Australia Box Office for Quartet (2012)
Theatrical Performance (US$) | ||
Australia Box Office | $8,715,860 | Details |
Worldwide Box Office | $56,178,935 | Details |
Home Market Performance | ||
North America DVD Sales | $2,478,704 | Details |
North America Blu-ray Sales | $429,343 | Details |
Total North America Video Sales | $2,908,047 | |
Further financial details... |
Synopsis
Beecham House is abuzz. The rumor circling the halls is that the home for retired musicians is soon to play host to a new resident. Word is, it's a star. For Reginald Paget, Wilfred Bond and Cecily Robson this sort of talk is par for the course at the gossipy home. But they're in for a special shock when the new arrival turns out to be none other than their former singing partner, Jean Horton. Her subsequent career as a star soloist, and the ego that accompanied it, split up their long friendship and ended her marriage to Reggie, who takes the news of her arrival particularly hard. Can the passage of time heal old wounds? And will the famous quartet be able to patch up their differences in time for Beecham House's gala concert?
Metrics
Movie Details
Production Budget: | $11,000,000 |
Australia Releases: | December 26th, 2012 (Wide) |
Video Release: | June 18th, 2013 by Anchor Bay Home Entertainment |
MPAA Rating: | PG-13 for brief strong language and suggestive humor. (Rating bulletin 2250, 11/21/2012) |
Running Time: | 99 minutes |
Keywords: | Novel or Other Work Adapted by Author, Autumn Years, Retirement, Musicians, Singers, Relationships Gone Wrong, Comedy Drama |
Source: | Based on Play |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | BBC Films, DCM Productions, Headline Pictures, Finola Dwyer Productions, Decca, HanWay Films |
Production Countries: | United Kingdom |
Languages: | English |
DVD Sales: Jack's Regular-Sized Opening
August 21st, 2013
New releases were rather sparse on the June 23rd, 2013 edition of the DVD sales chart. Granted, Jack the Giant Slayer did earn first place, but it was the only new release in the top five. It sold 319,000 units and generated $4.79 million in revenue, which is weak given the film's production budget.
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DVD and Blu-ray Releases for June 18th, 2013
June 18th, 2013
It's another typical summer week on the home market. That is to say, it's a bad week on the home market. There are several first-run releases, the biggest of which was Jack the Giant Killer, which bombed at the box office. There are some limited releases that help the overall quality, but it is still a bad week. As far as Pick of the Week candidates go, Quartet on DVD or Blu-ray is the best choice. One could argue it is the only choice, but there are three Criterion Collection releases that are worth checking out, as well as some horror films, both old and new, that should please genre fans. On a side note, there are six Disney Channel releases on this week's list. That's a little strange.
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Per Theater Chart: Gimme Got the Loot
March 27th, 2013
Gimme the Loot led the way on the per theater chart with $21,065 in its lone theater. The overall box office leader, The Croods, was the only other film in the $10,000 club with an average of $10,786.
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Per Theater Chart: Getting Stoked
March 5th, 2013
There was only one film able to top $10,000 on the per theater chart, as Stoker earned an average of $22,935 in seven theaters. Its reviews were only good and not great, so I'm not sure how well it will do next week.
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Per Theater Chart: Gate Keeps Out Thief
February 13th, 2013
The Gatekeepers remained in first place in the per theater chart with an average of $14,024 in three theaters. The only other film to top $10,000 on the per theater chart was Identity Thief with an average of $11,000, which is amazing for a wide release at this time of year.
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Per Theater Chart: Gated Community
February 5th, 2013
The Gatekeepers led the way on the per theater chart with an average of $22,226 in three theaters. The only other member of the $10,000 club was Koch with an average of $17,598 in two. Both films should continue to do well on the art house circuit, but as documentaries, I doubt they will expand significantly.
