United Kingdom Box Office for Puzzle (2018)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $113,447 | Details |
Worldwide Box Office | $2,266,853 | Details |
Home Market Performance | ||
North America DVD Sales | $21,475 | Details |
Total North America Video Sales | $21,475 | |
Further financial details... |
Synopsis
After years of concerning herself exclusively with the needs and wants of her husband Louie and sons Ziggy and Gabe, Agnes has found something that she wants to do. Stepping out of her domestic bubble to pursue her new hobby, Agnes meets Robert, a wealthy, reclusive inventor who immediately recognizes her talent and recruits her as his partner for an upcoming world jigsaw tournament. Each day she spends out in the world, puzzling and conversing with Robert, takes Agnes further along on the road to a new understanding of herself and her strengths. With that understanding come new insights and an assertiveness that finds her speaking out on her own behalf and pushing back against the assumptions and routines that have until now defined her role in her family. Ultimately, Agnes will decide for herself what comes next.
Metrics
Movie Details
United Kingdom Releases: | September 7th, 2018 (Limited) |
Video Release: | November 13th, 2018 by Sony Pictures Home Entertainment |
MPAA Rating: | R for language. (Rating bulletin 2521 (Cert #51544), 4/4/2018) |
Running Time: | 102 minutes |
Keywords: | Intellectual Pursuits, Delayed Adulthood, Foreign-Language Remake, Remake, Tournament, Dysfunctional Family, Catholic, Sundance Film Festival 2018 |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Big Beach, Olive Productions, Rosto Inc |
Production Countries: | United States |
Languages: | English |
Home Market Releases for November 13th, 2018
November 14th, 2018
There are not many big releases on this week’s list. The Meg is the biggest, but not the best. As for the best, I’m going with Pixar Short Film Collection: Volume Three on Blu-ray.
More...
Theater Averages: Venom is the Toast of the Town
October 10th, 2018
The overall box office leader, Venom, was also the top film on the theater average chart earning an average of $18,884. Studio 54 was yet another documentary success story opening with $14,909 in its lone theater. The only holdover in the $10,000 club was Free Solo with an average of $13,726 in 41 theaters and by the end of Sunday, it was nearly at $1 million. The Hate U Give was close behind with an average of $13,336 in 36 theaters. Finally, A Star is Born was the last film in the $10,000 club, earning an average of $12,373 in wide release.
More...
Theater Averages: Searching Found an Audience in Limited Release
August 29th, 2018
Searching had one of the ten best theater averages for a limited release so far this year, earning an average of $43,197 in nine theaters. The film is scheduled to expand wide this Friday and this start combined with its reviews is a good omen for its box office chances. The Bookshop was well back in second place with an average of $12,000 in 4 theaters. Meanwhile the only holdover was The Wife, which held on well with an average of $11,819 while playing in 18 theaters. The film should earn some measure of mainstream success, but I’m not sure it will last in theaters long enough to earn any real Awards Season buzz. Finally, John McEnroe: In the Realm of Perfection wasn’t able to reach the $10,000 club over the three-day weekend, as it earned $7,878 in its lone theater. However, it was a Wednesday release and it earned $11,733 during its five-day debut.
More...
Theater Averages: Documentaries Remain in Fashion
August 2nd, 2018
Scotty and the Secret History of Hollywood dominated the theater average chart earning first place with $28,144 in one theater. The next closest film was a fellow documentary, McQueen, which earned an average of $16,692 in five theaters during its second weekend of release. The overall number one film, Mission: Impossible—Fallout, was next with an average of $13,962. The final film in the $10,000 club was Puzzle, with an average of $12,243 in five theaters.
Weekend Estimates: Impossible Tops Chart with Franchise Best $61.5 million Debut
July 29th, 2018
Mission: Impossible—Fallout dominated the weekend box office chart with $61.5 million over the weekend. This is the best opening in the franchise, unless you take inflation into account. Assuming the film can have the same legs as Rogue Nation, it will be able to top $200 million domestically. The film’s reviews and its A from CinemaScore, and the nearly total lack of quality competition in August, make that seem likely; however, I think we should wait a week before predicting a final box office tally. Internationally, the film made $92 million in 36 markets, which is close to 20% higher than Rogue Nation’s debuts in those markets, which should be enough to keep Paramount happy. Although given the studio’s struggles in the past few years, if the film was just marginally profitable, it would have been reason for Paramount to celebrate.
More...
Limited and VOD Releases: Will Any Release Solve the Box Office Puzzle?
July 27th, 2018
We are entering the dog days of summer, which means there are not a lot of limited releases. It’s too late to get a boost from summer vacations while trying to expand, but it is way too early for Awards Season buzz. There are some films that could find smaller audiences in theaters, like Scarred Hearts or Puzzle, but I don’t expect any of them to earn any real measure of mainstream success.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/09/07 | - | $30,477 | 86 | $354 | $30,477 | 1 | |
2018/10/12 | - | $2,031 | 5 | $406 | $95,608 | 6 | |
2018/10/19 | - | $2,781 | +37% | 5 | $556 | $108,054 | 7 |
2018/10/26 | - | $507 | -82% | 1 | $507 | $110,023 | 8 |
2018/11/09 | - | $285 | 1 | $285 | $111,272 | 10 | |
2018/11/23 | - | $917 | 2 | $459 | $113,447 | 12 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/30/2018 | $1,825 | 1 | 2 | 8 | $26,206 | 12/31/2018 |
Brazil | 11/15/2018 | $20,200 | 13 | 14 | 35 | $39,984 | 1/3/2019 |
North America | 7/27/2018 | $61,214 | 5 | 265 | 1,028 | $2,031,242 | |
Singapore | 10/4/2018 | $0 | 0 | 1 | 2 | $4,328 | 10/23/2018 |
South Africa | 11/30/2018 | $3,393 | 5 | 5 | 22 | $20,148 | 1/10/2019 |
Sweden | 12/24/2018 | $0 | 0 | 8 | 17 | $31,498 | 1/23/2019 |
United Kingdom | 9/7/2018 | $30,477 | 86 | 86 | 100 | $113,447 | 11/27/2018 |
Worldwide Total | $2,266,853 | 1/23/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Kelly Macdonald | Agnes |
Irrfan Khan | Robert |
Supporting Cast
David Denman | Louie |
Bubba Weiler | Ziggy |
Austin Abrams | Gabe |
Liv Hewson | Nicki |
Helen Piper Coxe | Ezster |
Mandela Bellamy | Grocery Clerk |
Lori Hammel | Fanny |
Lawrence Arancio | Train Conductor |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Marc Turtletaub | Director |
Oren Moverman | Screenwriter |
Polly Mann | Screenwriter |
Natalia Smirnoff | Story based on the film by Rompecabezas by |
Wren Arthur | Producer |
Guy Stodel | Producer |
Marc Turtletaub | Producer |
Peter Saraf | Producer |
Steve Buscemi | Executive Producer |
Christopher Norr | Director of Photography |
Roshelle Berliner | Production Designer |
Catherine Haight | Editor |
Mirren Gordon-Crozier | Costume Designer |
Dustin O'Halloran | Composer |
Susan Jacobs | Music Supervisor |
Avy Kaufman | Casting Director |