South Korea Box Office for Promare (2019)
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| Theatrical Performance (US$) | ||
| South Korea Box Office | $190,527 | Details |
| Worldwide Box Office | $12,845,911 | Details |
| Home Market Performance | ||
| North America DVD Sales | $227,563 | Details |
| North America Blu-ray Sales | $1,178,800 | Details |
| Total North America Video Sales | $1,406,363 | |
| Further financial details... | ||
Synopsis
Thirty years has passed since the appearance of Burnish, a race of flame-wielding mutant beings, who destroyed half of the world with fire. When a new group of aggressive mutants calling themselves “Mad Burnish” appears, the epic battle between Galo Thymos, a new member of the anti-Burnish rescue team “Burning Rescue,” and Lio Fotia, the leader of “Mad Burnish” begins.
Metrics
Movie Details
| South Korea Releases: | October 20th, 2022 (Limited) |
| Video Release: | April 21st, 2020 by Shout Factory |
| MPAA Rating: | PG-13 for some violence and language. (Rating bulletin 2589 (Cert #52322), 7/31/2019) |
| Running Time: | 111 minutes |
| Keywords: | Action Adventure, Anime, Cyberpunk, Firefighter, Mutants |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | XFLAG, Studio Trigger |
| Production Countries: | Japan |
| Languages: | Japanese |
DVD and Blu-ray Releases for May 19th, 2020
May 20th, 2020
I think it’s a great week on the home market for a few reasons, one of which is selfish. Amazon finally got its act together and upcoming releases are appearing on the site so I can pre-plan weeks, which makes my job easier. It also is making my wallet very scared, because there are a number of amazing releases coming out soon. This includes several new releases this week that are worth picking up like Buffaloed, Emma., Justice League Dark: Apokolips War, etc. and those aren’t even the contenders for Pick of the Week. That list is limited to The Good Place: The Complete Series Blu-ray and The Quintessential Quintuplets: Season 1. In the end I went with The Good Place, which I think will have a wider appeal.
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VOD Releases: Promare has Promise
April 17th, 2020
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It’s a much slower week for digital releases, with no major first-run releases to talk about. That said, there are some previous theatrical releases that are making it to digital this week, including Promare. This movie was a monster hit for an anime release late last year, so it could be the biggest release on this week’s chart. That said, anime fans will probably want to buy it on Blu-ray.
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Theater Averages: In Love with the Theater Average Chart
October 3rd, 2019
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First Love was the only film in the $10,000 Club this weekend earning an average of $10,576 in two theaters.
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Theater Averages: Where’s The $10,000 Club?
September 26th, 2019
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The $10,000 Club didn’t have many members this week and none of them were really able to shine. Where’s My Roy Cohn? did the best with an average of $10,591 in four theaters. Meanwhile the overall number one film, Downton Abbey, was close behind with an average of $10,079.
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Limited and VOD Releases: The Pros and Cons of Limited Releases
September 20th, 2019
Most of the positively reviewed films on this week’s list are documentaries, including Midnight Traveler, which could find a receptive audience on the art house circuit. On the other hand, Promare is the film I’m most interested in seeing.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/10/21 | 18 | $10,396 | 63 | $165 | $19,336 | 1 | |
| 2022/10/28 | - | $8,441 | -19% | 27 | $313 | $33,692 | 2 |
| 2022/11/04 | 16 | $13,466 | +60% | 17 | $792 | $54,407 | 3 |
| 2022/11/11 | 12 | $12,542 | -7% | 18 | $697 | $77,068 | 4 |
| 2022/11/18 | 13 | $11,251 | -10% | 15 | $750 | $94,563 | 5 |
| 2022/11/25 | 15 | $11,844 | +5% | 14 | $846 | $114,452 | 6 |
| 2022/12/02 | 18 | $11,787 | n/c | 10 | $1,179 | $134,229 | 7 |
| 2022/12/09 | - | $6,404 | -46% | 9 | $712 | $147,735 | 8 |
| 2022/12/16 | - | $2,067 | -68% | 3 | $689 | $154,860 | 9 |
| 2022/12/23 | - | $2,218 | +7% | 4 | $555 | $162,785 | 10 |
| 2022/12/30 | - | $1,876 | -15% | 3 | $625 | $166,233 | 11 |
| 2023/01/06 | - | $2,709 | +44% | 3 | $903 | $173,954 | 12 |
| 2023/01/20 | - | $979 | 2 | $490 | $180,376 | 14 | |
| 2023/02/10 | - | $2,497 | 2 | $1,249 | $179,808 | 17 | |
| 2023/03/10 | - | $1,659 | 2 | $830 | $180,604 | 21 | |
| 2023/03/24 | - | $1,031 | 1 | $1,031 | $183,560 | 23 | |
| 2023/04/28 | - | $1,595 | 1 | $1,595 | $186,242 | 28 | |
| 2023/10/06 | - | $787 | 2 | $394 | $190,527 | 51 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/25/2019 | $53,579 | 28 | 28 | 45 | $95,517 | 11/13/2019 |
| China | 6/5/2021 | $880,000 | 24986 | 24986 | 31736 | $2,950,000 | 7/23/2021 |
| France | 8/2/2019 | $49,386 | 43 | 43 | 86 | $95,935 | 8/18/2019 |
| Japan | 5/24/2019 | $733,910 | 0 | 0 | 0 | $6,780,175 | 7/11/2019 |
| New Zealand | 11/28/2019 | $5,899 | 9 | 9 | 10 | $7,296 | 10/19/2022 |
| North America | 9/17/2019 | $109,085 | 31 | 701 | 1,425 | $2,528,913 | |
| Russia (CIS) | 9/12/2019 | $39,549 | 162 | 162 | 287 | $96,805 | 10/19/2022 |
| South Korea | 10/20/2022 | $10,396 | 63 | 63 | 196 | $190,527 | 10/11/2023 |
| Spain | 10/23/2020 | $14,939 | 48 | 48 | 48 | $15,044 | 10/29/2020 |
| United Kingdom | 11/29/2019 | $85,699 | 29 | 29 | 29 | $85,699 | 12/4/2019 |
| Worldwide Total | $12,845,911 | 10/11/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Kenichi Matsuyama | Galo Thymos |
| Taichi Saotome | Lio Fotia |
Supporting Cast
| Masato Sakai | Kray Foresight |
| Kendo Kobayashi | Vinny |
| Arata Fufuta | Deus Prometh |
| Ayane Sakura | Aina Ardebit |
| Hiroyuki Yoshino | Remi Puguna |
| Tetsu Inada | Varys Truss |
| Mayumi Shintani | Lucia Fex |
| Rikiya Koyama | Ignis Ex |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Hiroyuki Imaishi | Director |
| Kazuki Nakashima | Screenwriter |
| Kazuki Nakashima | Story by |
| Jorge Soto Marin | Producer |
| Stephanie Sheh | Producer |
| Michael Sinterniklaas | Producer |
| Rodney Uhler | Producer |
| Dave Jesteadt | Producer |
| Shigeto Koyama | Character Designer |
| Shimpei Ishikawa | 3D Animation Supervisor |
| Junichi Uematsu | Editor |
| Hiroyuki Sawano | Composer |