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Per Theater Chart: John Lives
January 29th, 2013
John Dies at the End didn't crash and burn at the box office. I'm genuinely surprised. The film's reviews were mixed, and generally speaking, even great reviews are no guarantee for a limited release. Also, it opened on Video on Demand before coming out in theaters, which is usually a death sentence for a film's box office chances. However, John Dies at the End earned first place on the per theater chart with $12,467 in its lone theater. The only other film to top $10,000 on the per theater chart was Happy People: A Year in the Taiga with $10,481, also in one theater.
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Per Theater Chart: Love Leads the Way
January 23rd, 2013
Amour continues to show legs most limited releases can only dream of. Despite expanding its theater count to 36, the film topped the per theater chart with an average of $11,479. It is very rare for a wide release to reach the $10,000 level during this time of year, but that's exactly what Mama did, as it opened with an average of $10,730 during the three-day portion of the weekend. Quartet might have reached the $10,000 mark. We are still relying on studio estimates and at the moment the studio says it made $320,000 in 32 theaters for an average of exactly $10,000.
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Per Theater Chart: Singing a Love Song
January 15th, 2013
Quartet opened on top of the per theater chart with an average of $23,561 in two theaters. This is very impressive, especially for this time of year. Amour expanded from 3 to 15 theaters, but you couldn't tell from its per theater average, as it held very well down just 14% to $17,138.
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Weekend Estimates: Minor Oscar Effect as Zero Dark Thirty Wins
January 13th, 2013
As expected, Zero Dark Thirty will ride its Oscar nominations to a win at the box office this weekend, according to studio estimates released on Sunday. But the overall Oscar effect seems quite small. In fact, A Haunted House, which it's safe to say won't be on any Oscar lists this time next year, will have the highest per theater average in the top 10, and came in a very creditable second place with $18.8 million from just 2,160 theaters. Gangster Squad, which has some Oscar-style pedigree, but suffered from a delay for reshoots following the Aurora tragedy, will come in third with a slightly disappointing $16.7 million from 3,103 venues.
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Limited Releases: Oscars Steal the Spotlight
January 11th, 2013
With the Oscar nominations announced yesterday, the focus is on the the high-caliber films from 2012 that are still in theaters. This will hurt the new wide releases coming out this week, but it will be devastating to the limited releases. There's only one film on this week's list that looks like it might escape relatively unharmed: Quartet.
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Awards Season: Lincoln Shows a United Front at the Golden Globes
December 13th, 2012
The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/01/04 | 6 | $956,182 | 115 | $8,315 | $3,601,486 | 2 | |
2013/01/11 | 7 | $686,463 | -28% | 120 | $5,721 | $4,897,129 | 3 |
2013/01/18 | 8 | $552,997 | -19% | 129 | $4,287 | $5,854,401 | 4 |
