of Photography | $64,038,616 | $117,000,000 | $181,038,616 |
Aug 6, 2004 | Collateral | Cinematographer | $100,170,152 | $117,432,815 | $217,602,967 |
Apr 23, 2004 | Man on Fire | Director of Photography | $77,906,816 | $53,061,763 | $130,968,579 |
Jun 8, 2001 | Swordfish | Director of Photography | $69,772,969 | $77,307,444 | $147,080,413 |
Jun 9, 2000 | Gone in 60 Seconds | Cinematographer | $101,643,008 | $131,000,000 | $232,643,008 |
Averages | $58,024,651 | $109,362,277 | $167,386,928 | ||
Totals | 13 | $754,320,467 | $1,421,709,603 | $2,176,030,070 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office | 86 | $754,320,467 |
Top Grossing Cinematographer at the International Box Office | 63 | $1,421,709,603 |
Top Grossing Cinematographer at the Worldwide Box Office | 67 | $2,176,030,070 |