Australia Box Office for Qian Ren 3: Yan Zhi Da Zuo Zhan (2017)
Theatrical Performance (US$) | ||
Australia Box Office | $219,148 | Details |
Worldwide Box Office | $307,547,824 | Details |
Further financial details... |
Metrics
Movie Details
Australia Releases: | December 29th, 2017 (Wide) |
MPAA Rating: | Not Rated |
Running Time: | 120 minutes |
Franchise: | Ex Files |
Keywords: | Romance, Relationships Gone Wrong, Blind Date, Internet, Internet Dating |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production Countries: | China |
Languages: | Mandarin |
International Box Office: Jumanji is Welcomed to First Place with $81.75 million
January 18th, 2018
Jumanji: Welcome to the Jungle leaped into first place with $81.75 million on 33,000 screens in 83 markets for totals of $385.03 million internationally and $669.27 million worldwide. The film debuted in first place in China with $39.74 million on 20,000 screens over the weekend for a total opening of $40.23 million. Had the film only earned $385.03 million in total, it still would have been enough to to break even before the home market. The film will eventually hit $800 million worldwide, which is enough to cover its entire budget and the production budget of the inevitable sequel.
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International Box Office: Ex Files Flies to Top Spot with $86.96 million
January 10th, 2018
Ex Files 3: Return of the Exes roared into first place with $86.96 million over the weekend for a 13-day total of $200.43 million. Its weekend total was double last weekend’s haul, while every other holdover at the top of the Chinese chart fell by more than 50%.
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Theater Averages: Post Haunts the Theater Average Chart
January 10th, 2018
None of the new releases reached the $10,000 club, which is not unexpected. The Post remained in first place earning an average of $47,167 in 36 theaters. This is an amazing omen for its upcoming wide expansion. Phantom Thread slipped to $40,040 in four theaters. There was a large gap to the third place film, Ex Files 3: Return of the Exes, which earned an average of $10,418 in 17 theaters, while I, Tonya was right behind with $10,107 in 242 theaters. The best new release of the week was actually the only wide release of the week, Insidious: The Last Key, with an average of $9,493.
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International Box Office: The Last Jedi Completes the Hat-Trick with $68.0 million
January 3rd, 2018
We’ve been tracking Star Wars: The Last Jedi’s international numbers on a daily basis, since it debuted, so talking about the weekend numbers would actually be behind our most recent report. Just a quick recap: The film earned $68.0 million in 54 markets for totals of $523.3 million internationally and $1.040 billion worldwide. The film is on pace for $1.4 billion to $1.5 billion worldwide, including China, where it opens on Friday.
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Theater Averages: 2017 Ends on a Lucky Note, with Seven Members of the $10,000 Club
January 3rd, 2018
The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters.
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Limited and VOD Releases: Will 2017 Fade Away?
December 29th, 2017
This weekend is very literally the last chance for a film to qualify for the Oscars and for most Awards Season ceremonies, it is too late as voting has already begun. This explains why there are only three films on this week’s list, only two of which have any reviews. Film Stars Don’t Die in Liverpool is easily the best, but I’m still unsure if it will thrive in limited release.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/12/29 | 21 | $43,180 | 16 | $2,699 | $43,180 | 1 | |
2018/01/05 | 16 | $67,942 | +57% | 10 | $6,794 | $173,926 | 2 |
2018/01/12 | 23 | $31,980 | -53% | 10 | $3,198 | $240,907 | 3 |
2018/01/19 | - | $7,162 | -78% | 7 | $1,023 | $219,148 | 4 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/29/2017 | $43,180 | 16 | 16 | 43 | $219,148 | 1/22/2018 |
China | 12/26/2017 | $32,110 | 0 | 121062 | 273740 | $306,449,472 | 8/16/2018 |
New Zealand | 12/29/2017 | $8,289 | 4 | 4 | 12 | $41,413 | 1/22/2018 |
North America | 12/29/2017 | $180,920 | 21 | 24 | 88 | $837,791 | |
Worldwide Total | $307,547,824 | 8/16/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Uncategorized
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tian Yusheng | Director |