2013/01/25 | 11 | $403,077 | -27% | 117 | $3,445 | $6,598,191 | 5 |
2013/02/01 | 7 | $383,756 | -5% | 133 | $2,885 | $7,309,519 | 6 |
2013/02/15 | 11 | $225,429 | 135 | $1,670 | $8,208,439 | 8 | |
2013/02/22 | 12 | $169,871 | -25% | 108 | $1,573 | $8,514,014 | 9 |
2013/03/01 | 12 | $126,576 | -25% | 93 | $1,361 | $8,575,678 | 10 |
2013/03/08 | 13 | $69,149 | -45% | 66 | $1,048 | $8,715,860 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/26/2012 | $0 | 0 | 135 | 1016 | $8,715,860 | 12/14/2015 |
Austria | 1/25/2013 | $0 | 0 | 25 | 126 | $223,114 | 12/14/2015 |
Brazil | 3/8/2013 | $88,700 | 39 | 39 | 127 | $419,544 | 12/14/2015 |
Bulgaria | 12/13/2013 | $1,458 | 3 | 3 | 7 | $3,143 | 12/30/2018 |
Colombia | 4/19/2013 | $27,262 | 13 | 13 | 25 | $58,554 | 12/30/2018 |
Denmark | 2/28/2013 | $66,987 | 47 | 53 | 233 | $504,757 | 12/14/2015 |
Finland | 4/5/2013 | $107,975 | 64 | 76 | 242 | $467,966 | 12/14/2015 |
France | 4/3/2013 | $723,967 | 177 | 181 | 358 | $1,366,395 | 12/14/2015 |
Germany | 1/24/2013 | $406,765 | 125 | 147 | 1067 | $2,562,810 | 12/14/2015 |
Greece | 4/11/2013 | $23,634 | 5 | 5 | 15 | $70,228 | 12/14/2015 |
Hungary | 1/24/2013 | $14,487 | 8 | 8 | 8 | $14,487 | 12/30/2018 |
Iceland | 3/27/2013 | $309 | 1 | 1 | 1 | $516 | 12/30/2018 |
Italy | 1/24/2013 | $408,705 | 88 | 98 | 391 | $1,762,757 | 12/14/2015 |
Mexico | 4/26/2013 | $107,563 | 54 | 54 | 54 | $107,563 | 12/14/2015 |
New Zealand | 12/26/2012 | $362,127 | 78 | 79 | 596 | $1,929,906 | 12/14/2015 |
North America | 1/11/2013 | $47,122 | 2 | 725 | 5,384 | $18,388,357 | 12/5/2014 |
Norway | 3/22/2013 | $9,192 | 10 | 10 | 21 | $54,413 | 12/14/2015 |
Poland | 4/12/2013 | $63,004 | 40 | 40 | 120 | $165,421 | 12/30/2018 |
Singapore | 1/31/2013 | $8,039 | 1 | 1 | 4 | $32,079 | 12/14/2015 |
South Africa | 2/15/2013 | $46,905 | 20 | 20 | 73 | $226,403 | 12/14/2015 |
Spain | 1/25/2013 | $174,293 | 113 | 113 | 442 | $999,540 | 12/14/2015 |
Sweden | 2/1/2013 | $33,058 | 11 | 18 | 76 | $270,205 | 12/14/2015 |
Switzerland | 1/24/2013 | $110,221 | 39 | 39 | 144 | $664,155 | 12/14/2015 |
Taiwan | 3/22/2013 | $1,741 | 2 | 2 | 3 | $4,471 | 12/14/2015 |
United Arab Emirates | 1/24/2013 | $8,574 | 3 | 3 | 3 | $12,256 | 12/30/2018 |
United Kingdom | 1/1/2013 | $3,729,011 | 415 | 415 | 2074 | $12,406,069 | 12/14/2015 |
Uruguay | 4/12/2013 | $4,412 | 2 | 3 | 7 | $23,024 | 12/30/2018 |
Venezuela | 3/15/2013 | $1,239 | 13179 | 17568 | 50046 | $98,753 | 12/14/2015 |
Rest of World | $4,626,189 | ||||||
Worldwide Total | $56,178,935 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Maggie Smith | Jean Horton |
Tom Courtenay | Reggie Paget |
Billy Connolly | Wilf Bond |
Pauline Collins | Cissy Robson |
Supporting Cast
Michael Gambon | Cedric Livingston |
Sheridan Smith | Dr. Lucy Cogan |
Andrew Sachs | Bobby Swanson |
Gwyneth Jones | Anne Langley |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Dustin Hoffman | Director |
Ronald Harwood | Screenwriter |
Ronald Harwood | Based on the Play by |
Finola Dwyer | Producer |
Stewart Mackinnon | Producer |
Jamie Laurenson | Executive Producer |
Dario Suter | Executive Producer |
Christoph Daniel | Executive Producer |
Marc Schmidheiny | Executive Producer |
Dickon Stainer | Executive Producer |
Xavier Marchand | Executive Producer |
Dustin Hoffman | Executive Producer |